The Rudolf Steiner Archive

My dear brothers and sisters! As we know, it's our duty at the beginning of each esoteric lesson to address the Spirit, the regent of the day who helps to direct the earth in world evolution. (Verse for Wednesday) Today we'll go into what one can look upon as the only right and true beginning of clairvoyance. The most important thing in all esoteric activity and inner development is to create calm, inner quiet and to keep it after the actual meditation. After we've meditated on the verses or have done the other things that the masters of wisdom and of the harmony of feelings have given us for our training, we should remain absolutely quiet for awhile. Nothing from everyday life, no memory of it and not even a feeling of our body should press in there. We must feel bodiless and as if empty; we must eliminate thoughts about our own existence and should only accept the fact of our existence. But one shouldn't fall asleep or get into a dream state.

Then one has a condition in which clairvoyance can begin. What arises before our inner gaze in such moments comes from the spiritual world. There are ways of telling whether the images that emerge there are purely spiritual or whether they're illusory.

What would happen if the etheric body would leave the physical body for even a moment? The physical body would contract, shrivel and become wrinkled; it tends to contract into a very small space and then to eventually dissolve into nothing. The etheric body tends to spread out into the widths of space; then it feels connected with all forces out in space. It fills the physical body and spreads it out to the size it has.

Old people get wrinkles through this tendency of the physical body to shrink. The physical body shrinks because the etheric body doesn't work in there anymore like it did when the man was young.

Something similar happens to our etheric body during meditation. The etheric body streams and spreads out in space and feels its way into everything. The same is true at the moment of death when the physical body releases the etheric body; this can also last for days.

It's a blissful sensation when the etheric body feels as if it's dissolved in space. And things would remain like this until rebirth if the astral body wasn't there to pull the etheric body back together again through its desires, drives and passions; thereby a man enters kamaloca.

During meditation one should try—and this can be done after years of effort—to get to the point where one's interior feels illuminated. A man becomes a light that illumines the objects in the spirit world that approach him. The things we perceive in such moments when the soul is very calm aren't like the ones in physical life where we see them from outside, like we see the sun rising on the horizon in the morning. Rather, to stick with the sun example, we feel as if we were in the sun that rises there on the horizon of our clairvoyant consciousness. We feel as if we were divided up in space. But illusory figures arise before us, then, if we bring personal feelings of sympathy and especially of antipathy, improper fondness for certain people, etc. into our meditation. In someone who lies and is dishonest in daily life, the lies stream into space with his etheric body. The dishonestly is rayed back by the things that a pupil sees there, just as a mirror reflects an image of our face and an echo throws back our voice. Then dissembling shapes such as beautiful angel figures appear there, caused by the dishonesty that streams out with the etheric body. Through the relation of these figures to our own dishonesty the latter is increasingly consolidated, and eventually we can't distinguish between truth and lies anymore.

Now some of you may think that there must be ways to protect oneself against these delusive images. But as truly as I'm speaking here and am advocating the esotericism behind which stand the masters of wisdom and of the harmony of feelings, so true it is that there's no way to immediately dispel these illusory images an to prevent them from appearing. Only through very patient, steady work on oneself, through the overcoming of dishonesty in oneself, can one gradually get to the point where these illusory things don't appear anymore and lies don't become reflected because they aren't there anymore.

Someone who is proud, who begins esoteric training with false ambition, who feel a wild desire to experience all truths of the spiritual world as fast as possible produces errors in himself, thereby. He becomes receptive for all gossip out in the world He likes to stick his nose into men's everyday affairs as he listens eagerly to all sensational comments and phenomena. Then he cannot distinguish between true and false things anymore.

That's how ambition and error are connected. Each of us must combat unhealthy cravings for the highest truths, pride, lies and dishonesty in himself. We must raise ourselves to the highest morality in daily life if we want to arrive at the right clairvoyance, which can only emerge from mediations that are done properly.

To do these correctly, one must not bring feelings and thoughts about everyday life into them, otherwise one would pollute the etheric substance that should radiate out there.

The longer and more intensively the meditations are done, the more intensive their effect is, but one must be a little cautious here. One who notices that he doesn't feel well, gets dizzy or the like, shouldn't mediate too long, and he should think seriously about what he did wrong. One should feel the same after a mediation as before it. We should think about our esoteric life very often. We should know our defects and make it quite clear to ourselves how bad we are. But this knowledge of our badness shouldn't depress us. That would be crass egotism, for through this depression we would show that we thought we were better than we really are, whereas we do have the defects that we acquired ourselves through our previous life and that thereby became our karma. See the defects quite clearly and then start to get rid of them.

We must learn to think objectively. Those who say that they're already thinking objectively, are often making a big mistake, for this assumption is only subjective, it's a delusion.

Pride or ambition leads to error and superstition; we must not succumb to this. We should confront everything that comes to meet us from whatever side, with an alert, open intellect, clear thinking and sharp logic. We shouldn't swear by what seems right to us at first; investigate it critically, don't give in blindly to something. That's also the way it should be in our esoteric life; no belief in authority is demanded.

And my dear sisters and brothers, the masters of wisdom and of the harmony of feelings let me tell you that you should always maintain and use all of your intellectual powers with respect to the wisdom that's given by them, with respect to what I'm justified in advocating here, and also with respect to me. One should approach what's said and advocated here with healthy human understanding, with sensibleness and with an open-minded thinking, if it is only opened far enough. You shouldn't swear by this or that but should judge for yourself.

And so we'll summarize everything that this class—which like all esoteric classes should be a sacred one for us—has brought us with the words:

In the spirit lay the germ of my body.
And the spirit has imprinted in my body
The eyes of sense,
That through them I may see
The lights of bodies.
And the spirit has imprinted in my body
Reason and sensation
And feeling and will,
That through them I may perceive bodies
And act upon them.
In the spirit lay the germ of my body.
In my body lies the germ of the spirit.
And I will incorporate into my spirit
The super-sensible eyes
That through them I may behold the light of spirits.
And I will imprint in my spirit
Wisdom and power and love,
So that through me the spirits may act
And I become a self-conscious organ
Of their deeds.
In my body lies the germ of the spirit.

(Extract from C:) Right after awakening in the morning if one tries to dive back down into the spiritual worlds one came from by emptying one's soul and immersing oneself in one's meditation, one can then attain a memory of one's experiences in spiritual worlds during the night.

Before we can begin with the esoteric lesson, I'm obliged to tell you something, namely that one of our members from the more intimate circle gave me a brochure, as if driven by a right impulse, and this induces me to say a few things As you know each esoteric pupil, depending on his predisposition, gets exercises that for deeper lying reasons and through their buildup and sequence of word bring about what a pupil needs for his development. The sequence of words is of the greatest importance, also which word is used and where it stands, so that what is intended is attained. Many of you have received the verse: In pure rays of light … as a morning exercise.

Now I just received a brochure that contains the following:

I see in the pure rays of light
The Godhead of the world;
In love to all beings radiates the divinity of my soul.
I live in the Godhead
And find myself again
In the Godhead of the world.

It is hard to determine how the writer of this brochure arrived at the formula, for it belongs exclusively to our esoteric school. It could be that one of our students was careless enough to tell it to outsiders. We could also imagine the other case—that actually happened several years ago—that someone meditated in a rooming house, and a man was in the adjacent room who took in these ideas clairvoyantly. We should always have the greatest sympathy for people like the first case mentioned, for as esoterics, we know that everything punishes itself, even if nothing bad was intended. The reason it must have this effect is that every word of the formula was put in its place with the greatest care, and if they are torn out of context, they'll have the opposite effect. One has created a contrary effect through an arbitrary change in the word sequence and through the use of the positive little word “I”—whereas everything was kept in flux and as if objective in the original formula, so that everything is supposed to work through the imaginative picture. Our meditations should always proceed from our inner moral impulses; the other world and especially our personal ego should be excluded completely. We should grasp the Godhead of the world and the way it streams through the world with its divine light in our thoughts quite objectively. Our ego shouldn't become obtrusive here or then the effect would become just the opposite. Quite differently constituted spiritual effects would then have to appear, namely Luciferic effects.

In the first line, I see in pure rays of light, the moral impulse that suppresses the ego in all humility and that should e completely devoted to the divine spirit of the world in which one rests while forgetting oneself, doesn't come out.

The egotistical principle also emerges strongly in the last lines:

I live in the Godhead
And find myself again
In the Godhead of the world

for something quite different is experienced in the I rest.

From this, one sees how very exact and careful we must be so that we also use the words of our meditation quite correctly in our thoughts.

We'll now pass on to several images that we can use for our esoteric training because they have a very strong effect. We know that the path to higher worlds first goes through Imagination and then via Inspiration and Intuition. The pictures that shall now be given strengthen the organs that lead to imaginative perception.

In our theosophical teachings we've often heard that the world is maya, that we ourselves are nothing but maya, and if even outer science is beginning to explain the world in this way, we should then take this saying even more seriously.

If we look at this rose, then, it has an upwards directed flower and a stem directed downwards. But what seems to be there is no true image. Science has taught us that what we see comes about through a crossing of light rays, so that the upside-down image of the rose appears in our eye, whereas we see the outer picture of the rose with the flower up. That's the mirror image of the real light phenomenon in us. From this we see that what we perceive outside is maya, and it's a reverse maya, where down is up. That's the way it is with everything around us; the whole world whose surface we think we see—and ourselves also—is really standing on its head. If we want to perceive the true shape of the world then we mustn't look for mirror images but we must look for the realities behind them before they become reflected in the outer world. Practically everything is the opposite of the way we imagine it. What seems to be up is down; what seems to be behind us is in front; what seems to be left is right, they're really coming from the left; if we see objects standing before us, then in reality forces are there that press towards us from behind. The same is true of the starry heavens. We see it before us when we look up; in reality, it's reflected to our eyes by forces that are behind us.

If we want to arrive at the truth in the world, we must ascend from the Spirit of Form to the Spirits of Movement, so that the latter can help us to see what is placed before us as a mirror image by Spirits of Form as the inversion of reality. We can use the following as a symbol to gain practice in this. When we see a rose with a flower on top, we move it down in our thoughts and therewith make a movement that the forces of the Spirits of Movement can symbolize for us.

