The Rudolf Steiner Archive

Note to the reader:

The text of this lecture is not to be regarded as literally spoken that way. It is rather a more or less extensive summary based on two incomplete transcripts.

In this lecture, I want to give a picture of the theosophical world view that is completely free of any dogmatism, while I want to show its characteristics with the help of some phenomena of our Central European cultural life. It is not a matter of importing any foreign oriental world view but of showing that theosophy is life and must become life. It is no new Gospel, but the renewal of sensations deeply rooted in the human soul.

We have to be interested most of all how geniuses, affiliated to us, are filled with the theosophical world view. Thus Lessing believed in reincarnation. In Herder's writings, we find ideas of reincarnation. We find them with Schiller in his Philosophical Letters (1786), in the Letters from Raphael to Julius (Christian Gottfried Körner in Schiller's Thalia) and in On the Aesthetic Education of the Man in a Series of Letters (1793/94). Novalis also believed in it. In particular, we find a theosophical world view in the later works of Goethe. Indeed, this can surprise at first, but who occupies himself with the study of Goethe, especially with the profound Faust drama, immerses himself more and more into that which I try to explain. What I try to tell now has arisen very easily to me.

Goethe was a theosophist according to his whole nature, to the innermost sense of his life, because he did never accept any limit of his knowledge and work. Goethe was determined by his whole disposition to the world view we represent here. He was convinced that the human being is deeply connected with the world, and that this world is nothing material, but active, creative spirit; his world view was not an uncertain pantheism, but he believed that we can attain a living relation to God.

As a seven-year-old boy he collected the sunbeams and enkindled a little candle; he wanted to enkindle a sacrificial service by the fire of nature. In Poetry and Truth he says: if we oversee the different religions, we find a common core of truth in them. The sages of all times always showed the swing of a pendulum between the higher and lower self,

When Goethe had returned home after his Leipzig study and after a severe illness, he devoted himself to mystic studies. He decided to express what took place in him, the whole urging, in the Faust drama; in the legend in which the Middle Ages wanted to describe the fight between the old and the new world views.

The 16th century did not think that one could progress to redemption by the own soul force; it let Faust perish. However, Goethe did it. After he had represented Faust as a striving human being, in the first version of Faust, he put him on a new basis in the nineties of the 18th century. In his Faust Goethe shows the development of the human being from the lower to the higher soul forces and as we will still see also in the Fairy Tale of the Green Snake and the Beautiful Lily.

His view was: only somebody who has passed the stages of development, who has felt attracted to the divine, who has passed doubts, has the full conviction, has gained the confidence and has brought himself from disharmony to harmony. His Faust is a song of human perfection. We need not to seek for the way to perfection in the Bhagavad Gita. We find the big problem also in the Faust. Goethe sets himself the task in his Faust to uncover the secret of evil.

Goethe uses the Prologue in Heaven to show the intention of his drama. The physical world is a reflection of force relations of the super-sensible world. With the words of the Prologue in Heaven Goethe describes the world of devachan, the sounding world. He represents it in the picture of the Pythagorean music of the spheres:

In ancient rivalry with fellow spheres
The sun still sings its glorious song...

Who says there that it concerns a superficial picture only says something superficial.

He also says at the end of the Ariel scene:

Hearken! Hear the onrush of the Horae!
In these sounds we spirits hear
The new day already born.

Goethe always speaks of the sounding of the spiritual world.

Theosophy speaks of three worlds: of the dream world, of the astral or soul world and of the mental or spiritual world. The emergence of the spiritual eye produces immense changes in the dream life first. If the new beholding, the new world becomes accessible, it is very regular. Of course, one must not found any science on what the human being experiences there. The student or chela has to learn to take this consciousness of the astral world along with him from the dream into his day consciousness. Later then he experiences the spiritual world in the dreamless sleep.

The consciousness of the astral world expresses itself in pictures, the consciousness of the spiritual world in spiritual hearing. The Pythagoreans called it the music of the spheres.

Still an important principle of the human being appears in the Prologue: the principle of karma. Who knows that Goethe knew the mystics of the Middle Ages thoroughly, does not speak of external pictures if Goethe says:

The spirit world is not sealed off
Your mind is closed, your heart is dead!
Go, neophyte, and boldly bathe
Your mortal breast in roseate dawn!

Dawn or “aurora” is an expression which is familiar to the mystics. Jacob Böhme's first work was called: Aurora or the Rising of Dawn.

From the start, Faust strives beyond the limits of the physical life. The portrayal of the earth spirit is completely given in technical-mystic terms, a wonderful portrayal of the astral body of the earth, of the imperishable soul cover spiritually created from the fruits of life. The earth spirit is no symbol; Goethe considers him as a real being. He supposed that in the planet planetary beings are and have their bodies, like we have our bodies of flesh. Goethe's creed was: the earth spirit taught him not only to consider but to feel and sense the uniform being of stone, plant, and animal up to the human being. He taught him the brotherliness of everything created up to the human being, the crown of creation. He also expressed his creed as 35-, 36-year-old man in The Secrets. A pilgrim walks to a cloister. He sees a rose cross at the gate. The rose cross is the symbol of the realms of nature; stone, plant, animal = cross, roses = love. Goethe himself says later that each of the twelve personalities represents a great world view or world religion in The Secrets. The aim of the pilgrim was to seek for the true core of the world religions.

In the first part, we see the young Faust being full of sensation and disharmony. With the help of the tempter Faust has to lead his lower self through all mistakes. In Mephistopheles Goethe created the picture of an ancient idea that is included in any profound wisdom. He tried to solve the problem of evil. Evil is the sum of those forces which oppose the progress of human perfection. If truth consists of the further development, any obstacle is a lie. Mephistopheles is called the spoiler, mephiz, the liar tophel in Hebrew. He leads through all kinds of experience of the lower self.

At the end of the first part, Faust stands differently before the earth spirit; he attains the insight that it is possible to really recognise the self. After he has finished the errors, he gets to the spiritual world by purification.

Faust dies at an old age, and there he becomes a mystic. In the conversations with Eckermann (Johann Peter E., 1792–1854) Goethe says: for the initiate will be soon evident that a lot of profound is to be found in this Faust.

The descent to the mothers: in any mysticism the highest psychic is female; cognition is a conception process. The fire on the tripod is the primary matter. The realm of the mothers is the primary source of all things; the spirit comes from there. A moral qualification is necessary to enter the spiritual world devachan in the language of theosophy. The aim of theosophy is to lead the human beings upward. The human being must make himself appropriate and worthy of that. When Faust leads Helena upward for the first time, he breaks out in consuming passion and, hence, Helena disperses.

Faust should fathom the profound secret of the human nature, how body, soul and spirit combine.

Spirit is the eternal; it was before birth and will be after death; soul is the connection between spirit and body; it tends more to the body first then to the spirit in the course of development, and with the latter to the everlasting. The development of the spiritual eye supports that.

In Faust you are now led into the laboratory in which Homunculus is generated; Homunculus becomes wonderfully understandable if he is understood as a soul that has not yet incarnated. Homunculus has to receive a body. Goethe shows the gradual development of the bodily in a magnificent picture at the Classical Walpurgisnight. Proteus is the sage who knows how the physical metamorphoses proceed. Homunculus has to start with the mineral, and then the realm of plants follows. For going through the plant realm Goethe uses the expression “es grünelt so.” [ Note 1 ]

Sexuality appears only on a certain stage. Eros combines with Homunculus: The human being comes into being from the connection of the male aspect of the soul and the female one.

Faust's loss of sight shows: the physical world dies for him; the internal vision rises in him. A magnificent picture of this process: “And as long you do not have this dying and becoming ...” The mystics express it in such a way: “for death is the root of all life.” And: “who does not die, before he dies perishes, before he dies.”

In the final picture of Faust the Chorus mysticus says:

All that is transitory
is only a symbol;
what seems unachievable
here is seen done;
what's indescribable,
here becomes fact:
The eternal-female
shows us the way.

In any mysticism the striving human soul is female. The connection of the soul with the world secret: the spiritual connection is expressed with the mystics as a wedding of the lamb. Goethe expressed this view even deeper in The Fairy Tale of the Green Snake and the Beautiful Lily.

Goethe himself said of the last passages of Faust in the conversations with Eckermann that he wanted to show Faust ascending the Montserrat. In the poem The Secrets it is indicated. Parzival, the traveller through the valley. When Faust lost his eyesight, he got the possibility to quickly develop. There he came to the higher regions, to the devachan, we would say. However, Goethe also needed Catholic ideas. Thus he let Doctor Marianus appear in the “neatest cell.” This indicated: the release from anything sexual, being above man and woman. That is why he also added the female name with masculine ending to him. Now asexuality takes the place of uni-sexuality. He had completely awoken in buddhi. Buddhi, the sixth member, had got the upper hand over all the other members.