But there is one thing in man that is no mere sensory illusion, that's no maya. This is the word that resounds from men, the living word, the logos. The word doesn't come to us from outside, it's something alive in us, it's our real being. It streams out of our soul life; we who let the word stream out over our lips are it ourselves with all of our feelings. And if we top to think that the word is the Logos and that everything that's spoken in the world is spoken out of this source, we'll then feel a deep responsibility towards the word.

Only what men have said in their words will survive the earth and pass over to the next planetary condition. As we said, what we hear from the left comes from the right, but the sound that we utter is the only thing that's no different from what it seems to be. It sounds forth from within and it really comes from within. Divine beings, the Logos, speak to us out of it.

Today we'll clarify how one should answer questions that approach one in esoteric life. An esoteric should never answer: “What is the heart?” by saying that it's the cause of blood circulation, for he shouldn't give physical causes for things. Everything physical, all of our organs and the whole human being are only symbols of something spiritual, of what higher hierarchies have created. Spirits of Motion already worked on our blood circulation on the old Sun. Then Spirits of Form descended and pressed forms and signs on all created things; and so the heart is only a sign for work that higher hierarchies did on us.

Everything that surrounds us is just maya. Good Gods created this world of maya for men, as it were, like a flower out of the real world so that man develops through it, kindles his ego on it, and penetrated it to get back to the world of real things once again. A man definitely needs this world of maya in his present condition. That's the way one should interpret Goethe's saying: for what is this beautiful world, the starry heavens there except for man to be delighted by it? This is a seemingly naïve expression for the fact that the world in this form and as we perceive it with our physical senses is really only there for us. For in reality, in the world of real things, everything appears with its spiritual causes behind it.

The world of maya doesn't exist for minerals, plants and up through cold-blooded animals. But it exists for warm-blooded animals, although the latter have no ego that could become ignited by it. These animals give a clairvoyant the impression that they have been brought into evolutionary conditions that they're not adapted to, and this upsets one. That's why the humanoid apes give one such a grotesque impression.

As we should become ever more aware, an esoteric should wrest himself away from maya and connect himself with the world of real things. He can only do this through the meditations from the spiritual worlds that are given by the masters of wisdom and of the harmony of feelings, those personalities who support the work of the higher hierarchies. For instance, they gave a concentration exercise that enables us to help in the work on evolution. It may take hours and many attempts, but if an esoteric concentrates on the place where he feels the heart in him, he'll notice that his thoughts don't remain with the heart he's concentrating on—they ray or pour out from there, and he'll see something like a rising, shining star whose center is the archetype of what the heart is the sign for. And the star's lines and rays will begin to resound and the sounds will become words, the primal words that created the heart out of the world of real things. And when the words are translated they're the words of the prayer to the Sunday spirit: Great embracing Spirit, many archetypes sprouted out of your life. (See EL 58) The star's rays are always the words: You were. Whereas the lines in between are the other words.

Thus an esoteric arrives at such an experience through correct, serious exercises. Although many don't do their mediations intensely enough, one who does can penetrate the world of real things, and depending on what he brings with him, he'll feel comfortable or repelled by it. The latter gives him pain and suffering, but necessarily so. For the good Gods can only tolerate what fits into their world; everything else is rejected.

An esoteric may often still have qualities that he's not fully aware of but which work on his development and that he's made aware of by certain indications. If an esoteric does his exercises diligently and correctly, and he wakes up at night with a feverish feeling, he can oppose this with a psychic coldness; and then he has a definite feeling that he's not alone, that he has awakened a doppelganger in himself through his esoteric training. Who is that? And what does he want? The good Gods have, as it were, hired certain Luciferic spirits to keep the qualities of men that don't belong in their world out of it. One of them is Samael, who counteracts our hate and envy. We notice him through the feverishness that befalls us as long as we're still full of these defects.

Another being becomes active if an esoteric hasn't overcome a certain untruthfulness that we're all guilty of, and that often lies so deep in our subconsciousness that we don't notice it. For instance, someone may decide to go to a theosophical meeting in another city because it would be instructive and good for him. But in reality he has quite different motives for going there, for instance, he wants to meet somebody there, but he doesn't admit this real reason to himself. Another dishonesty that's hard to notice is the following. We often think that enthusiasm is driving us into spiritual worlds, whereas we only want to wallow in the enjoyment of the feeling that results from occupying oneself with such things. Now if we do our exercises correctly and we want to press into spiritual worlds, we might get a feeling of being choked or of someone sitting on our chest. The Luciferic being who causes this is Azazel. He hinders us from entering the spiritual world before we've gotten rid of all lies.

If we do our daily duties in a lazy, inattentive and careless way, we might have a drowning feeling on awaking, as if our air was cut off and we were melting and flowing away.

The attention that we should pay to the surrounding world is of greater importance than most people think. If we exercise with real joy, it's a big help in pressing into spiritual worlds. For we should think of the spiritual causes behind every thing and encounter. Spiritual beings have to do what we don't do, because the work must be done.

Here's an example of how inattentively we often do our work. A new educational program was being started at a school, and all its teachers had to take an exam. The humane school inspector told himself: I won't ask the older teachers what they learned at the seminar long ago—they wouldn't remember it. I'll only ask them what they taught every day. But it turned out that many of these teachers did not know what they'd had their students repeat to them maybe twenty times. That's how little they'd been paying attention.

Like these teachers, we're often not thinking about our work. And the being who has to make adjustments for this is called Azael in occult parlance.

These three things are direct defects. A fourth quality we must also get rid of is avoiding one's karma, instead of courageously going to meet it. Under such circumstances if we want to press into the world of real things, we'll wake up in the morn with a feeling of being fettered, as if we were returning to a prison, and our whole body will hurt. This is brought about by Mehazael.

Of course exoterics must also bear the consequences of their defects, but they become manifest in them differently—as corporeal diseases for instance—and they don't become aware of why they got something like that. An esoteric should gradually bring everything into his consciousness, and esoteric schools help him with this. Of course what we perceive of such a school with our senses is only a very small part of it—a faint, outer sign. Just as everything physical, also sensations that we perceive, are only symbols for realities, so what an esoteric school looks like on the physical plane is only a symbol for what it is on the spiritual one. When such a school forms, it's mostly the case that a man immerses himself say in the heart through concentration. The experience forms itself into a formula in him which he can pass on to a number of pupils, whereby they're reconnected with spiritual realities. Our closing mantra expresses this creative force that's active in the spiritual.

In the spirit lay the germ of my body.
And the spirit has imprinted in my body
The eyes of sense,
That through them I may see
The lights of bodies.
And the spirit has imprinted in my body
Reason and sensation
And feeling and will,
That through them I may perceive bodies
And act upon them.
In the spirit lay the germ of my body.
In my body lies the germ of the spirit.
And I will incorporate into my spirit
The super-sensible eyes
That through them I may behold the light of spirits.
And I will imprint in my spirit
Wisdom and power and love,
So that through me the spirits may act
And I become a self-conscious organ
Of their deeds.
In my body lies the germ of the spirit.

What we want to attain through esoteric exercises is to concentrate completely on one thought and afterwards to let an empty space arise in us and to wait for what flows to us as a result of our meditation What we attain thereby depends on the intensity of the perseverance that we have applied to this. One might think that one gets ahead faster by changing exercises, but the most profound esoterics have always said that they got the furthest by doing the same exercise with patience and perseverance for years.

One might get a spiritual exercise from someone and then not see him again on this earth. But if this exercise is done correctly and the pupil's karma is favorable, it can last him a whole lifetime and bear fruits for him until he finally finds his teacher in the spiritual world.

When an esoteric applies forces to his inner development, he'll notice that certain bad qualities had become more manifest. One of these is criticism, but an esoteric should realize how this desire to knock other people down arises. We heighten and intensify our egoity through the exercises, and criticizing is a desire to assert oneself, a wanting to be something special, a need to separate oneself. An esoteric loses interest in many outer things that he paid a lot of attention to previously. This goes so far that some esoterics have the feeling they can't see as well as before.

Most of them also complain that their memory isn't as good. But as we pointed out in previous classes this not paying attention to one's environment is a mistake. It can happen that someone doesn't do his exercises intensively enough to fill the inner emptiness with spiritual content, which he now no longer wants to fill with his previous interests. This gives him an urgent feeling, a driving restlessness, a need to fill his inner emptiness from outside. Then he's easily tempted to criticize outer things. In a way, this criticizing is understandable and justified, for after a man first closed himself off from the outer world and now steps out of himself again, he would like to assert himself against the world. But there's an egotism in this that should be suppressed together with the criticizing. When we attain this the forces that we would have wasted otherwise will turn inwards and fructify our soul life. The need to separate himself is something that's quite justified for an esoteric, for he can only make progress in solitude. The feeling of loneliness is unbearable for most ordinary mortals, but an esoteric should learn to tolerate solitude. This promotes his esoteric life a great deal. A man who longs for company dissipates his forces through this longing. It's as if this longing sprayed out from him in all directions He should gather thee forces and turn them inwards instead. That way he'll gain a great deal.

An esoteric must bring two qualities into equilibrium like pendulum swings, first the tolerance of solitude, that is, the strengthening of egoity, and secondly complete devotion to the duty that approaches us from outside, to the point of self-sacrifice or the forgetting of oneself. When we've gotten to the point where our heart longs for solitude in the midst of our surroundings, where the latter makes us suffer and we nevertheless give it our full, devoted love—then we've attained the unification of apparently contradictory qualities.

A third thing we should practice is to be silent about our esoteric experiences. An undeveloped man almost explodes if he has to keep a secret, and he feels very relieved if he can get things off his chest. But an esoteric should consider that this force that threatens to blow one up must be a very strong one if one prefers to store it up inwardly. That's why it says, “Learn to be silent and you'll get the power”—that is, the power to rule things within one. For instance, an occult investigator can perceive how much stronger a man gets when he has to suppress the telling of a secret for some reason. Say that a man has something on his soul that he would like to tell a friend. Intending to rush over to him, he meets another acquaintance at the door, but he doesn't want to tell this one about it. Later it's too late to go to his friend, so he has to suppress his urge to communicate. An occultist will see that the soul in such a person has developed a force that wouldn't have arisen if the man had fulfilled his wish to make his communication. The saying: “The mouth speaks out of the heart's abundance” shouldn't apply to an esoteric.

It might sometimes be good and appropriate for a nonesoteric to tell all, but not for an esoteric. By communicating his innermost feelings and thoughts, he sprays out forces that would have been very necessary for his soul. Every time we're able to keep thoughts and feelings to ourselves, especially ones that are connected with our esoteric experiences and difficulties, we acquire a soul force that we can't lose. One should speak about universally human things and about things that can be useful to people, but not about one's own affairs that are nobody else's business. Where does this need to communicate come from anyway? We seldom feel the need to go to other men because we love them selflessly, but usually because they have qualities that give us something. We should also drop the wish to be coddled. We should be grateful to people if they treat us badly, because then we can exercise our tolerating forces. We should try to love these people anyway, and we'll then notice that this is the right thing to do. An esoteric should also stop complaining. What does he complain about? Mostly about the thoughts that storm in on him from all sides when he begins his meditation. But he should be thankful for this and look upon it as progress that he notices how real the thought world is and that it can assert itself like this. He should just oppose it because he'll get stronger thereby We should figure out how these thoughts do it, look upon them as models of how we can concentrate ourselves and tell ourselves: We should immerse ourselves in meditation with the same intensity—then we'll attract spiritual forces that support us. It would be a very comfortable meditation if angels or other spiritual beings would come beforehand to sweep away the undesired thoughts.

Once an esoteric has overcome all of these qualities and has learned to speak the right amount, he'll arrive at what mystics called the portal of death, because he finds himself in the same condition as a man who has turned all of his interests away from the outer world as he gets ready to die. He has turned inwards or toward divine spiritual things. That's what's meant in the second part of our Rosicrucian verse: In Christo morimur; we die in Christ when we transform ourselves completely and turn toward the spiritual world again. Ex Deo nascimur: We're born from God and must incarnate in the physical. Then it's our task to develop so that we can say; In Christo morimur. We turn away from all physical things and raise ourselves to the spiritual that was always called the Holy Spirit, and in this we are reborn: Per Spiritum Sanctum reviviscimus. The verse that masters of wisdom and of the harmony of feeling gave us:

In the spirit lay the germ of my body.
And the spirit has imprinted in my body
The eyes of sense,
That through them I may see
The lights of bodies.
And the spirit has imprinted in my body
Reason and sensation
And feeling and will,
That through them I may perceive bodies
And act upon them.
In the spirit lay the germ of my body.
In my body lies the germ of the spirit.
And I will incorporate into my spirit
The super-sensible eyes
That through them I may behold the light of spirits.
And I will imprint in my spirit
Wisdom and power and love,
So that through me the spirits may act
And I become a self-conscious organ
Of their deeds.
In my body lies the germ of the spirit.

It's only natural that in the course of years our esoteric lectures should get ever more complicated and be built up on ones that have already been given. But since our esoteric movement is growing steadily the main disadvantage to this is that things get a little superficial. The ideal would be to have a small group that strives for ever more deepening. One way to counteract the flattening would be if new members would turn trustingly to ones who've been listening to these lectures for years and catch up that way. In general, it would be good if people would chatter less and think more about spreading esoteric teachings in our circles and also about taking them in. It's not the right thing for so many of our members to concentrate their trust so much on one person, that is, mainly on me as the more or less karmic instrument for the spreading of these teachings. Newcomers should turn trustfully to older members in personal and daily affairs, and only get advice from me in questions of esoteric development. Trust is a factor that's very important in the life of a lodge, and the ability to give advice increases in those who are asked for it. We have many physicians in our movement whom I trust completely, as can always be observed. Our members could turn to them in many health matters. There's a particularly strong esoteric life in this place and perfect work is done. Of course some polar disadvantage arise, especially through the coming in of people who don't realize what serious and sacred thing the esoteric life is. It should be impossible for someone who devoted himself to esoteric life to think of leaving it for an external reason, because that only proves how insincere his decision was right from the beginning. Karma creates a quiet destiny for some people the moment they become esoterics so that they can move their exercises into the center of their life. Others run into events which they can't bring into harmony with their esoteric life, sometimes to such a great extent that their esoteric life suffers from it. Of course, the ideal would be if we would irradiate our whole life from our esoteric center, if we had always directed our gaze at it. Something that especially harms esoteric development is the untested, superficial and therefore objectively incorrect criticism that we often direct at people. I'm not saying that criticizing is wrong, but it should always be directed to facts and not at people whom one doesn't happen to like.

Our exercises seem to be something very simple, and yet they're something that works on us more strongly than anything we can encounter in life. What do they bring about? Through them, we're supposed to loosen our etheric body from within and pull it out. At some point in our exercises it'll happen that we don't see, hear or feel anymore, and this happens through the loosening of the etheric body. There are many methods to bring it out, but such external methods that aren't based on meditation are harmful to organs, since the etheric body is repelled form outside, by the eyes, for instance, and they then suffer from this. Only some forces are loosened by meditative withdrawal, so that enough of them are left to maintain biological functions. When we get into this state of not hearing things, etc., we've left our physical body. Although many of us have been doing these exercises for years, we haven't been able to do this. Why not?

People get an uncomfortable feeling before they leave their body, so they resist this instinctively. A man opposed this stepping out of the etheric body more than anything else Even thinking about it hinders it. It's almost like a reflex motion, that one immediately recoils when this feeling comes over one. The reason one resists this is that when a pupil has developed enough intensity to leave his body, he suddenly realizes what a sublime, wonderful temple this body with all of its organs is, and then when he looks at what went out he sees that it's an ugly worm, and this worm resists, because he's shocked at his own ugliness. And then we realize how endless the path to perfection is.

We receive a force through our exercises, and this should pour out from within. Someone may tell us: Nothing is pouring in me. And that's not surprising if he doesn't do his exercises energetically enough and if he rates many everyday interests much higher than his esoteric work.

The first feeling that we get through the etheric body's loosening is a heaviness in the brain and in the whole physical body, which we feel is a weight that doesn't belong to us. We feel that this wonderful structure that's the greatest thing about us is weak and perishable. We made it that way. Divine beings made it increasingly perfect since Saturn, and the Saturn and Sun forces in it are upbuilding ones that would sustain it. But we got something into it with Moon forces, astral things, and earth forces, the ego, that turns these forces outwards in order to transmit percepts to the ego through sense organs. Now in the course of a pupil's training he feels that his senses are a destructive force, a poisonous substance that's inserted in his organism. Just as the astral body and ego were incorporated, so the nervous system, brain and senses had to be transformed so that they could not receive from outside what had previously streamed out through them from within. At this moment a man understood the real cause of death, and in the ancient mysteries one called this: Standing at the portal of death.

Now the I is supposed to make all the things it did wrong good again and to perfect all of its bodies so that we become a true man. It's true that the expression “man” is often not used in the high sense that really underlies it, but an esoteric should always look upon the making of himself into a man as his highest striving. So we should let all imperfect things die in the one whose name is so sacred to us that we don't name him, in order to come back to life again in the perfect, in the Holy Spirit.

An esoteric has to pay attention to things that are irrelevant to an exoteric. For instance, he should keep in mind that the truth he strives for can only be a relative truth, that as an esoteric one can't speak of eternal truths at all. Our wishes always mix into our striving and we must tell ourselves that we'd rather accept a truth that pleases us than one that doesn't. For instance, the thought of immortality is more appealing to most people than the one that everything is over at death, and so they tend to accept it as a truth just for that reason. But an esoteric should not do this. He should exclude his personal wishes and then investigate. Meditations are given for this in which we should, as it were, rest spiritually in a particular thought content. It's more important to let our soul rest in the meditation than to think about its content, for our soul forces become strengthened through this continued repetition.

The tendency to believe in and defend absolute eternal truths is an attribute of our consciousness soul. Now it's possible that the latter no longer controls these ideas but is controlled by them and pours them outwards. In occultism one calls a consciousness soul with these ideas an “inner Sadducee.” We all have such an inner Sadducee in us, and an esoteric has the duty to feel this and to adapt himself accordingly.

The intellectual or mind soul can also have something like a second man in it, and that's when someone wants to set up a personally recognized truth as a generally valid one. A man does this out of a certain feeling of shame, because he doesn't want to say: “I've recognized this truth through this or that experience and therefore it's a truth for me,” but he'd like to set it up as one that's generally valid. In occultism one calls him a Pharisee. The inner Pharisee is the intellectual soul which takes over in this direction. This desire to set up personal truths often leads to hypocrisy and dishonesty.

One can also let the sentient soul predominate too much in its striving for truth. This is done by people who would rather wallow in feelings than take in teachings about the world evolution and elaborate them, who for instance would rather immerse themselves in Tauler or some other medieval mystic and who reject everything else. Since the sentient soul is fairly distant from the consciousness soul it doesn't bring its defects to expression in such an unpleasant way as the latter does; and yet it's a mistake for an esoteric to turn away from everything that the outer world can tell him and to only look for truth in inner immersion. In occultism one calls this way of letting the sentiment soul predominate the “inner Essene.” One could object that an Essene is someone who's quite good. Of course he is, but the spiritual leaders who founded this order knew the right time and place and how to set it up so that it was salutary for the world. The main thing in occult striving is to know which truth is the right one for the particular age. Buddha knew this quite well when he brought his teaching to India at about 500 B.C. To transplant the same teaching elsewhere at a different time doesn't have the same effect The important thing is to know how something can be made effective.

At certain times nodal points form in spiritual worlds, when forces work into the worlds that lie directly above us. Such a time is here now. Great initiates can't bring these forces down from the highest worlds—only Christ can do this because he went through the Mystery of Golgotha. But Buddha, Pythagoras, Zarathustra and other great initiates gather round the Christ and let themselves be influenced by his forces, regardless of whether or not they're incarnated. And they work out of this spirit.