Note:

Es grünelt so: the verb “grüneln” is a nonce word: being or becoming something that reminds of green; the translation of this sentence reads: “the air smells fresh and green.”

Before Christmas, in the first cycle of these talks, I discussed the basic concepts of theosophy so far that I can probably venture to begin with the discussion of the most important question which there can be for the human being that of his own origin and goal. In the last two talks I tried to show that the theosophical world view is the basis of Goethe's works, and I try to deepen this Goethean world view from the theosophical point of view in the next talks. Today, I have inserted this talk because it probably joins both talks, which I held during the last fourteen days, about the theosophical idea of the origin, of the descent of the human being, spoken in the modern sense of the word.

Somebody who speaks today about the origin of the human being has to take that into consideration which the present natural sciences have compiled about this topic in the second half of the 19th century. You may assume that the results of the natural sciences are something absolutely certain that they are something against which one cannot struggle. Just this scientific idea about the origin of the human being has undergone such a fundamental change in the course of the last years that hardly one of the younger serious researchers stands even today on the same point of view on which the Darwinist research stood. Somebody who concerns himself with this science knows how strong these changes are. You know that the scientific materialistic point of view still took for granted more or less before short time that one has to derive the human being generally, the whole human being from lower animal ancestors that one has to imagine that our earth was once inhabited by imperfect beings and that the human being himself gradually developed through slow perfection of these beings without any influence of other forces up to his present summit. Today this purely materialistic point of view is shocked by the natural sciences.

One has believed that this scientific point of view has one single counter-pole. One has only regarded these two cases as possible until the foundation of the theosophical movement: either the natural evolution theory in the sense of the materialistic world interpretation or a supernatural creation history, as well as it is shown in the Bible. The Bible and the natural sciences are still established like two polar opposite matters. One has also imagined that the biblical idea of six creation days would have completely controlled the old times and that only the modern times which have progressed so marvellously far substituted it for a natural creation history. However, one left aside one matter. One did not know that the ideas, which the opponents of our so-called supernatural creation have formed to themselves in the last time and with which they struggled against the Genesis, the Six-day Work, are also for the so-called orthodox Christian doctrine and its adherents not older than at most 300, 400 or 500 years. All those who have generally concerned themselves with the investigation of these matters scholarly did not really take the Bible as it is available to us literally before this time. Taking the Bible literally, the view that its contents are to be taken literally was never shared by the serious, also Christian, researchers in the former centuries.

We can go back to the times in which Christianity originated. It arose from older world views. However, we cannot enter into discussion of that today. I would only like to point to the fact that we have in the outgoing age of the Greek philosophy a creation doctrine which goes back to the name Plato, and that this doctrine is most nicely developed with Aristotle. Plato says: God forms the bodily world according to his ideas, which are the models. Also the human body came into being from the archetype, the idea of God. What lives in this body as human consciousness is an after-image of the divine consciousness. The goal of human knowledge is recognising what God recognised. Striving for this goal the human being realises that his spirit must be eternal, because it is an eternal idea of God. Aristotle, the neo-Platonism, the Christian Gnosticism, they all live in such ideas of the origin and the goal of the human being. In the Christian Gnosticism we have a creation doctrine which I have to characterise to show you how little applicable the ideas were which the opponents of the supernatural creation history have recently still formed.

One imagined that in the course of times, since primal times, the human being was developing, that he did not have the same figure, not the same being as today, that he developed up to this being finally. In the end, one imagined that in different lower animal forms reminders of the former shaping of the human being exist. It is somewhat difficult to make these ideas clear to anybody because they are unfamiliar to the modern human beings. What faces us as a physical human being did not exist always in such a way as it is today. It was more similar to animals, and those animals who are most related to the human being also show such a condition approximately as the human being had at that time. If we go back to still older times, we come to more and more imperfect creatures. This was the view of the Gnostics. They did not suppose as the materialistic view does it that the human being came into being by himself from the lower animal kingdom; but they were clear to themselves about the fact that from a being that was still similar to a monkey the human being could never have developed unless a higher being had grasped and developed this being up to a higher figure. One could make that quite clear if one wanted to talk about it out of former ideas. But it suffices to show that the Gnostics had another creation doctrine than one normally states.

You find it clearly expressed with St. Augustine. He did not teach the faith in the literal interpretation of the Bible, but he imagines the development of the beings in such a way as I have just demonstrated. He imagines the influence of a spiritual world which achieves a perpetual rise of the being, while the external process is really that we were physically imperfect beings first, that then a spiritual influence took place and we became physically advanced beings, that then a spiritual influence came again and that we became then again higher beings until the highest spiritual influence took place and the human being developed as a human being. This approximately is the view of St. Augustine. He considers the Six-day Work in the Bible as a beautiful allegory. He is of the opinion that one can no longer pass such a view, as I have developed it as a gnostic one, in the purely gnostic form. He imagines that in the concepts of the Bible external allegories must be given because the large mass cannot understand it if one speaks in such abstract higher ideas. Hence, the creation history should be revealed figuratively, as well as it is commensurate with the popular ideas. You can find the same with Scotus Eriugena, with all great church teachers of the Middle Ages, also with Thomas Aquinas and up to the 14th century. You can explain the real course of the Western scholarship and science to yourselves if you get it clear in your mind.

Then, in the 14th, 15th centuries, this old evolution doctrine disappears. More and more it becomes apparent that the faith in the literalness of the Bible becomes authoritative in the church. We have to retain these facts. In the following centuries the human being is no longer familiar with them. All memories of such interpretations of the Bible had got lost, so that in the 19th century people believed to give something quite new with a natural creation history. Indeed, according to the materialistic way of thinking of the newer time, this creation history completely became materialised, while one faced it with spiritual concepts once. The creation history by Darwin and Haeckel has nothing to do with the real scientific facts, has nothing to do with that which one might investigate. There was also a natural creation history once; it was interpreted in the spiritual sense only, so that one deals not only with material processes, but also with a spiritual impact.

The facts have clearly spoken during the very last years, and numerous researchers have returned again to a more non-material view of development. However, there we have another researcher, Reinke, who has made his discussions about development in an anti-Darwinist way, significant in particular for us, because he returned to the old ideas without knowing the old evolution doctrine. He speaks of perpetual “impacts” of spiritual kind which evolution has experienced. He called these impacts dominants. This is a scanty outset of a return to former ideas. Development is said to progress no longer by itself, by purely material forces from imperfect to more perfect beings, but a more perfect being can only originate from an imperfect one because a new dominant strikes, a new force impact of spiritual kind which causes the progress, in contrast to the materialistic doctrines of Darwin, Lamarck, Haeckel et etcetera This term exactly reminds someone who looks deeper at the matter of something that Heine said: “poverty comes from pauvretè.” It is the paraphrase of the matter with another word. Only the theosophical world view again gives a creation history which faces up to the documents of the religious confessions in such a way, as the researchers till 13th, 14th centuries faced up to them, and let us now develop this creation history with some words.

If one wants to recognise the human being concerning his origin, one has to get clear about the nature of the human being. Someone who takes the view that the human being is only the connection of these physical organs: hands, feet, lung, heart et etcetera up to the brain has no other need to explain the origin of the human being than from material forces. That is why the question becomes different for him than for someone who considers the human being as an entirety. He considers the human being as a being that consists not only of body, but also of soul and mind. We have already seen to what extent the human being consists of three members: body, soul and mind. Body, soul and mind are the members of which the human being consists. What one calls psycho-spiritual has been subsumed by the modern psychology in one single concept, in the concept of the soul. The confusion of the modern psychology is that it does not differentiate between soul and mind or spirit. Theosophy has to point to this over and over again. What is soul-being from one side, what feels and imagines and thinks about the everyday things, all that is also soul for us theosophists.

The spirit begins only where we notice the so-called eternal in the human being, the imperishable. Plato said of it that it feeds itself with spiritual food. Only the thought that is free of the sensuous that rises to the character of eternity that is seen by the spirit if the spirit does no longer see through the gates of the senses outward but looks into his inside, this thought only constitutes the contents of the spirit. The Western researcher knows this thought only in one single field, in the field of mathematics, of geometry and algebra. There are thoughts which do not flow towards us from the outside world which the human being creates only from his inside, intuitively. Nobody could obtain a mathematical theorem only from observation. We could never recognise from observation that the three angles of a triangle amount to 180 degrees.