We should bring these three men who live in us—Sadducee, Pharisee, and Essene—into a relationship, because each one by himself is something harmful. The Pharisee should serve the Sadducee, and both of them should serve the Essene. The latter should rule over the two but shouldn't rule by himself. As esoterics, we should really get the feeling that we have these three in us, for when we get to the threshold's guardian we'll feel them very distinctly, and we'll feel that we must leave them behind as something perishable, as something that doesn't belong in the spiritual world. If one says that an Essene works with spiritual worlds one must answer that he works with them in the physical world in the way that's appropriate for him, but that his whole order was founded for a particular place on earth, and that one proceeds from other viewpoints in spiritual worlds.

If we step before the Gods with these three defects that we feel to be nakedness, we'll have a feeling of shame such as naked Adam and Eve had before God, and so we must try to harmonize these three attributes.

The spiritual world is surrounded by sheaths that we create ourselves and which we must dissolve. One does not find knowledge by seeking within. It can come to one when the sun sinks into a calm sea and we let this phenomenon work on us intensively. A right life with nature has an awakening, promoting effect on an esoteric, but he shouldn't devote himself to it exclusively. Nikolaus V. Kues had very strong spiritual experiences on a sea voyage from Constantinople.

A Master of Wisdom and of the Harmony of Feelings has compressed help and support into a prayer, like the sea into a drop—something like that is possible in the spiritual but of course not in the physical—and he wishes us to always close our esoteric classes with this verse that describes man's whole descent and ascent:

In the spirit lay the germ of my body.
And the spirit has imprinted in my body
The eyes of sense,
That through them I may see
The lights of bodies.
And the spirit has imprinted in my body
Reason and sensation
And feeling and will,
That through them I may perceive bodies
And act upon them.
In the spirit lay the germ of my body.
In my body lies the germ of the spirit.
And I will incorporate into my spirit
The super-sensible eyes
That through them I may behold the light of spirits.
And I will imprint in my spirit
Wisdom and power and love,
So that through me the spirits may act
And I become a self-conscious organ
Of their deeds.
In my body lies the germ of the spirit.

Today it's my duty to speak out of my occult experiences about the progress that we make through our exercises. Someone may do his exercises correctly for years and is also able to create that quiet that's indispensable if thoughts, feelings or visions are to enter our soul as a result of meditation, and may yet have the feeling that he's at the very same place that he was at the beginning. But this is not so. The main thing for an esoteric is for him to pay attention to his soul life, for this is so intimate that one's attentiveness must be very great if one wants to perceive anything.

If after doing our meditation conscientiously and well, we, for instance, wash and dress ourselves, our consciousness is devoted to this activity. Then we may have the feeling that: I did my things quite mechanically now; my thoughts weren't with them. And when we reflect on what our thoughts did, we can get a feeling of a quiet dream, as if it wasn't we who thought—it was as if what passed through our soul had thought in us. When we observe something like this, we increasingly get the feeling that something happens in us to which we can apply the mantric words: It thinks me. If we say or think these words in everyday life whenever we have a quiet moment, we'll find that they help and promote us in our soul life. But we must strictly observe one thing. When we say or think them to ourselves, a feeling of piety will arise in us, and we must connect this feeling with it every time we say the words. It would be wrong if someone didn't say the words at all so as not to say them with the wrong soul mood; instead, one must practice connecting them with the feeling of piety each time. Then we get the feeling that what thinks in us is related to the I, that the sublime beings who gave it to us are thinking in us. This is clarified for exoterics in our third mystery drama in the words: In your thinking world thoughts are living.

A second word that's mantric and that can help us if it's used correctly is It works me. We know that all the hierarchies work in us and through us, that we would be nothing without them, and so it's good to become increasingly clear that we're their work entirely. This is in the mantric words: It works me. We should think and say them with a feeling of holy devotion and shy reverence. In the Bhagavad-Gita, that sacred text, we have a conversation between Krishna and Arjuna that graphically tells us that we should do our duties and yet keep a feeling for the Gods' work alive in our soul. No other sacred text, no Christian one either, points to this in such a way. Krishna says: “You should be a warrior, priest or merchant, depending on which caste you belong to, and do your work conscientiously, for your destiny has placed you in your activity. But you should stand over your work with your I and feel that you're connected with the divine.”

A third word arises from the feeling that we must acquire when we make it clear to ourselves that forces stream into us out of the whole world space, that we get our head from here, our limbs from there, all our organs from various sides, and that they're also directed from there. We express this in the mantric word: It weaves me. We should always say and think this with a feeling of deep thankfulness when we return to our physical body in the morn by saying: I'm returning to something that I didn't weave myself; I couldn't become conscious again if you, Father Spirit, hadn't created my body for this, and I thank you for it in shy reverence.

We can do our meditation in such a way that we get the feeling: I'm not thinking it—it thinks me. Just as we dive into our bodies to become conscious in the morn, so we must dive down into something at death to get a consciousness—and that is the Christ.

That's what the verse tells us: Ex Deo nascimur—in the morning we dive down into the physical body through the Father Spirit; in Christo morumur—at the portal of death we must dive into the Christ-Spirit; Per Spiritum Sanctum reviviscimus—to come to life in the Holy Spirit.

Verse for Wednesday. All esoteric life consists in taking in what we can understand and grasp exoterically with the soul with our hearty feelings. We must get to know the realms of Lucifer and Ahriman so we can protect ourselves against attacks. We must especially watch that we don't take concepts that we formed here in the physical-and that rightly exist for this world—with us into the spiritual when we cross the threshold.

Philosophy is something that some of you aren't very interested in, but you all know that philosophy tries to give men views about the world and life. In philosophy one mainly speaks about two things. Firstly about multiplicity, where everything is led back to the smallest parts, atoms, monads. For instance Leibniz's philosophy is a monadological-spiritual world view, and Haeckel's materialism is an atomistic one. The second thing that is spoken about in philosophy is unity. Spinoza's philosophy belongs here and Hegel's world view can be put here also. But multiplicity and unity are concepts that are only valid on the physical plane and in the elemental world to some extent, but are of no importance for the spiritual world. Anyone who worships unity and takes these concepts into the spiritual, succumbs to Lucifer. One who looks upon multiplicity as the only right thing falls prey to Ahriman. One who becomes conscious in the spiritual—and that's the main requirement for an advanced esoteric, that he's conscious outside of his body during meditation—first sees himself. He has himself before him as the main impression—his physical body and his relation to his physical being. Here in the physical world one feels that one is a unity with respect to one's surroundings that one looks upon as a multiplicity. One sees clouds, trees, mountains or the various kingdoms of nature around one. If we wanted to think that the clouds up there are part of us, like a finger is a part of us, we'd be making a big mistake. In the spirit one becomes aware of oneself as a multiplicity; we see all the forces and beings that work on our physical body in the elemental world as a multiplicity there. We see this like a hundred thousand fools there, like legions. But if we would only see these hundred thousand fools as a multiplicity and wouldn't say: All you little fellows there altogether are only I myself, all you together in your many-fellowedness only form me as a unity—if we wouldn't say this with all force and energy and self-contemplation, we would fall prey to Ahriman. And we shouldn't just tell ourselves that theoretically—which wouldn't be so difficult—but we must really experience this conviction that many are one in spiritual realms. If we did not do that, if we didn't strengthen our soul to have these feelings, and we looked upon these hundred thousand fools as just that, then pieces would fly out of us and we would be torn into multiplicity. Ahrimanic beings would take pieces of our being and disguise themselves with them and delude us with errors and lies.

Some African people only know lions as a multiplicity. They can't think of them as a unity, as a genus. One must grasp the concepts of unity and multiplicity really correctly and must leave ones that are only suitable for the physical plane behind when one crosses the threshold.

We must strengthen our soul through meditation to such an extent that when beings approach it in the spiritual world it immediately knows whether they want to lead it astray. The soul must be able to say: You (elemental beings) are the builders of my physical body. We often find schemata set up in theosophical literature that are somewhat useful. One starts with a unity which then forks and multiplies. Or one starts with many things and goes up to unity. And even if these things aren't quite right it doesn't harm anything too much as long as it stays on the physical plane. But it can become terrible if one wants to cross the threshold with this concept of a schema. The latter can be instructive if it only serves as a symbol, if one remains aware that one can portray the same thing in a hundred ways; if one isn't aware of this one has fallen prey to Ahriman.

Of course feelings and emotions play into all descriptions and explanations. One has to say things to one person in a vivid way, to another in a quite different way that would arouse antipathy in the first one. It has to be like that. But one must never force an esoteric truth on an esoteric by eloquent means, for then Lucifer would be at work. A pupil must be able to take things in freely.

So one has to keep life on the physical plane apart from the one in spiritual worlds. One must not take concepts that are valid in the physical realm with one when one crosses the threshold.

The working of ahrimanic and luciferic beings is necessary for the world order as long as they stay in their proper boundaries. An esoteric must strengthen his soul so that he recognizes the attacks of these beings and can protect himself from them. A man will only gain self-assurance in the spiritual world if he can keep a balance between Lucifer and Ahriman in physical life, if he knows from where everything that he encounters is coming.

An esoteric is supposed to acquire a different feeling from the one an exoteric has through what's given in esoteric classes and through his meditative life. He must let his entire life and actions be illuminated by spirituality so that quarrelling would be an impossibility in our ranks. That's really possible. In exoteric life an esoteric must behave like an exoteric. But his feeling about exoterics must be like adults' about children, quite objective, without arrogance or feelings of superiority. It's often quite painful to see how disputes, ambition and petty rivalries are present among esoterics also. This is just as if a 40 year old man were playing with children and he wanted to hit the bowling ball or pin that mashed his finger or blackened his eye. This way of expressing one's displeasure would be quite natural in a child. As an adult one can play better than children, but one accompanies this with other feelings; one stands above the play, whereas a child is completely engrossed in his play.

Some of our dear friends told me that my book Theosophy is very hard to understand, couldn't it be written in an easier way. I even lifted my pen several times to do this, but don't think that it's easy to write Theosophy in a popular way. But I always put the pen aside again. If one wanted to take in Theosophy without thought difficulties one would give Lucifer points of attack. It's quite good to torture oneself a little with it.

The idea that light is only based on waves is wrong. And it's quite wrong to speak of waves, oscillations and vibrations in connection with spiritual things. Some people like to talk about the good vibrations in an esoteric class, but one shouldn't do that.