However, there are thoughts that do not refer only to space, but are pure thoughts that are free of sensuousness and refer to everything else in the world, to minerals, plants, animals and in the end also to the human being. Goethe tried in his morphology to give a botany of sorts which has such thoughts free of sensuousness. There he wanted to fathom how nature lives in its works. Someone who sinks and delves with feeling and sensation in that which Goethe gives in his theory of metamorphosis experiences something in it like a big raise to the etheric heights. If you are raised higher and higher to the recognition of such thoughts which are modelled on the mathematical in space, you get to the great mystics who inform us about soul and spirit. Hence, the mystic also calls mysticism “mathematics” – mathesis , not because mysticism is mathematics, but because it is built up corresponding to the sample of mathematics.

Goethe was such a mystic. He wanted to establish a world which raises us from the only psychic to the spiritual. What the human being does with his reason in the everyday life this sensible understanding of the immediate temporal and transient reality is raised to a higher level, into the pure thought-world. You can there experience something in yourselves if you rise to the pure thought if you can abstract from the sensuousness-imbued thoughts what belongs to the eternal. Theosophy calls this first element of the spirit also manas. I have tried to translate this term with “spirit-self” in my Theosophy. It is the higher self that separates itself from that which is limited only to the earthly world.

As well as now the thought can be raised to a higher sphere, the world of feelings can also be raised to a higher sphere. That world of joys and desires is apparently a lower world than the world of thoughts, but if it is raised to the higher regions, it is even higher than the world of thoughts. The eternal in the feeling is higher than the thought. If you raise the feeling to the higher spheres like the thought in mathematics, then you experience the second being of the spirit. The academic psychology only knows the lower feeling. It acts as if everything amounts to nothing more than the lower feeling. But in our world of feelings this eternal lives as a rudiment, and theosophy calls it buddhi. I have given it the name “life-spirit”, as the second spiritual being of the human being. Raise your thoughts up to the recognition of an eternal, and then you live in manas. Raise your feeling and sensation up to the eternal, and then you live in buddhi.

This life in buddhi exists only as a rudiment with the present human beings. The human beings can already think manasically sometimes if the thinking is regulated, is subjected to the logical world principles. However, there is also a thinking which wanders around aimlessly, that has got a thought and immediately another thought, always alternating. This is the everyday thinking. There is a higher thinking that is logical and coherent that feeds itself from the eternal according to Plato and is blessed with the eternal. If now a feeling has risen to this world, to such a world principle, it lives in buddhi. This means nothing else than a kind of eternal principles of feeling. Who lives in the everyday life can also err, can also stray with his feeling. However, someone who experiences the eternal norms of feeling in himself as the thinker experiences the eternal norms of the manasic thinking has the same certainty and clearness of feeling in himself as the thinker has clearness of thinking. Theosophy describes this as a spiritual human being who experiences the spirit in himself. This was also the deeper substance of Christ. The human being experiences Christ, lives with Christ, and participates in Him. Christ is the same as buddhi.

If the mere external will which is the mostly unconscious in the human being rises to the highest world principle it is hard to talk of this highest development of the human spirit, one can only indicate it then one speaks of the true spirit, of the spirit-man or, with a Sanskrit term, of atma. For the human will can be purified from the personal. These are the three members of the spiritual: manas, buddhi, and atma. As a substance is dissolved in water, these three members are dissolved in the soul. Where everything intermingles, the human being cannot normally make a distinction of that which wanders there aimlessly. Hence, the modern psychologist describes a real chaos as soul.

If that which lives out as the highest spiritual in the soul intermingles with the lower qualities of the soul, if it appears as a lower feeling, if it enjoys life in desire instead of love, we call it kama. Kama is the same as buddhi, only buddhi is the selflessness of kama, and kama is the selfishness, the egoism of buddhi. Then we have in ourselves our everyday reason which wants the satisfaction of our personal needs. We call this reason, in so far as it expresses manas, ahamkara, the ego-consciousness, the ego-feeling in the soul. So that speaking of the human soul we can also speak of buddhi which enjoys life in kama, and if we speak of manas or the real spiritual of thinking, we speak of the reason which enjoys life in the ego-consciousness, in the ahamkara.

I tried to show the gradual education of the human being, the purification of the human being from the psychic to the spiritual, in a book that I wrote some years ago, in my Philosophy of Freedom. You find there in the concepts of the Western philosophy what I have shown now. There you find the development of the soul from kama to manas. I have called ahamkara the ego, manas the “higher thinking”, the pure thinking, and buddhi not yet pointing to the origin the “moral imagination.” These are only other expressions of the one and the same matter. With it we have recognised the psycho-spiritual nature of the human being. This psycho-spiritual nature is embodied in that which the external natural sciences describe to us. This psycho-spiritual nature is, actually, the human being. It has something like a cover around him: the external physical corporeality.

The theosophical view is that the psycho-spiritual nature of the human being existed sooner than the present figure, than the physical corporeality of the human being. The human being did not originate in the physical but in the psycho-spiritual. This psycho-spiritual, atma, buddhi and manas, forms the basis of all physical creation. Plato also speaks of it if he says that the spirit of the human being must be eternal, because it is an idea of God. What develops as forms on earth approaches the eternal spiritual part of the human being.

We can imagine now that we are in a very distant point of the past. There we have the psycho-spiritual nature of the human being on one side. I believe that the materialistic thinking of the present is hardly able to imagine this psycho-spiritual nature. That is why since centuries the modern thinking is not accustomed to imagine the psycho-spiritual. On the other side, we have the sensuous life in the very distant past. How have we to imagine the sensuous life? The natural sciences teach us that we come to a human being of imperfect figure investigating the beings in the relics of the layers of earth. Going back farther we find times in which the human being was not in the present figure on earth. Only monkeys and related animals existed. Going back still farther we find that also the monkeys were absent and that only lower mammals existed. Still sooner there were reptiles and birds, and still sooner we find animal species of immense size and mightiness, the saurians, the ichthyosaurs. They lived in other way than today. Then, farther back, we find even more imperfect animals, until we come to an age where we cannot prove that there was any living animal. Physical life must have existed there in a still plant-animal form.

Theosophy points to conditions of the earth development of which is also spoken in science: the earth was not always the solid mineral ground, on which we walk today. It was in a liquid-soft condition once. If you look at certain earth formations, at mountains, you can still detect how they became hardened from a soaking-liquid condition. The whole earth was once still in an igneous-hot condition like an immense fire body. Theosophy points to the fact that still sooner a gaseous, an etheric condition of the earth existed. Everything that exists now in solid or liquid or airy condition on earth existed also at that time in a quite subtle etheric condition. You can imagine it approximately if you take a piece of ice; this is a solid matter. You melt it, and then it gets to a liquid, watery condition. You evaporate the water, while you heat it up. Then you have again in an airy-vaporous condition what was liquid before.

The whole earth was once in a much finer, thinner etheric condition. Akasha is the finest form in which before primeval times everything was in the etheric condition that meets us now as solid, liquid et etcetera on earth. The solid granite of our primeval mountains, all metals, all salts, all kinds of limestone, everything that is on our earth now also all plant and animal forms existed at that time in this subtle akasha. Akasha is the subtlest form of matter.

The human body is composed of all substances of the earth. All the kinds of matter are found in any chemical composition in the human body. At that time all these substances were in the akasha state and in this akashic matter now the psycho-spiritual being of the human being incarnated. This was another figure than that of today. In this akashic matter everything was still undifferentiated that differentiated later. Everything was in it that became mineral, plant, animal forms later. In this akashic matter in which the human being incarnated all animal forms were still contained, just as everything that became human form later.

If one wants to form an idea about the processes within the earth development which happened in these primeval times, one must strictly distinguish the duality. The human being is a duality; he is composed of two beings. On top is the divine-spiritual core of the human being: atma, buddhi, manas. In this divine-spiritual human being, the desire lives to become a human being. It drives him down. Descending he forms a cover from this desire, an astral body. On the earth animal-like beings formed, resulting from the still uncertain earth masses. These beings came from a still earlier earth state, the old lunar state, and a previous incarnation of the earth.

When this old moon had finished its cosmic existence, beings remained like a seed which had lived on the old moon; these were beings which were neither animals nor human beings, they were between animal and human being, a kind of animal-humans. They came out again, when the earth started to form. In these animal-humans the wildest impulses, instincts and desires lived. They could not yet take up the higher spirituality in themselves at first; they had to experience a purification of their astrality to be able to take up the higher principles in themselves. These are the physical ancestors of the human being of which Gnosticism, St. Augustine, and the scholastics speak. These were animal-like figures which lived in a more malleable body material than the physical matter is today, much softer than the lowest animals have it, for example, the jellyfishes and molluscs. These were beings which lived in a translucent corporeality, partly in very beautiful forms, partly in quite grotesque forms. They had no upright posture, they lived in swimming-floating posture; they had no marrow, this formed only later, still no warm blood, they did not yet have two sexes. They lived with all that later became plant, mineral, and animal like in a common astral state of the earth. At that time, the astral body of the earth had all earthly beings in itself. This astral earth consisted of the astral bodies of the human animals and was surrounded by a spiritual atmosphere where the monads, the spiritual human beings lived. These spiritual human beings waited above, until they could unite with the astral bodies below. But at first these astral bodies were not yet purified enough; everything impulsive of the animals, the instincts and passions had to be largely separated. They were eliminated as particular astral structures. These isolations took place repeatedly. These isolated structures hardened, and the other realms of our earth came from them.

We have to imagine that two astralities were there, an upper purer one and a lower denser one. The upper one, descending deeper and deeper, has an effect on the lower one. Thereby this separates the coarser parts from itself. The separated parts are condensed. The other realms of nature, which are now round us, come into being that way. The human being himself keeps the finest parts to himself. Thus the whole environment was connected with the human being; he separated them from his nature.

The astral matter below was condensed to reptile-like animal forms; they were still cold-blooded. They were not shaped like for example an ichthyosaurus from which we find leftovers even today. There are no leftovers of these formations at all, because these bodies were fine, soft bones only existed much later. The psycho-spiritual being unites first with these formations from above; both fertilise each other. More and more a densification of the matter takes place. It merges into an igneous-liquid state. This was about the middle of the age which we call the Lemurian one. This age preceded the Atlantean one. This igneous-liquid mass is criss-crossed by currents which condense gradually more and more to the later bones; the respiratory organ and heart organ with the bloodstream, the different organs of the human body form from these currents. Everything that is too coarse for the human being is separated repeatedly. For example, the wildness of the lion is separated. Outside an animal form of coarser substance comes into being: this later becomes the lion. In the human being his courageous, his aggressive qualities remain. The cleverness and cunning is separated; it forms the being fox outside, and the human being keeps to him what he can use of cleverness.

Then another developmental state of the earth follows. It became more compact, more solid. The human being was thereby forced to adapt himself to this more solid structure of the physical life on earth. He was able to do this only because he handed over a part of his being to the coarser materiality. From this part of the human being the first most imperfect animal world originated. Thus this is as it were a shell which the human being cast off once. It originated from the human nature. However, the true human nature thereby ascended to a higher level. The human being was freed from the impact which he had from the lower animal world. We see these last creatures which the human being repelled deposited in the first layers of earth. These are crustaceans, shellfish which the human being separated from himself. He became a somewhat purer being that way. It is like in a solution in which coarser parts have settled down. The further development takes place in such a way that the human being again hands over a part of his nature to materiality. Worms and fish originated from that. This is a cover again which the human being cast off.

In the second state, the human being had taken on a matter which is like our airy matter. The human being was incarnated there as an aerial being. It may seem peculiar to the materialistic thinker, but someone who familiarises himself with theosophy finds that the other creation history is a speculative fiction and that this theosophical creation history can already be evident to the everyday reason. Because the human being embodied himself with his soul in more delicate matter, in aerial matter, it was possible that he cast another cover off, that he separated animals from himself. At that time, the earth had already built up a somewhat more solid skeleton, and the human being formed in that which one calls fire mist. One speaks there of the sons of the fire mist. This came about because the human being cast his covers off which developed then to birds and reptiles on the other side. However, when the human being had advanced so far when he had advanced to this fire matter, he was able to take up a new impact from without. As well as we have seen in the outset of our earth how with the physical matter that united which the psycho-spiritual human being had cast off as the coarser nature, he united in the period of which we speak now and which already parallels states of strong densification of our earth, with higher spirit. At first this happened because buddhi descended and became kama. The human being thereby became warm-blooded differing from the lower cold-blooded beings. Also other creatures became warm-blooded on earth.

Up to a certain point of development there were only cold-blooded and passionless beings; the others originated in the middle of the Lemurian age. Also the two sexes developed from one. The human being repelled the lower beings which still live on as reptiles and when he was already warm-blooded, he repelled the birds from himself. Because of these separations he became mature to take up the spirit in his first figure. This is the race that appears as mind-endowed for the first time. In the Lemurian age, the human being came to a densified materiality, he became fleshly. This is the Lemurian human being. He lived on our earth at a time in which a lot of the old fire matter still existed. In this Lemurian age, the whole race completely perishes by volcanic catastrophes caused by the fire. Only some remain and live on.

The Atlantean period took place in the regions that are today covered with the floods of the Atlantic. Here once again something is separated from the human being: the higher mammals come into being. The human being still had the nature of the higher mammals in himself at first. He still had in himself what one calls apes. They all are separations of lower parts of his nature. The human being developed to a higher level only because he cast off the lower parts. What I called ahamkara came to the fore. In the first Atlantean time, ahamkara appears with the corresponding development of memory and language in the human race. Self-consciousness became consciousness of egoism. Hence, the first Atlantean time is also a time in which more and more the harsh egoism developed. We will still hear and read to which excesses the developed ahamkara led. The higher mammalian nature was cast off, so that we must not regard the apes as ancestors; rather we have to regard the human being as the first-born on our earth.

The human being exists incarnated in akasha, and everything that exists besides him was gradually eliminated by him. The human being and the animals adapted themselves to the relations and circumstances and became what we can get to know today. Paracelsus knew this and said that the human being himself has written down the letters of his whole being. So we must not regard the ape as an ancestor, but as a descendant of the original human being. It is strange that this theosophical approach reminds, quite elementarily, of a remark of the naturalist and botanist Reinke (Johannes R., proponent of neo-vitalism, 1849-1931). He says in his book The World as Action that the ape does not appear as an ancestor of the human being but as a degenerated human being dropped out of humanity.

This view agrees quite exceptionally with that which the natural sciences teach in these fields. They teach that the very first rudiment of the human brain, of the childish human brain in particular, is very similar up to a certain degree to an ape brain but that the developed human brain differs from the ape brain. So that the ape brain looks like something that takes a completely different course of development. However, the Darwinist view wants to base its theory of the relationship of the ape with the human being on the first impression. At that time, the human being cast off the ape nature, so that he could develop freer, upward to nobler qualities. The apes thereby degenerated and developed in another direction. The ape is not at all to be regarded as an ancestor of the human being. However, this furthers the human development.

After the human being had developed buddhi, kama and ahamkara, he was able to receive the first principle of the spirit again in himself: manas. Manas, the logical thinking, the inferring thinking developed since the last time of the Atlantean age and in our whole fifth age from this refined human nature. Thus the human being had to experience wisdom in egoism, in ahamkara, after he developed buddhi first up to kama; thus he had to lead a selfish life. But then wisdom developed again in purer form, so that the human being is able today to think logically. He ascends once to a higher kind of spirituality working out the buddhi nature from the kama nature and from the everyday feeling in order to ascend to even higher levels of spirituality. We speak of it later after we have got to know the levels of development still more exactly.

I could only outline the theosophical view generally speaking. This is the evolution theory, the theory of the origin of the human being in the theosophical sense. This is the descent theory which is destined to substitute that which has suffered essential losses by the real scientific facts in the last time.

Nevertheless, I would still want to read out some words of the botanist Reinke to show that my explanations do not completely contradict the scientific ideas and that today it is necessary to think a new kind of “creation history”. He expresses the following there: “It is clear from the start which deep contrast exists between this view that I have just explained and the view and research method of our science. We do not look for theories generally but rely on facts. Hence, the natural sciences would have to bring themselves to confine themselves to facts only. Up to now, the facts do not at all exist. I must protest against it if the case is shown as if zoology, anatomy etc. have delivered the facts. If a picture should be derived from it, it is fancy.”

At the same time, this naturalist does not yet understand that it is impossible to receive a view of the origin of the human being from the external facts one day. One is never able to do this, because the origin of the human being was not in the sensuous but in the psycho-spiritual. Not before one ascends from the sensuous to the psycho-spiritual if one ascends to a view that is no longer fantastic but spiritual, we can get again to a descent theory really satisfying the human being. Leading the human being to a satisfying descent theory is the task of theosophy. The “natural” creation history can no longer give satisfaction today. On one side, the need for spiritual knowledge makes itself noticeable, and, on the other side, the facts have disproved the evolution theory. The natural sciences are never able to say anything about the origin of the human being. If the origin of the human being is to be recognised, it can only happen in the sense of spiritual knowledge. Leading the present again to such spiritual knowledge is the task of the theosophical world view.