Recently much has been said about the dangers that a pupil is exposed to on the way into the spiritual world. Now if someone wanted to say I don't want to go on this path, I don't want to develop myself into a spirit-bearer because it's too dangerous—then that's just as if someone would say: I'd like to live in a house that will soon collapse—I just don't want to know anything about the collapse. Everyone will have to go on this path sooner or later, and so it's necessary to become acquainted with the dangers. Man must go on this path into the spiritual realm because otherwise he'll dry out and atrophy. And here it's an esoteric's task to strengthen his soul to rightly recognize all of the difficulties—Lucifer and Ahriman and the Guardian of the Threshold—and to look them in the face and not fall prey to the hindering forces but to conquer them in order to show mankind the way. In the spirit lay the germ of my body .. In my body lies the spirit's germ ...

Verse for Thursday. My dear sisters and brothers! To protect ourselves against the raids of Lucifer and Ahriman we must know them and learn to distinguish between them. Lucifer is in mystical esoterics such as we find in Meister Eckhart, Ruysbroek, Tauler and Suso. Lucifer is in this pure devotion to the divine, in this pure, noble striving towards the spiritual in a good way, and one can say that he was pious in the souls of these mystics.

But as soon as a personal note flows into this pure striving and this devotion, as soon as a mystic would enjoy this, it would amount to a luciferic infringement. We must watch that nothing like this comes into our striving. It's relatively easy to be wakeful in mystical immersion, but more difficult in visionary perception. Lucifer is in this too. He puts all kinds of illusions before a mystic that are hard to distinguish from real visions. Something subjective gets mixed into all vision, for instance, someone sees certain apparitions, deceptive figures or the like repeatedly. One has to direct one's attention to this. One must be wakeful here also. If one sees eyes or faces or if one imagines them one isn't exposed to error as easily; one thereby gets the strength to ward off Lucifer. It's no reproach to say that bad qualities live in man's subconsciousness; they must be there, it's something that goes with earth life. A man may already have attained a certain degree of holiness, and yet drives are slumbering in his subconsciousness that would horrify him if he saw them. The greatest watchfulness and wakefulness must hold sway here also.

Lucifer is at work in all emotional and visionary things, in mystical immersion, also in all enthusiasm and in artistic activity, in what an artist creates and in what creates in the artist.

Some materialists may only express themselves in material things outwardly. Then if one has the good fortune to look into their souls one finds a deep religious striving, a longing for the divine. Lucifer is the instigator here also.

Ahriman works in everything that has to do with the will. He approaches us in everything that becomes manifest as gesture in words or writing, in everything that appears as mediumistic writing, whether it's acquired or natural, or if one feels compelled to write something. Whereas Lucifer brings about appearances of figures, heads of light, etc., that are created by a medium. If one feels that one is forced to write something one can counteract this by stopping and by not giving in to the inspirations that one thinks that one is feeling or perceiving; one opposes these whisperings with the firm will not to follow them. One acquires undreamed of forces in occult life through this effort of the will.

Ahriman is in what we say, in words that we form and transmit to other men. As soon as the ear hears sounds, the larynx emits sounds and words are put into writing Ahriman comes and hardens the sound, word or writing. That's why it's important to strengthen the soul and to check one's thoughts in the most subtle way.

Swedenborg's visions, dreams and world view are permeated with Ahriman and so is what Kant took from Swedenborg's writings.

People keep on asking: Should I think that what I see, hear or feel there is of importance? Is it true? Certainly one should attach importance to it, certainly it's true, every little thing in occult life is important and is true. The main thing is to know what's behind it. We should pay great attention to everything and watch and be awake. And we should acquire a certain tact so that we don't chatter about such experiences. One should try to find out whether Lucifer or Ahriman is at work in them. Something that can often happen to us is that as we're walking down the street we see someone in a vision and then a few minutes later we actually run into him. When we have this premonition of his coming we may have something to tell him, so we speed up our steps in order not to miss him. But this isn't permissible; we shouldn't use occult abilities for our own advantage in physical life.

If spiritists conjure up Goethe's spirit and thereby want to prove the soul's immortality, since they think that it's the soul as it's living now, then this might not be the case. It could be Goethe's soul as it was in say 1819 and that Lucifer is creating an illusion here. One has to press forward to Goethe's real soul, which has progressed, and then one has a real proof of immortality.

People often approach esoteric exercises with much frivolity. Some start to do them but soon stop due to laziness, half-heartedness, etc. But what breathing is for the body, meditations are for the soul. If one would stop breathing Ahriman would immediately intervene as the master of death. A soul must get to the point where it doesn't have to force itself to do meditations; it shouldn't want to live without them. One shouldn't wish and yearn to press into spiritual worlds before the soul is sufficiently strengthened. Quiet and peacefulness in the soul is the main condition. That's the only way that the soul can become strong enough to find the middle path between Lucifer and Ahriman.

That's very difficult, my dear sisters and brothers. But then we must remember what's said at the beginning of John's Gospel and later in chapter 8:12-14. When we stand in the tumult and chaos of the spiritual world and visions and figures come from all sides and we don't know how to get in or out and are torn this way and that, then we should place

In the beginning was the word

before our souls, or

I am the light of the world. He who follows me will not walk in darkness but will have the light of life.

Then everything will dissipate and we'll be able to see what's right and true. We should repeatedly place the rosicrucian formula

EDN
ICM
PSSR

before us in this sense. And also we will be increasingly able to find the right thing on this difficult path if we think of the simple but profound verse with which our esoteric lessons are closed: In the spirit lay the germ of my body ...

Report by Rudolf Steiner in Lucifer-Gnosis no. 34/1907

It was the task of the German Section of the Theosophical Society to organize this year's congress of the “Federation of European Sections”. It is therefore more fitting that here, from within the circle of the organizers, there is less talk of what has been achieved and more of what has been intended and striven for. For the organizers know only too well how little of what was achieved has been achieved, and how much has been achieved that could not be achieved on such an occasion. Therefore, the following should only be understood as a description of the underlying ideas.

Munich was chosen as the venue: the time was the days of Pentecost, May 18, 19, 20 and 21. The questions that the organizers asked themselves in their preparations were: How can the task of the Theosophical movement be expressed within the current spiritual life through such a congress? How can it give a picture of the ideals and aims of the theosophical work? Since the event is naturally limited by the circumstances, it can only provide a limited answer to these questions. It now seems particularly important that the comprehensive character of the theosophical movement be emphasized on such occasions. First of all, the focus of this movement is the cultivation of a worldview based on knowledge of the supernatural. And at such a congress, people come together who, in the spirit of such a worldview, work across all national borders and other human differences on spiritual ideals that are common to all of humanity. Mutual inspiration in the best sense will be the most beautiful fruit of such events. In addition, it will be shown how the theosophical work should really be integrated into the whole of life in our time. For the spiritual foundation of this movement cannot be called upon to express itself only in thoughts and ideas, in theories and so on; rather, as a content of the soul that has emerged in our time, it can have a fertilizing effect on all branches of human activity. Theosophy can only be grasped in the right sense if we set it the ideal of inspiring not only the imagination and the human soul, but the human being as a whole. If we wish to interpret its mission in this sense, we may recall how, for example, the world view of the corresponding time found expression in the buildings and sculptures (e.g. the Sphinx) of the Egyptians. The ideas of the Egyptian worldview were not only thought by the souls; they were made visible in the environment of the human eye. And think of how everything that is known of Greek sculpture and drama is the worldview of the Greek soul, shaped in stone and depicted in poetry. Consider how in medieval painting Christian ideas and feelings were revealed to the eye, how in the Gothic period Christian devotion took form and shape. A true harmony of the soul can only be experienced where the human senses are reflected in form, shape and color and so on as an environment, which the soul knows as its most valuable thoughts, feelings and impulses. Out of such thoughts arises the intention to give a picture of theosophical striving in the external form of the event at a congress. The room in which the meeting takes place can reflect the theosophical feeling and thinking around the visitor. According to our circumstances, we could not do more than sketch out what might be considered an ideal in this regard. We had decorated the assembly hall in such a way that a fresh, stimulating red formed the basic color of all the walls. This color was intended to express the basic mood of the celebration in an external view. It is obvious that some people will object to the use of “red” for this purpose. These objections are justified as long as one relies on an esoteric judgment and experience. They are well known to the esotericist, who nevertheless, in accordance with all occult symbolism, must use the color red for the purpose in question. For him, it is not a matter of what the part of his being feels that is devoted to the immediate sensual environment; but what the higher self experiences in the spiritual realm while the external environment is physically seen in red. And that is the exact opposite of what the ordinary sensation of “red” says. Esoteric knowledge says: “If you want to attune yourself in your innermost being as the gods were attuned when they gave the world the green plant cover, then learn to endure ‘red’ in your surroundings as they had to.” This indicates a reference to the higher human nature in relation to “red” that the genuine [esotericist] has in mind when he presents the two opposing entities of the creative world ground in the occult symbolism in such a way that, downward, the green as a sign of the earthly, upward the “red” as a sign of the heavenly (elohistic) creative powers. Much more could be said about the reasons for opposing this color, and much could be said in refutation of these arguments. However, it may suffice here to make this brief comment: this color was chosen in accordance with occultism.

On the walls (on both sides and at the back wall) were placed the so-called seven apocalyptic seals in a size appropriate for the room. They represent certain experiences of the astral world in pictures. There is a story behind them. At first, some viewers may mistake such pictorial representations for ordinary symbols. But they are much more than that. Anyone who simply wants to interpret what is depicted in them symbolically with the mind has not penetrated the spirit of the matter. One should experience the content of these seven pictures with one's whole soul, with one's undivided mind; one should shape it inwardly in one's soul in terms of form, color and content, so that it lives inwardly in the imagination. For this content corresponds to very specific astral experiences of the clairvoyant. What the clairvoyant wants to express in such images is not at all an arbitrary symbol, or even a straw-thin allegory, but something that is best illustrated by way of comparison. Take a person who is illuminated in a room by a light in such a way that his shadow is visible on a wall. The shadow is in some respects similar to the person casting the shadow. But it is a two-dimensional image of a three-dimensional being. Just as the shadow relates to the person, so what is depicted in the apocalyptic seals relates to certain experiences of the clairvoyant in the astral world. The seals are, of course, in a figurative sense, silhouettes of astral processes. Therefore, they are not arbitrary representations of an individual, but anyone who is familiar with the corresponding supersensible processes will find their silhouettes in the physical world. Such things cannot be invented in their essential content, but are taken from the existing teachings of the secret scientists. A student of these matters may have noticed that some of our seals correspond with what he finds in this or that work, but others do not. The reason for this is that some of the imaginations of occult science have already been communicated in books; but the most important part – and the true part – may only now, in our time, be made public. And part of the theosophical work must consist in handing over to the public some of the material which has hitherto been kept strictly secret by the appointed custodians. This is demanded by the development of the spiritual life of our time by the exponents of occult science.