Answer to question

Question: Were the crustaceans the first living beings which were separated?

The crustaceans were not the first living beings, which were separated. Of course, these were mono-cellular living beings. However, these were not like the present-day mono-cellular living beings, they were in quite different conditions.

Question: How has one to imagine the fiery-liquid surface of the earth in the Lemurian age and the existence of beings on it?

Not the total surface of the earth was in the fiery-liquid condition, only the residential place of the beings was fiery-liquid. With the separation of the mineral beings something existed like a kind of leftovers, already almost like an impact of a skeleton which could accommodate beings that have taken on any solid shape. Palaeontology can only verify what had taken on solid shape.

Question: Is the future separation furthered by vegetarianism?

It is hard to speak about that because this question, even more than other questions, challenges the human feeling. However, I would like to speak impartially about the question. Indeed, the further refining of the human being is eminently supported by vegetarianism. With it should not be said that it is possible and good for any person to live as a vegetarian. The question is another if one asks whether one should become a vegetarian, than if one asks: what does vegetarianism achieve? Vegetarianism fosters the spiritual intuition and is also advantageous for the actions. At the same time, it is also a question of heredity. However, I would like to oppose a prejudice.

Indeed, in these fields the materialistic thinker can have an experience reaching up to a certain degree, but not a sufficient one. One says that people have become weak due to vegetarianism that they cannot stand the vegetarian way of life. This is right and is wrong. It is right that many people who occupy their thinking only with kama manas who have merely sensuous objects as content of their thinking and to that the usual scholarship, law, physiology or also medicine belong where the content of the ideas are merely taken from the sensory world , do not find everything in vegetarianism that they need. For all those who think, imagine and feel in the area of reason which is directed upon the sensory world, come to a point where they can collapse due to vegetarianism. There are many people of such kind. However, it must not be. I have got to know people in this field who themselves were learnt thinkers who were physiological, historical thinkers with whom it was not possible that the brain was properly nourished if they lived only vegetarian.

But the case changes immediately if the human being develops spirituality. As soon as he gets to the spiritual cognition, as soon as he lives in the spiritual, then it is possible that he can exist with vegetarianism. Then vegetarianism furthers the spiritual life, and the human being advances so far that he has an even higher future in prospect. I speak of this higher future in the next talks, on the 16th February, 23rd February and 2nd March where I speak about Goethe's Secret Revelation.

Question: What has one to understand by a psycho-spiritual being?

We will still see where the spirit has its origin. We have to imagine this spiritual impact within the human development as an influence coming from without. With it a view of nature is not injured or the opinion is justified that this is a dualism. Also hydrogen and oxygen give water. But someone who knows that does not need to be a dualist.

Question: What was there really as a human being, before the spiritual impact took place?

Up to a certain point the human being is the triad: mind, soul and body. If we advance somewhat upward, we have the bodily-psychic human being on the earth, connected with the physical of the earth. This bodily-psychic human being is incarnated there at first in a much finer and brighter matter than the later human being. A densification perpetually takes place there. That is why we also speak of the so-called “sons of the fire mist.” We deal there with a configuration of the human being. However, I would not like to portray this figure in a public lecture because if one puts it just like that it looks bad. The preconditions do not exist to understand this figure.

In the "fire mist" the incarnations happened in akasha at last. Physics of our time has no knowledge of this akasha. What we now have as an impact is the rudiment of eternity, the spirit, if we speak of spirit with the present-day human being, we speak of eternity. The consciousness which it concerned at that time was not at all the same as the consciousness in the hypnosis or in the trance states. It exists, approximately, in an especially lively dream. This was the condition of consciousness before the impact of the spirit.

Question: Why has any progress to happen by densification of matter, whereas we consider the delicate matter as progress?

The general form of consciousness was illuminated, but also limited by densification up to the material development of the senses.

Question: Is the akasha substance an etheric or astral substance?

The astral substance is the higher substance. The akasha substance stands between the physical and astral matters. It is the most delicate physical matter, in which the thought can develop immediately.

Question: How could one perceive the human being in these delicate conditions?

In the time when the human being was still aerial it was possible to perceive him by hearing, as a vibration, but not with the eye.

Question: Which influence did the impact of the spirit have on sexuality?

With the impact of the spirit the single beings became uni-sexual. Before both sexes existed in one being, it was hermaphrodite. At that time, the reproduction was similar to that of our mono-cellular beings.

Question: What is the origin of the theosophical world view?

One taught in pictures once. This is no longer possible today. Hence, one has to express the ideas in a language understandable to the reason, especially for our scientists. One should consider these matters as the physicist considers his, as a useful working hypothesis. This gives conviction bit by bit.

When Dr. Steiner was asked to tell some additional details about the process of the separation of the ape, he answered approximately in such a way:

Imagine an ancestor who has two descendants. One of these descendants can take up the divine spark in his form. He develops upwards and becomes a human being. The other descendant has a form created from coarser substances; he cannot take up the spark. He develops downwards and becomes an ape.

In this and the two following talks we want to occupy ourselves with what Goethe called his apocalypse, his secret revelation.

We have seen, among which lofty brotherhood Goethe counted himself. He was convinced that knowledge is not anything that is ascertained once from a human point of view but that the human cognitive faculty can develop and that this soul development is subjected to principles about which the human being needs to know nothing at first, just as little as the plant knows the principles according to which it develops. The general theosophical teachings of the developing cognitive faculty comply completely with the Goethean approach to life. In various ways Goethe expressed this view.

He now answered a question that he tried to answer in infinitely deep way that he approached when his friendship with Schiller became closer and closer. This friendship was hard to make because both personalities stood spiritually on quite different ground. Only in the middle of the nineties (of the 18th century) they met forever and complemented each other. At that time, Schiller invited Goethe to contribute to the Horen (Horae), a magazine in which the most beautiful products of German cultural life should be made accessible to the public. Goethe promised his cooperation, and his first contribution in this magazine was his apocalypse, his “secret revelation:” The Fairy Tale of the Green Snake and the Beautiful Lily (1794/95).

It concerns the great connection of body and spirit, of the earthly and the super-sensible he wanted to demonstrate, as well as the way which the human being must take using his developing cognitive faculties if he wants to ascend from the earthly to the spiritual.

It is a question that the human being must always put to himself. Schiller had demonstrated this problem spiritedly in his way in the Letters on the Aesthetic Education of Man. This treatise, little known and studied, is a repository for somebody who approaches this riddle. Goethe was thereby inspired to comment the same question and he did it in the Fairy Tale of the Green Snake and the Beautiful Lily which he annexed later to the Conversations of German Emigrants.

This fairy tale leads deeply into theosophy. Theosophy says also that the contents of knowledge of our soul are dependent any time on our cognitive faculty, and that we can develop this cognitive faculty higher and higher, so that we gradually do not have anything subjective as contents of cognition in our souls, but that we can experience objective world contents. The Fairy Tale of the Green Snake and the Beautiful Lily shows the development of the human soul to higher and higher insights, because all human soul forces can develop not only the human intellectual capacity. All soul forces, also feeling and willing, can penetrate into the objective world secrets. But you have to eliminate everything personal.

This fairy tale is so profound that it is worthwhile to consider it more intimately. It leads us into the depths of Goethe's world view. Goethe himself said of it to Riemer (1774–1841, Goethe's secretary) that the same applies to it as to St. John's Book of Revelation that only a few find the right thing in it. Goethe put his most profound ideas into it that he knew about the human destiny. He was always very reserved about it: he said if hundred human beings were found who understand it correctly; he would give an explanation of it. They were not found up to his death, and the explanation was not given. After Goethe's death, a big number of attempts to explain were made which were collected by Meyer-von Waldeck (1824–1899, German writer). They are partly valuable as building stones, however, cannot fathom the profound sense.

The question could appear: why did Goethe put his real life secret into such a fairy tale? He himself said that he could speak on such a question only pictorially. He did the same with it as all great teachers of humanity who did not want to teach in abstract words who treated the loftiest questions in pictures, symbolically.

Up to the foundation of the Theosophical Society it was only possible to give this highest truth pictorially. Thereby comes about what Schopenhauer so pleasantly called the “choir of the spirits,” if the spark is enkindled in the souls like by hieroglyphics. Where the world view became completely personal, completely intimate to Goethe, he could express himself only in this form. One finds two important clues in Goethe's conversations with Eckermann.

Later Goethe still expressed himself in two other fairy tales more intimately, in The New Melusine (1807) and then in The New Paris (1810). These three fairy tales are the most profound expression of Goethe's world view. In The New Paris he says in the end: “whether I can tell you what happens further, or whether it is expressly forbidden to me, I do not know.” This should be a hint to the sources of this fairy tale.