It is the development of humanity, the expression of which in the astral world must form one of the most essential foundations of occult knowledge, which is expressed in these seven seals. The Christian esotericist will recognize them in a certain way in the descriptions of the “Revelation of St. John”. But the form they presented in our festival hall corresponds to the secret-scientific spiritual current that has been the dominant one in the West since the fourteenth century. The mysteries of existence, as they are reflected in these images, represent ancient wisdom; the clairvoyants of the various epochs of humanity see them from different points of view. Therefore, according to the necessary developmental needs of the times, the forms change somewhat. In the “Revelation of St. John” it is “set in signs” what is to happen “in brief”. Those who know how to read a secret-scientific form of expression properly know that this means nothing other than a reference to the secret-scientific signs for certain imaginations that can be experienced in the astral world and that are related to the nature of man as it reveals itself in time. And the Rosicrucian Seals also represent the same. Only very sketchily, with a few words, shall the infinitely rich content of the seals be interpreted. Basically everything - even the seemingly most insignificant - in these pictures means something important. The first seal represents man's entire evolution in the most general way. In the “Revelation of St. John” this is indicated with the words: “And being turned, I saw seven golden candlesticks; and in the midst of the seven candlesticks one like unto the Son of Man, clothed with a garment down to the foot, and girt about upon his chest with a golden girdle. His head and hair were white like wool, as white as snow, and his eyes were like a flame of fire. His feet were like brass glowing in a furnace, and his voice was like the rushing of many waters. And he had seven stars in his right hand; and out of his mouth came a sharp, two-edged sword; and his face shone like the bright sun.” In general terms, such words point to the most comprehensive secrets of human development. If one wanted to present in detail what each of the deeply significant words contains, one would have to write a thick volume. Our seal depicts such things. Among the physical organs and forms of expression of the human being, some represent, in their present form, the downward stages of development of earlier forms, and have thus already passed their peak. Others, however, represent the initial stages of development and are, as it were, the rudiments of what they are to become in the future. The esotericist must know these secrets of development. The organ of speech represents an organ that will be much higher and more perfect in the future than it is at present. By pronouncing this, one touches on a great secret of existence, which is often also called the “mystery of the creative word”. This gives a hint of the future state of the human speech organ, which will become a spiritual organ of production (procreation) when the human being is spiritualized. In myths and religions, this spiritual production is indicated by the appropriate image of a “sword” coming out of the mouth. In this way, every line and every point in the picture signifies something that is connected with the secret of human development. The fact that such pictures are made does not merely arise from a need for a sensualization of the supersensible processes, but it corresponds to the fact that living into these pictures - if they are the right ones - really means an arousal of forces that lie dormant in the human soul, and through the awakening of which the representations of the supersensible world emerge. It is not right for the supersensible worlds to be described only in schematic terms in theosophy; the true path is to awaken the imagination to the images presented in these seals. (If the occultist does not have such images at hand, he should verbally describe the higher worlds in appropriate images.) - The second seal, with the appropriate accessories, represents one of the first stages of development of humanity on earth. In its primeval times, humanity on earth had not yet developed what is called the individual soul. What was still present at that time, and what is still found in animals today, is the group soul. Anyone who can follow the old human group souls on the astral plane through imaginative clairvoyance will find the four types of group soul represented in the four apocalyptic animals of the second seal: the lion, the bull, the eagle and the man. This touches on the truth of what is often so dryly allegorized in the interpretation of the four animals. The third seal represents the secrets of the so-called harmony of the spheres. Man experiences these secrets in the interval between death and a new birth (in the “spirit land” or what is called “Devachan” in the usual theosophical literature). However, the account is not given as it is experienced in the “spirit realm” itself, but rather as the events of this realm are reflected in the astral world. It must be noted that all seven seals are experiences of the astral world; however, the other worlds can be seen in their reflections in the astral. The angels blowing trumpets in the picture represent the original spiritual beings of the world phenomena; the book with the seven seals indicates that the mysteries of existence are “unsealed” in the experiences illustrated in this picture. The “four horsemen of the Apocalypse” represent the stages of human development through long earth cycles. The fourth seal represents, among other things, two pillars, one rising from the sea and the other from the earth. These pillars hint at the secret of the role played by red (oxygen-rich) blood and blue-red (carbon-rich) blood in human development, and how this blood changes in line with human development from distant primeval times to distant future times. The letters on these pillars point to this developmental secret in a way known only to the initiated. (Old interpretations of the two letters given in public writings or in certain societies remain only a superficial, exoteric interpretation.) The book in the cloud points to a future state of man in which all his knowledge will be internalized. In the Book of Revelation we find the significant words: “And I took a little book out of the angel's hand, and ate it up...”

The sun in the picture points to a cosmic process that will take place at the same time as the marked future stage of humanity; the earth will enter into a completely different relationship with the sun than it currently does in the cosmos. And everything is depicted in the picture so that all the arrangements of the parts, all the details and so on, correspond exactly to specific real processes. The fifth seal represents the further development of man in the future in a cosmos in which the conditions just indicated will have occurred. The future human being, who will have a different relationship to the sun than the present one, is represented by the “woman who gives birth to the sun”; and the power that he will then have over certain forces of the world, which today express themselves in his lower nature, is represented by the “sun woman” standing on the beast with the seven heads and ten horns. The woman has the moon under her feet: this points to a later cosmic relationship between the sun, earth and moon. The sixth seal represents the evolved human being with even greater power over the lower forces of the universe. The way the image expresses this is reminiscent of Christian esotericism: Michael holds the dragon bound. Finally, the seventh seal is that of the “Mystery of the Grail”, as it was in the esoteric current beginning in the fourteenth century. In the picture there is a cube, representing the world of space, from which the world serpent arises from all sides of the cube, insofar as it represents the higher forces living out in the lower: From the mouth of the snake comes the world line (as a spiral), the symbol of the purified and refined world forces; and from this arises the “holy grail,” which is confronted by the “dove.” All of this points - and quite appropriately - to the mystery of the creation of the world, of which the earthly one is a lower reflection. The deepest mysteries lie in the lines and figures and so on of this seal. Between each two seals a column was inserted. These seven columns could not be executed in plastic form; they had to be painted as a substitute. But they are definitely intended as real architectural forms and correspond to the “seven pillars” of the “true Rosicrucian temple”. (Of course, the arrangement in Munich does not quite correspond to that in the “Rosicrucian Temple of Initiation”, because there each such column is duplicated, so that when one walks from the back wall towards the front, one passes through fourteen columns, two of which are always facing each other. This is only a hint for those who know the true facts; for us, only a general idea of the meaning of this column secret should be awakened). The capitals of these columns represent the planetary development of our solar system. Our Earth is, after all, the fourth embodiment in a planetary developmental system, and in the ways it is configured it points to three future embodiments. (More exact details about this can be found in the articles in this journal headed 'From the Akasha Chronicle'. The seven successive embodiments of the Earth are referred to as the Saturn, Sun, Moon, Earth, Jupiter, Venus and Vulcan states. In the representations commonly used in esoteric studies, the Vulcan state is omitted as being too far in the future, and for reasons that would take us too far afield to discuss here, the Earth's development is divided into a Martian and a Mercury state. (These reasons can also be found in the essays on the “Akasha Chronicle”. These seven embodiments of the earth: Saturn, Sun, Moon, Mars, Mercury, Jupiter and Venus are now expressed in esotericism by seven column capitals. The inner life of each of these states of development is depicted in the forms of these capitals. Here, too, the intention is that one should not delve into the forms of the capitals intellectually, but entirely through the feelings, in a truly artistic experience and in the imagination. For every line, every curve, everything about these forms is such that when you immerse yourself in them, you awaken dormant powers in your soul; and these powers lead to ideas about the great mysteries of the world that underlie the cosmic and related human development of the earth. Anyone who might criticize the design of such columns should consider that the Corinthian and Ionic columns, for example, also emerged from the embodiment of the secrets of existence, and that such facts are only unknown to the materialistic way of thinking of our time. From the way the motives of world development are expressed in these column capitals, one can gauge how esotericism is to have a fruitful effect on art. The ancient columns, too, are born out of esotericism. And the architecture of the future will have to present to people what the esoteric worldview of Theosophy can give as a hint today.

In Munich, for example, an attempt has been made to sketch out an interior in the spirit of the Theosophical worldview; of course, only some of the relevant information could be provided, and even that only in general terms, and above all not in the precise order that would be most appropriate. But the aim was only to evoke a sense of what was important. The esoteric symbolism of the room in which we were meeting also included two columns at the front of the hall. What they signify can be seen from the description of the fourth seal, which also contains the two columns. They point to the mystery of blood and contain the “mystery of human development”. The color of the pillars is connected with the blood secret. One is red; the other is a deep blue-red. Esoteric science writes four deeply significant sayings on these two pillars. When the human soul immerses itself in these four sayings in meditation, then entire secrets of the world and of humanity well up from their depths. Many books would have to be written to exhaust the full meaning of these sayings, for not only is every word significant, but so is the symmetry of the words, the way they are distributed among the four sayings, the intensifications that lie within them, and much more, so that only long, patient devotion to the matter can exhaust what lies within. The four sayings of the “Pillar of Wisdom” in English are:

In pure thought you find
the self that can sustain itself.

When you transform thought into image,
you experience creative wisdom.

If you condense feeling into light,
you reveal the forming power.

If you reify will into being,
you create in the world's being.