These fairy tales are revelations of Goethe's most intimate approach to life and world view. The fairy tale The New Paris points clearly to the sources from which it comes. It begins: all clothes drop from the boy's body, everything drops from the human being that he has acquired within the culture in which he lives. A man, young and nice, approaches the boy. This welcomes him joyfully. The man asks: do you know me? The boy answers: you are Mercury. This I am and I was sent by the gods with an important order to you!

Let us look at these three fairy tales as Goethe's most profound revelations. At first the Fairy Tale of the Green Snake and the Beautiful Lily. The fairy tale immediately begins mysteriously. Three fields are brought forward to us, a this-worldly one, a yonder one and in between them is a river. It shows the world of body, soul and spirit, and the path of the human being to the super-sensible world. The near side bank is the physical world, the yonder one, the country of the beautiful lily, is the spiritual world; in between is the river, the astral world, the world of desire.

Theosophy speaks of the soul life in the physical world, of this mortal world, then of the devachan which the soul experiences after death, but also if it got free of anything personal by means of an esoteric development already here in the physical world. Then it can ascend to the beyond, to the kingdom of the beautiful lily; then it finds the way to the yonder bank, where the human being constantly strives for, the way to the home of his soul and spirit. The river in between, the astral world, the current of desires and passions separating the human beings from the spiritual world must be overcome.

A bridge is now built across the river and the human being gets to the kingdom of the beautiful lily. This is the goal the human being strives for. Goethe was completely familiar with the significance of the lily in medieval mysticism. He was, so to speak, initiated in the secrets of the mystic world view and knew the alchemical efforts of the Middle Ages. After he had recognised the deepness of mysticism on one side, he also met the trivial reflection of it in the caricatures of literature.

In the first part of Faust, he still shows us humorously that the problem of the connection of the human being with the beautiful lily stood before his eyes. In the Easter walk you read before he makes the acquaintance with Mephistopheles of the efforts of the human being in a distorted alchemy.

My father was a worthy commoner,
who in good faith, but in his own eccentric way,
laboured at fanciful speculations...
...
...
there a mercurial suitor, the Red Lion,
would in a tepid bath be married to the Lily...

This is a technical term of alchemy: lily signifies Mercury. According to the theosophical world view Mercury is the symbol of the wisdom the human being strives for, and lily that condition of consciousness in which the human being exists if he has obtained the highest. The marriage of the male with the female in the human soul is shown here. “In a tepid bath” means in the alchemical sense “being released from the fire of desires.”

We speak of ahamkara in theosophy, the striving of the human self which wants to enclose the highest. This human principle striving at first in selfness is shown in alchemy as a lion which has been freed from selfness, from desires and passions, and is allowed to combine with the lily. Even if one did no longer know a lot of the true alchemy in mediaeval times, one had preserved the names. All higher truth stands in the etheric shine before us if we approach it, released from stormy desires, from the lion of desires which were cooled down in the tepid bath. Then the human mind can find the lily, the eternal-female, which attracts us; he can have the union with these truths of the spiritual worlds. This is a way which the souls have always gone in the fullest clearness. Mystic is somebody who strives for the clearness, the highness, and the purity of the views.

There must not be sympathy and antipathy of wisdom, but only an unselfish being merged in it. Because one does not feel any passion with the truths of mathematics, no quarrel is possible; if human sensations came into question, it would be also argued whether two times two are four. In the same etheric shine all higher truths stand before us if we express this attitude. It was this serenity in all that Pythagoras called catharsis, purification. Goethe described this whole way with its intimate secrets in his fairy tale because our colloquial language is not really suitable to show these matters. Not until we succeed in describing that in coloured pictures which lives in the soul of the mystic, we find the language to describe the highest form of the human consciousness, the lily.

One likes to represent mysticism as something unclear. But unclear is only somebody who does not find the way to the heights. The mystic strives for the most precious clearness of the concepts in pure etheric height, free of harsh immediate reality. We need to acquire the concepts only which lead us to this country of clearness. Goethe looked for this country of clearness, he strove for mathematical knowledge. In Goethe's estate I found a notebook fifteen years ago. This confirmed that Goethe concerned himself with mathematical studies even during later years, even up to the highest problems. Like a real gnostic he made his studies on nature and the human soul. Because of his intuitive spirit he could also behold the archetypal plant, for example.

But as he was hard understood concerning the archetypal plant and animal, he was still less understood concerning the soul-life. I remind of the conversation with Schiller in Jena in 1794. Goethe expressed himself to Schiller in such a way that he said that an approach of the world and its contents could be probably found which does not pick the things to pieces, as science does, but which shows the connecting band of all forms, which points to something higher, something uniform behind all sensuous phenomena. Goethe drew his archetypal plant, a formation which was similar, indeed, to a plant, but not to living ones which you can perceive with outer senses, and he said to Schiller: this is the essentiality of plants, the archetypal plant, this is the connecting band of the plants; but this archetypal plant lives in no single plant, but in all plant beings. It is the objective of all plants.

He answered to Schiller's objection that his archetypal plant were an idea: “If this is an idea, I see my ideas with eyes.” At that time, Goethe showed how he stands to the spirit; there is an intuitively beheld plant for him which lives in every plant being. Only an intuitive beholding can perceive the objective behind all sensory things, only thinking free of sensuousness can attain this. The will-o'-the-wisps of the fairy tale show us how thinking can develop to objectivity. Who cannot rise toward Goethe's view does not understand what he means; at that time even Schiller did not correctly understand what Goethe meant, but he did his best to penetrate into Goethe's world view. Then the letter of the 23rd August, 1794 came. This broke the ice between both spirits.

Goethe hid a lot of his higher spiritual beholding in this fairy tale. Let us now try to penetrate into the fairy tale.

You read: In the middle of the night, two will-o'-the-wisps wake up the old ferryman who sleeps on the other bank in the spiritual world, and want to be ferried over. Fro the kingdom of the lily he ferries them over the river whipped by the storm. They behave discourteously, dance in the small boat, so that the ferryman must say to them that the small boat topples over. Finally, after they had arrived at the bank with effort, they want to pay him with many gold pieces which they shook off from themselves. The ferryman rejects them and says sullenly: It's a good thing that you have not thrown them into the river which can stand no gold and would have wildly foamed and devoured you. Now I have to bury the gold. However, I myself can be paid only with fruits of the earth. He does not let them loose until they promise three cabbages, three artichokes and three onions. Then the ferryman hides the gold in the abysses of the earth where the green snake lives. This consumes the gold and becomes radiant from within. It can now walk in its own light and sees how everything round it is transfigured by this light. The will-o'-the-wisps meet it and say to it: you are our aunt of the horizontal line. The will-o'-the-wisps are its cousins who stem from the vertical line. These are ancient expressions, vertical and horizontal, which were always used in mysticism for certain soul states.

How do we come to the beautiful lily? - The will-o'-the-wisps ask. Oh, it lives on the other bank, the snake answers. Alas! We have nicely made our beds, from there we come! The snake informs them that the ferryman is allowed to ferry over everybody to this bank but not back to the other. Are there no other ways? Yes, at midday I myself form a bridge, the green snake says. But this is not convenient to the will-o'-the-wisps, and that is why the snake points to the shade of the giant who himself is powerless, but is capable to do everything with his shade. At sunrise and at sunset the shade lies down as a bridge across the river.

The snake tries, after the will-o'-the-wisps had gone away, to satisfy a curiosity which had tormented it for long. On its wanderings through the rocks it had discovered with its feeling smooth walls and manlike figures which it hopes to recognise now with its new light.
It creeps through the rock and finds a room in which the portraits of four kings are put up. The first of the kings is of gold, he is decorated with a wreath of oak leaves. He asks the snake where from it comes: from the abysses where the gold lives! What is more marvellous than gold? The king asks. The light, the snake answers. What is more refreshing than light? The conversation, the snake answers. Then it looks at the remaining kings, the second is of silver, decorated with a crown, the third is of ore, he is decorated with a laurel wreath, the fourth king is misshapen and composed of all these metals.

Now a bright light spreads; an old man with a lamp appears in the vault.

Why do you come, although we have light? The golden king asks. You know that I am not allowed to illuminate the dark. Does my empire end? The silver king asks. Late or never, the old man answers. The bronze king begins: when will I get up? Soon, the old man answers. With whom should I combine? The silver king asks. With your older brothers, the old man replies. What will become of the youngest? He will sit down.

During this conversation the snake looked around in the temple.