We tried to express the fundamental mood that we wanted to express in our “inner space” in the program book that was given to visitors. After the significance of the red color in esoteric symbolism has been discussed above, there is no need to say anything more about the red cover of this book. On this cover (in the upper left corner) there is a black cross entwined with red roses in a blue oval field; to the right of it are the letters: E. D. N. - J. C.M. - P. S. S. R. - These are the ten initial letters of the words by which true Rosicrucianism is summarized in a single sentence: “Ex deo nascimur, in Christo morimur, per spiritum sanctum reviviscimus.” The cross symbol, entwined with roses, expresses the meaning of Rosicrucianism in an esoteric way. In view of the relationship that our event has established with Rosicrucianism through such things, it seems necessary to point out serious misunderstandings that are brought to it. Here and there, people have tried to form an idea of Rosicrucianism based on historical tradition. Of those who have formed an opinion of it in this way, some at present look upon it with a certain benevolence; but most look upon it as charlatanry, enthusiasm or something of that kind, perhaps worse. It may readily be conceded that If Rosicrucianism were what it appears to be to those who know of it only from historical documents and traditions, it would certainly not be worthy of the attention of any rational man. But at the present time no one knows anything about true Rosicrucianism who has not approached it through the medium of occult science. Outside the circle of occult science there are no authentic records of it, for the name stands for the spiritual current mentioned here, which has set the tone in the Occident since the fourteenth century. Only now may we begin to communicate to the public some of the secrets of Rosicrucianism. In drawing from this source in Munich, we naturally did not want to present it as the only true source of the theosophical movement, but only as one of the paths by which spiritual knowledge can be sought. It cannot be said that we gave preferential treatment to this source, while the theosophical movement should take all forms of religion and paths to truth into equal consideration. But it can never be the task of the theosophical movement to study the diversity of religions as an end in itself; it must reach the unity of religions, their core, through their forms; and we did not want to show what Rosicrucianism is, but through Rosicrucianism we wanted to show the perspective to the one core of truth in all religions. And this is precisely the true mission of the Theosophical movement. In the program book one finds five drawings. They are the motifs of the first five of the seven capitals mentioned above, transposed into vignette form. In these five drawings, too, there is something of what is called “occult writing”. Those who immerse themselves in the line forms and figures with all their soul will inwardly perceive something of what are known as the important states for [the] realization of human development (Saturn, Sun, Moon, Mars and Mercury states).

This should describe the intentions of the conference organizers in preparing the framework within which the festivities were to take place. The venue for the event was the Tonhalle (Kaim-Säle), which seemed particularly suitable for this event.

The description of the proceedings of the congress must be preceded by the expression of the deepest satisfaction felt by all the participants at the presence of Mrs. Besant. The much-admired woman had just returned to Europe after spending two years in her field of activity in India; and Munich was the first place where the European members were able to greet her again and hear her powerful speech. The German committee of the Congress had invited Mrs. Besant to preside over the honorary committee; and so the esteemed leader gave the assembly its consecration and lent it the mood that her whole being communicates to all those around her and to whom the magic of her words reaches.

The visit to the congress was a thoroughly satisfying one. We had the great pleasure of welcoming many members of the other European sections, as well as those of the Indian section. The members of the German section were present in large numbers. The British section was officially represented by its General Secretary, Miss Spink; the French section by its General Secretary, Dr. Th. Pascal; the Dutch section by its General Secretary, Mr. Fricke; the Italian section by its General Secretary, Prof. Dr. Penzig; the Scandinavian section by its General Secretary, A. Knös; and the Hungarian section by its General Secretary, D. Nagy.

The opening of the congress took place on May 18 at 10 o'clock in the morning. It began with a musical introduction. Emanuel Nowotny played the Toccata in F major by Johann Sebastian Bach on the organ. - Thereupon the Secretary General of the German Section had to greet the participants on behalf of the German committee. He greeted Mrs. Besant and emphasized the importance of the fact that the Munich Congress was honored by her visit. After welcoming the representatives of the other sections and the German visitors, the speaker expressed words of love, appreciation and thanks for the founder-president H. S. Olcott, who died in February. The extensive mission of the Theosophical movement in the spiritual life of the present day was also pointed out in this opening address, and the necessity emphasized that the cultivation of spiritual life must form the basis of the Theosophical work. After that, the representatives of the European sections and the other fields of work spoke: from England (Mr. Wedgwood), from France (Dr. “Th. Pascal), from the Netherlands (Mr. Fricke), from Italy (Prof. Penzig), from Scandinavia (Mr. A. Knös ), Hungary (Mr. D. Nagy), Bohemia (Mr. Bedrnicek), Russia (Miss Kamensky, Mrs. Forsch, Miss N. v. Gernet), Bulgaria, Belgium (and others).

As at previous congresses, each speaker spoke in their national language.

Mrs. Besant then took the floor to greet the German section and emphasize the nature of the Theosophical movement, as well as to point out in a few forceful sentences the spiritual life and its fundamental importance for society.

The Saturday afternoon was devoted to lectures and talks by Mr. Alan Leo, Dr. Th. Pascal, Michael Bauer, Mr. James Wedgwood and Miss Kamensky. Mr. Alan Leo read his paper on “Astrology and Personal Fate”. The esoteric nature of astrology was discussed and free will was clearly explained in relation to predetermined fate, showing the way in which planetary forces influence human life. Dr. Th. Pascal presented the results of his long inner research in the theosophical field in a thoughtful essay. It was stimulating to follow the subtle arguments of intimate trains of thought. Michael Bauer spoke about the relationship between nature and man. This very meritorious leader of our Nuremberg branch showed in his warm-hearted and spirited way how the inner essence of nature and man's own inner being are interlinked in their depths. Mr. Wedgwood read his paper on “The Value of the Theosophical Society.” He explained how the study of occultism elevates man to an awareness of his higher destiny by giving him a knowledge of his place in the world process. It depends on the perspectives that occultism gives to the human soul. (No summary of the contents of the individual lectures and papers will be given here, as these will appear in detail in the “Congress Yearbook”. Miss Kamensky read her fascinating paper on “Theosophy in Russia” that same afternoon. Her brief but meaningful remarks showed how many Theosophical ideas are to be found in Russian literary and intellectual life. The work was a prime example of how to seek out those seeds in a nation's intellectual life that only require spiritual light in order to grow into Theosophy in the right way.

The first day of the conference ended with an evening of artistic performances. Johann Sebastian Bach's “Prelude and Fugue in B minor”, performed by Emanuel Nowotny on the organ, opened the evening. After that, Marie von Sivers recited the monologue from the beginning of the second part of Goethe's Faust, “Des Lebens Pulse schlagen frisch lebendig...”, as an example of a poem written for esoteric reasons. The two members, Ms. Alice von Sonklar and Ms. Toni Völker, performed Robert Schumann's “Pictures from the East” on the piano, which seem very suitable for promoting a mystical mood. Miss Gertrud Garmatter then sang two songs by Schubert, “An die Musik” and “Die schöne Müllerin”, in her charmingly sensitive way, and Miss Toni Völker concluded the evening with her beautiful artistic performance on the piano: “Pastorale and Capriccio” by Scarlatti.

On Sunday, May 19, the morning session was opened by the atmospheric Trio in E-flat major by Johannes Brahms (1st movement), played by Miss Johanna Fritsch (violin), Marika v. Gumppenberg (piano) and Mr. Tuckermann (French horn). Mrs. Besant then gave her momentous lecture: “The Place of Phenomena in the Theosophical Society”. She explained the role phenomena played in the early days of the Theosophical Society through H. P. Blavatsky, and how important they were in a time of doubt about higher worlds. She emphasized how the observation of phenomena related to higher worlds can never be dangerous if approached with the same spirit of research that is applied to observations in the physical world. She emphasized how little good it would do for the Theosophical Society if, for fear of the danger posed by psychic powers, it abandoned the pursuit of the goal of “studying those forces in the world and in man that are not accessible to sensory observation” to other societies.

It would be quite impossible to convey the manifold content of this lecture within the framework of a short report. Therefore, as with all earlier and later lectures of the congress, reference must be made to the “Yearbook” of the “Federation of European Sections”, which will appear following this lecture.

The second lecture of the morning was Dr. Rudolf Steiner's lecture on “The Initiation of the Rosicrucian”, in which the method of attaining knowledge of supersensible worlds in the sense of esotericism, which has set the tone in the West since the 14th century, is discussed and at the same time the necessity of these methods for the present period of human development is shown.

On Sunday afternoon (5 p.m.), Edouard Schuré's “Sacred Drama of Eleusis” was performed. The German organizers considered this performance to be an especially important part of the congress. It impressively demonstrated how theosophical ideas and sentiments can be expressed in true, high art. Edouard Schuré is the great French artist and writer who, through his works in so many directions, communicates the theosophical spirit to our contemporaries. Schuré's works “Les Grands Initiés” (“The Great Initiates”) and “Sanctuaires d'Orient” (“The Sanctuaries of the Orient”) are completely theosophical in the noblest sense of the word. And Schuré's theosophical way of looking at things is fully transformed into a vital creative power when he works as an artist. Within him lives that relationship between imagination and fantasy on which the basic secret of all high art is based. Edouard Schuré's truly mystical drama “The Children of Lucifer” is a shining example of how a world view striving towards the heights of knowledge can be fully realized in artistic form. Only a mind of this kind could have undertaken what Schuré did, to resurrect the “sacred drama” of Eleusis in the mind and eye of the modern man. This drama leads us to the door of that ancient time, where knowledge, religion and art still lived in one, where imagination was the faithful witness of truth and the sacred guide to piety; and where the reflection of imagination fell on this imagination in a transfiguring and revealing way. In Edouard Schur there lives a modern artistic soul, in which the light of that mysterious time shines, and so he was able to recreate what the priestly sages showed the audience in the “Drama at Eleusis” in Greece's distant past: the deep mystery of the world, which is reflected in the meaningful events of Eros' seduction of Persephone and her abduction by Pluto; of the pain of Demeter and the advice she to go to Eleusis, to seek advice from the “Goddess of Transformations”, Hekate; of Triptolem's initiation by Demeter as a priest in Eleusis; of Triptolem's daring journey into Pluto's realm to free Persephones; and of the emergence of a “new Dionysos”, who arises from Zeus' fire and the light of Demeter through the sacrifice of Triptolem. The congress organizers attempted to present the drama, which was inspired by Schuré, to the visitors in German. This was made possible by the dedicated work of a number of our members and by the beautiful, loving support of Bernhard Stavenhagen, who created a wonderful musical accompaniment to the Schuré drama. Stavenhagen preceded each of the four acts with a musical introduction that atmospherically prepared the audience for the dramatic action. With true congeniality, this important composer has immersed himself in the basic motifs of the mystery and rendered them musically. This musical performance was received with great enthusiasm by the participants of the congress. The willingness of the members of the German Section to work on this performance can be gauged from the fact that all the roles were played by members. Miss Fräulein v. Sivers played Demeter, Miss Sprengel played Persephone, Miss Garmatter played Eros, Mrs. v. Vacano played Hekate, Mr. Stahl played Pluto; we were delighted to have the collaboration of our member, the excellent actor Mr. Jürgas, who created an impressive figure in the role of Triptolemus; Baroness v. Gumppenberg, Dr. Peipers as Zeus, and Miss Wollisch as Dionysus. These are only the main roles; the choruses that are part of the plot were also composed of members. Special recognition must be given to our esteemed member, Mr. Linde, who took on the laborious task of creating the decorations.