Meanwhile the golden king says to the old man: how many secrets do you know? The old man answers: three. Which is the most important? The silver king asks. The obvious one, the old man answers. Do you want to reveal it to us? The bronze king asks. As soon as I know the fourth one, the old man says. What do I care, the composed king murmurs to himself. I know the fourth, the snake says, approaches the old man and hisses something in his ear. The old man shouts with booming voice: the time has come! The temple resounds; the metal statues sound, and at this moment the old man disappears to the west and the snake to the east, and both roam the abysses of the rocks very quickly.

So far for the moment the contents of the fairy tale. Schiller writes to Cotta: “The public will still find out something, one reads the resolution in the fairy tale.” We are in a point where we want to begin with the resolution. Because we do not want to go too far afield, we have to get some ancient expressions of the secret doctrine clear in our mind to understand the pictures: flames signify something certain to the mystic. What did Goethe show in the flames, the will-o'-the-wisps symbolically? The flames which are the will-o'-the-wisps represent the fire of passions, of the sensuous desires, of the impulses and instincts. This is the fire which lives only in warm-blooded animals and in the human being.

Once there was a time when the human being did not yet have the same figure as today. This fire was not there before the Lemurian race; before it was incarnated in the human body, there were any desires and impulses in this race. The human being became a longing, wishing being by the penetration with the warm-bloodedness, kama manas. The fish and reptiles belong to the cold-blooded animals. That is why mysticism makes an even stronger distinction than the natural sciences between cold-blooded and warm-blooded beings.

At that time, in the middle of the Lemurian age, a moment happens at which the human being develops from lower to higher stages. This moment is called in the myths, in the Prometheus legend, the bringing down of the fire. About Prometheus it is told that he had brought it down from heaven, and he was forged to the rock the physical, mineral human body.

The sum of the desires, emotions, instincts, and passions is the fire which pushes the human beings to new actions. In theosophy this flame is called the emergence of the human self-consciousness, of the ability to say "I" to oneself. If the human being did not get round to becoming the flame, he could not have developed the self-consciousness and with it he would not be able to ascend to the knowledge of the divine. There is a lower self-consciousness, the self-consciousness, and a higher one. The lower nature of the desires and the higher one of the consciousness are linked in the human being. The physical human being originated by the penetration of his self with the blood, with the flame. The flames of the will-o'-the-wisps show the emergence of the self-consciousness within the impulses, desires and passions. This is kama manas as we say in theosophy. With it the human being lives in the physical world at first, on this side of the river.

But the home of the human being in which he stays before he is born is beyond the river, in the spiritual world. The ferryman ferries the human being from this spiritual world over the river of the astral world to the physical, this-worldly existence. However, the seeking soul strives incessantly again back to the land beyond the river; but the ferryman nature cannot bring them back. That means: if they found him also on this bank, he would not accept them, because he is allowed to ferry over everybody to this bank, but nobody to the yonder bank. The snake says this to the will-o'-the-wisps. Natural forces have brought in the human being by birth to the physical world. If the human being wants to be brought back to the higher worlds during life, he must do this himself. There is a road back. The self can collect knowledge. Gold is the occult symbol of knowledge. Gold and wisdom knowledge correspond to each other.

The lower humanity also has the gold of knowledge represented by the will-o'-the-wisps and becomes a will-o'-the-wisp if it does not find the right way. There is a lower wisdom which the human being acquires within the sensory world, while he observes the things and beings of this sensory world, makes ideas of them and combines them by his thinking. However, this is wisdom of mere reason. The will-o'-the-wisps want to pay the ferryman with this gold which they take up easily and cast off easily again. But the ferryman rejects it. Wisdom of reason does not satisfy nature, only that gift can have an effect on nature which is connected with the living forces of nature. Immature wisdom makes the river of the astral foam, it does not accept it. The ferryman demands fruits of the earth as a pay. The will-o'-the-wisps did never enjoy them. They did never strive for penetrating into the depths of nature, but they must still pay tribute to nature. They must promise to fulfil the demand of the ferryman soon. This demand comprises fruits of the earth: three cabbages, three artichokes and three big onions. What are these earth fruits? Goethe takes these fruits which have skins representing the human covers.
The human being has his three covers, his three bodies: the physical body, the etheric body and the astral body. Within these covers the core of the human being lives. In these bodies which surround it like sheaths the self has to gather the fruits of an incarnation after the other. Earth fruits must be gathered. These fruits do not consist of the knowledge of reason. The ferryman demands these three bodies as a contribution to nature. Goethe hid this teaching intimately in his fairy tale.

The gold comes to the snake. This is the gold of real wisdom. The snake was always the symbol of the self that does not keep to itself, but is able to take up the divine in selflessness, to sacrifice itself, gathers earth wisdom unselfishly, creeping in the “abysses of the earth.” It ascends to the divine not unfolding egoism and vanity, but trying to make itself similar to the divine. The snake in its unselfish striving takes up the gold of wisdom, it penetrates itself completely with the gold and thereby it becomes luminous from within. It becomes luminous as the self becomes if it has advanced to the stage of inspiration where the human being has become internally luminous and full of light and where light radiates toward light. The snake notices that it had become transparent and luminous. Before long one had asserted to it that this phenomenon is possible. It was green before, now it is luminous. The snake is green because it is in sympathy with the beings around, with the whole nature. Where this sympathy lives, the aura appears in bright green hues. Green is the colour in which the aura of the human being appears if mainly unselfish, devoted striving lives in the soul. Now when it itself has become luminous from within, the snake does see, before it felt only in its striving endeavours. All leaves seem to be of emerald, all flowers are glorified most marvellously. It sees all things in a new, glorified light. The things appear in such luminous emerald hues to us if the spirit flows from them toward us, if light radiates toward light.

Now after it has become luminous and has taken up the higher divine nature in itself, it also finds the way to the subterranean temple.

The sites, the mystery temples, in which in former times the truths were announced, were deeply hidden in the caves and abysses of the earth There light faces light.

Indeed, up to now the snake was compelled to creep without light through these abysses; but it could probably distinguish the objects by feeling. It perceived objects by feeling which revealed the forming hand of the human being, above all human figures. Now it is in the possession of light, and light faces it. It finds the temple and four kings therein, and the old man with the lamp approaches it. The man with the lamp signifies the ancient wisdom, the ancient wisdom of humanity which is only light and does not shadow which contains something that modern natural sciences cannot understand. Goethe says profoundly that the lamp of the human soul only shines if another light which the soul must produce is shown. It is the same view which he expresses in the saying which he placed in front of his theory of colours and about which he says that these are the words of an old mystic:

Unless the eyes were like the sun,
How could we see the light?
Unless God's own force lived in us,
How could delight us the divine?

Theory of Colours. Didactic Part

After the snake's eye has become sun-like because the light of the divine is enkindled in the snake, the light of the ancient wisdom of the world shines toward it.

The fire of passion has changed to the light. The fire which has changed in the earth to the light of wisdom is able to shine toward the bringer of wisdom, the “old man with the lamp.”

The snake looks at the four kings with amazement and reverence. Amazement and reverence are always the soul forces that bring the human beings forward and upwards. It beholds the golden king first, and he starts talking: where do you come from? From the abysses where the gold lives, the snake answers. What is more marvellous than gold? The king asks. The light, the snake answers. What is more refreshing than light? He asks. The conversation, the snake answers. In the conversation wisdom comes to the fore intimately for the human being, this is more refreshing than the great revelation. Does one not think of the Platonic dialogues in this discussion of the king with the snake? There were world secrets expressed with few words, few sentences. Goethe wants to explain: what is in the temple and happens there concerns the highest secrets of human development.

Which alchemy transforms the things that way? It is the initiation. Even the modern theory of evolution takes the perpetual transformation of the things as basis. The temple has to be subterranean at first, it is closed to the most human beings; but now the moment approaches when it is open to all human beings. It wants to send the gold of wisdom which has become light from human being to human being.

Who is the golden king, and who are the other three kings, the silver one, the bronze one and the mixed king? The golden king is manas, wisdom itself which could only develop higher in the mystery temple up to now. This is that soul-force which the human being can gain with purified thinking free of sensuousness. The silver king indicates an even higher element than wisdom: it is love, the creative word of the world buddhi, the god, being aglow with love. Its kingdom is called the kingdom of appearance; Christianity calls it glory (gloria in excelsis). It is pointed to a time which becomes later accessible only; then buddhi has the mastery over humanity. The bronze king whom the snake does not see at first and who is apparently little valuable is of huge seize. He looks rather like a rock than a human form. This is the king who expresses the willing-like soul-force which rests in the human being covertly.

He represents atma with which the striving human being is endowed last what he finds last.