The morning of Monday was introduced by the recitation of Goethe's poems “Song of the Spirits over the Waters” and “Prometheus”, by Richard Jürgas, whom the participants now got to know as an excellent reciter, just as they had been introduced to his acting skills the night before. Then the participants had the great joy of hearing the second lecture by Mrs. Besant, in which she spoke about the relationship of the Masters to the Theosophical Society. Drawing from her rich spiritual experience, she described the relationship of great individuals to spiritual progress and the way such individuals participate in the progress of the Theosophical Society. It is also impossible to give a brief overview of the wide-ranging content of this lecture in just a few words. Here too, we must refer you to the publication of the Yearbook. After this lecture, our member Frau Hempel delighted the participants with an excellent display of her vocal art. This was followed by a lecture by Dr. Carl Ungers, who spoke very interestingly about working methods in the theosophical branches and explained the relationship of the non-clairvoyant theosophist to the messages of the clairvoyants, showing how the writing “Theosophy” by Dr. Rudolf Steiner can provide a basis for shaping this relationship in the right way. Later that morning, Mrs. Elise Wolfram gave her lecture on the occult basis of the Siegfried saga. She showed subtly and vividly how the deeper spiritual development of Europe is expressed in the myth, how Germanic and even older mystery wisdom took shape in Siegfried. The lecturer's subtle interpretations were well suited to allowing the audience to enter into the mysterious life of part of the Nibelungen saga.

In the afternoon, Mrs. v. Gumppenberg read Mr. Arvid Knös's essay, “Absolute and Relative Truths”; then Dr. Rudolf Steiner gave his lecture, “Planetary Development and Human Development”. He described the development of the earth through three of its present forms, and then pointed to the connection between the development of the earth and that of man. He also showed how one could know something about the future of development.

The evening was again devoted to purely artistic performances. The Sonata in G minor by L. van Beethoven was performed by Chr. Döbereiner (cello) and Elfriede Schunk (piano). Afterwards, Gertrud Garmatter's excellent vocal performance could be heard again (two songs: “Weylas Gesang” by Hugo Wolf and “Frühlingslaube” by Franz Schubert). This was followed by solos for viola da gamba with piano, firstly “Adagio” by Handel and secondly “Aria con variazione” composed by A. Kühnel in 1695. Both pieces were performed by Chr. Döbereiner (viola da gamba) and Miss Elfriede Schunk (piano). A brilliant performance on the piano by the Italian member Mr. Kirby concluded the evening.

On Tuesday morning, the program began with: “Adagio from the Violin Concerto” by Max Bruch, op. 26, performed by Johanna Fritsch and Pauline Frieß. After that, Mr. Richard Jürgas recited some poems full of intimate feeling and mystical moods by our dear member Mia Holm. The rest of the morning was taken up with a free discussion on the topic: The necessity of cultivating occultism within society. Mr. Jules Ägoston from Budapest, Bernhard Hubo, Ludwig Deinhard, Dr. [Carl] Unger, Michael Bauer, D. Nagy, Mr. Wedgwood, Miss Severs and Mrs. Elise Wolfram took part in the discussion. The discussion was introduced by Jules Ägoston, who emphasized the necessity of maintaining the spiritualist experiment; following on from this, Bernhard Hubo developed a contrary point of view based on his many years of experience; Ludwig Deinhard discussed the necessity of acquainting theosophical circles with scientific experiments to penetrate the deeper foundations of the soul. It is impossible to report here on the rich and varied addresses of the above-mentioned speakers. Nor is it possible to do so with regard to the stimulating points of view that Mr. Nerei from Budapest gave in the afternoon during the discussion on “educational issues”. Following these points of view, Dr. Rudolf Steiner also spoke about education. — Mrs. Douglas-[Sheild] spoke about the relationship between “Theosophy and Christianity”.

The closing act of the congress took place on Tuesday at nine o'clock in the evening. It began with the spirited and heartfelt Adagio in D major by our dear member and head of the Stuttgart lodge I: Adolf Arenson, which was performed by Mr. Arenson himself (piano), Dr. Carl Unger (cello) and Johanna Fritsch (violin). This was followed by: “Tröstung” by Felix Mendelssohn-Bartholdy, performed by Hilde Stockmeyer, “Ave verum” by Mozart performed by Gertrud Garmatter, the recitation of a poem by Mrs. Ripper, solos for violin by J. S. Bach, by Johanna Fritsch and Pauline Frieß, and variations on the chorale “Sei gegrüßet, Jesu gütig>, for organ by J. S. Bach, by Emanuel Nowotny. The Congress then drew to a close with short closing addresses by the representatives of the individual sections: Mr. Wallace spoke for the British section, Mlle Aimée Blech (representing Dr. Pascal, who had to leave earlier due to his state of health) for the French section, Mr. Fricke for the Dutch section, and Prof. Dr. Penzig for the Italian section. Mrs. Besant then addressed some deeply moving words to the participants, and finally Dr. Rudolf Steiner gave the closing address, in which he thanked the participants, especially those from foreign sections, for coming, and also expressed his warmest thanks to all those whose dedicated work had made the congress possible.

And these thanks must be expressed to many, especially Miss Sophie Stinde, who, as secretary of the congress, has done tireless and important work; Countess Pauline Kalckreuth, who has worked tirelessly on all the preparatory work and tasks. We have these two to thank above all that we were able to pursue the intentions described above at all, and that we were able to achieve what has been achieved. Adolf Arenson took care of the musical part of the program. Our dear member Clara Rettich devoted herself selflessly to the task of painting the seven apocalyptic seals according to the occult instructions given to her; in the same way, Karl Stahl took on the task of painting the seven pillars in the perimeter of the hall. It is impossible to mention all the numerous workers individually by name. But it should not go unmentioned that dear members had set up a buffet in an adjoining room and did the necessary work, which greatly enhanced the convivial get-together, through which members were to come together.

Dr. Rudolf Steiner was authorized at his request, and indeed unanimously and out of the enthusiasm of the audience, to express the thanks of the congress to Monsieur Edouard Schure, the poet of the “Drama of Eleusis” and Bernhard Stavenhagen, the composer of the musical part.

The sculptures by our highly talented member, the sculptor Dr. Ernst Wagner, who strives for the highest artistic goals, were an excellent artistic presentation for the congress. The sculptures he provided for our exhibition were set up in the area around the main hall, and, for their inwardness, had an atmospheric background in the red wall of the hall. The following works of art were present: Portrait bust, Woman praying, Portrait bust, Relief for a sepulchral chapel, Bust, Sepulchral relief, King's child, Resolution, Sybille, Relief for a sepulchral niche, Portrait bust, Pain, Christ mask, Mask “Death”, Bronze statuette. Besides these works of art, only the interesting symbolic painting “The Great Babylon” by our member Mr. Haß, which was hung above the boardroom, and a carpet by Ms. Lehmann, which showed a fascinating utilization of mystical ideas in the applied arts, and finally a relief depicting Colonel Olcott by M. Gailland, and a sketch “H. P. Blavatsky” by Julia Wesw-Hoffmann.

The exhibition of a series of artworks and reproductions of such artworks that have a special connection to theosophical thought took place in the adjoining room. Here one could see: etchings by Hans Volkert; reproductions of two pictures by Moreau; reproductions of two pictures by Hermann Schmiechen; a statuette “The Master” by [Heyman]; a picture “Out of Deep Distress” by Stockmeyer; reproductions of various pictures by Watts; three reproductions of works by Lionardo; pictures by Kalckreuth the Elder, by Sophie Stinde (landscapes); by Haß (After the Storm, Fairy Tale. The King's Daughter, The Storm Cloud, Five Fir Tree Studies); a reproduction by the painter Knopf.

The next Federation Congress will take place in Budapest in 1909, two years hence, at the kind invitation of our Hungarian members.

The following events also took place after the congress: a public lecture by Mrs. Besant in Munich on “exertion and destiny” on 27 May; two public lectures by Dr. Rudolf Steiner in Munich on “Bible and Wisdom” on 23 and 24 May; and a “Course in Theosophy” based on the Rosicrucian method by Dr. Rudolf Steiner, which began on Wednesday, May 22 and included 14 lectures (lasting until June 8).

Photographs of the seals and pillars described above were provided by our member Mr. Kuhn, and will soon be available from Miss Marie von Sivers (Berlin W, Motzstraße 17).

It should be noted here that the first two yearbooks of the Federation (containing the communications, lectures and papers of the Amsterdam and London congresses) have been published. Those of the third (Paris) and fourth (Munich) congresses will follow shortly. The content of the books will be discussed in detail in the next issue of this journal; however, the importance of the books for every theosophist should be pointed out here, and their purchase is strongly recommended.

A group photograph of the Munich conference participants in the festival hall has been obtained by our member Otto Rietmann and can be obtained from Mr. Otto Rietmann (photographer in St. Gallen, Switzerland, Rorschacherstraße).