Thus Goethe showed in a beautiful picture the endowment of the human being with the three highest virtues which are given to him one day. Without having attained this maturity, nobody was admitted to initiation in former times.

Then there is still the fourth king, of cumbersome figure; he consists of a mixture of gold, silver and bronze, but the metals seemed to have not correctly melted with the casting, nothing correlates with each other. This is the soul of the undeveloped human being who does not yet develop higher striving, in who thinking, feeling and willing are chaotically disorganised and which give “the picture a disagreeable appearance.” The fourth king shows the force of thinking which is still clouded with the sensory impressions, the fire of the soul which does not unfold love but lives in desires and impulses, the disordered will of the human being.

Remember the discussion of the kings with the man with the lamp. The golden king asks the old man: how many secrets do you know? Three, the old man replies. Which is the most important one? The silver king asked. The obvious one, the old man answers. Do you want to disclose it also to us? The bronze king asked. As soon as I know the fourth one, the old man said. I know the fourth one, the snake said, approached the old man and hissed something in his ear. The time has come! The old man shouted with penetrating voice.

There are three secrets the most important one is the obvious one. If this is disclosed, the fourth one can be known! This is the most important word of the whole fairy tale and at the same time the key of it as Goethe said in a discussion with Schiller. The old man knows three secrets; these are the secrets of the three realms of nature. The realms of nature have become steady in their development. However, the human being develops perpetually. He is able to do this, because the spirit, the self lives in him. The three secrets which the old man knows explain the principles of the mineral realm, the plant realm and the animal realm.

With its own forces the soul has to find the principle which must live in the human soul if it wants to obtain the maturity of initiation. The snake has found it. It hisses it in the ear of the old man. What did the snake say to the old man? That it wants to sacrifice itself! Sacrifice is the principle of the spiritual world. – Somebody can walk the path to the higher knowledge only who does not regard this knowledge as an end in itself, and seeks for it in the service of humanity. All true mystics know this soul path; they all have gone through this experience of sacrificing like the snake. As soon as the words sound in the temple: I want to sacrifice myself! The old man shouts: the time has come!

The words of the old man, the time has come, point to the distant future when the whole humanity has attained the maturity. Then the time has come that the temple rises up above the river, that the whole humanity takes part in wisdom, in the initiation which was otherwise given to few people only in the temples, in the abysses.

To somebody like me who concerned himself with this fairy tale for twenty years deeper and deeper profundities appear, time and again the lines point to an even more profound primary source. Here are treasures to be found; however, we have to find them. We must only take care not to permit ourselves something in view of Goethe that Goethe lets Mephisto characterise in his Faust in such a way:

To understand some living thing and to describe it,
the student starts by ridding it of its spirit;
he then holds all its parts within his hand
except, alas! for the spirit that bound them together!

(Faust's Study, verses 1936–1939)

Let us seek for this spiritual band in Goethe's creations.

Note:

The text of this and the following lectures are based on two incomplete transripts which were complemented with handwritten notes of two other participants.

Already eight days ago, I pointed to the fact that the basic question should be solved in Goethe's Fairy Tale of the Green Snake and the Beautiful Lily how the human being develops from his lower self to the higher one, and that a big view of the future underlies the fairy tale.

How can the human being get to the gate which leads into the spiritual land? This was a basic problem for Goethe. He seizes this problem emphatically and tries to explain in many ways how the human soul forces develop.

Starting from this great point of view, he tries to show as a knowing man in all details which inner ways the human being has to finish.

We have stopped at the moment when the old man with the lamp and the snake meet in front of the statues of the kings, the representatives of the highest spiritual powers. We have to regard the temple as a symbol of the great occult schools which have always existed and exist even today. Into this temple the human beings are led and come gradually so far by the teachings and instructions which they receive there if they exercise them really that, finally, the initiation can be given to them.

We have seen that the snake hisses a word into the ear of the old man. We know that this is the resolution of the riddle, the most important word of which Goethe and Schiller said: “One reads the resolution in the fairy tale.”

In these words is the resolution, the behaviour of the old man reveals that to us. Immediately after the snake has spoken the words, the old man replies significantly: “The time has come!”

The snake knows the fourth secret; this is why the old man says: “The time has come!” When later the beautiful lily is informed about these words, she regards them as a ray of hope, as an indication of her redemption.

The old man returns home; he finds his wife upset. She tells him that two will-o'-the-wisps were there which did not behave adequately, licked off the gold from the walls, and then cast it off from themselves. The pug has eaten the gold and died. Then the wife still had to promise to pay the debts of the will-o'-the-wisps to the river. The old man approves this, because the will-o'-the-wisps would turn out grateful now and then. At first he neatens the house while he lets his lamp shine and covers the walls with gold anew that way.

A contradiction seems to be here. The golden king says to the old man: why do you come, although we have light? The old man answers: you know that I am not allowed to illuminate the dark. The human being must obtain an internal light first of all which he shows to the ancient wisdom; then only it can shine to him. However, when the old man has sunk to the west and walks with his lamp through the veins of the earth, one reads: all veins filled with gold behind him straight away; for his lamp had the miraculous quality to transform all stones into gold, all wood into silver, dead animals into precious stones and to delete all metals. However, it had to shine all by itself to show this effect. If another light was beside it, it only caused a nice bright light and refreshed everything living.

Thus you can understand this contradiction that it only shines if it meets with light; however, if no other light is there, it shines particularly and transforms everything that is round it: the stones become gold; the dead pug becomes an onyx. In such a way an interpretation results that gives the gist.

The old man now says to his wife: go to the ferryman, bring him the three kinds of fruit, and carry the dead pug to the beautiful lily; as she kills life, she brings the dead animal back to life touching it. His wife starts on her way. The basket with the dead pug is quite light; it becomes heavy when she adds the fruits. This is a significant feature.

The giant crosses her way; his shade robs one of each fruit and he consumes them. The ferryman cannot be contented with the remaining fruits; within 24 hours he must deliver the toll to the river. The woman commits to the river and dives her hand in it. Her hand becomes smaller and smaller and black and, in the end, it becomes invisible, while it is there according to her feeling; if the woman brings the toll, she will receive her hand again.

Just as the old woman arrived, the ferryman ferried a young man over who is like paralysed. Finally, both get across the bridge, which is formed by the snake at noon, to the kingdom of the lily. They find her surrounded by three servants, harp playing. She is of miraculous beauty, but sad, because the bird whose singing delighted her has fled from a hawk to her and has been killed by her touch. She is sorrowful about this new fright. Also the old woman complains her grief; however, at the same time she announces the message of her husband that the time has come.

Meanwhile, the snake and the will-o'-the-wisps have also arrived. The snake comforts the beautiful lily. The old woman asks for the missing fruits; however, in the kingdom of the lily nothing grows that blossoms and yields fruit, hence, she cannot receive them.

The point in time of something important seems to have come closer; there the young man tries to embrace the lily and sinks down dead. The snake draws a magic circle around the body to protect it against putrefaction which must meet it, otherwise, at sunset. Finally when the sun sets, the man with the lamp, led by the hawk, comes as well as the will-o'-the-wisps which the old woman has summoned.

Everybody prepares himself for contributing his part so that the harmonious resolution can take place. The will-o'-the-wisps have to open the temple; however, they cannot find the way to the temple. The dead young man and the body of the bird are carried off, the snake spreads about the river; when they all are over this bridge, it agrees to sacrifice itself.

All events are changed due to the sacrifice of the snake. The ancient wisdom once worked in all religions which were given to humanity by initiates. The religions brought refreshment to the souls which joined them vividly. The old man sinks to the west; he goes to the realm of the human beings. The snake, the intellect, which strives for enlightenment, sinks to the east, because from the east the spiritual light of the sun always shines bringing knowledge to the human soul.

The temple resounded, the metal statues sounded , this is a picture of the soul condition that takes the principles of the spiritual world upon itself by the sacrifice. In devachan everything sounds, expresses its being in sounds. Goethe speaks of a sounding sun in his Faust in the Prologue in Heaven this is devachan:

In ancient rivalry with fellow spheres
The sun still sings its glorious song.

Goethe means the spiritual sun, for the physical sun does not sound.

As long as the intellect strives only for enlightenment, as long as it acquires more and more inner light to itself by its striving one is able to do this also with the reason which becomes brighter and brighter , the old man with the lamp must have a soul light in which he can shine his light. Because the soul wants to sacrifice itself, the enlightenment takes place and everything changes. Everything is beheld in its spiritual condition, no longer in its physical one. Here conditions are described that the human soul goes through in the initiation.

The young man is reanimated by the sacrifice of the snake; however, he is still lacking consciousness. The body of the snake disintegrates into beautiful precious stones which the old man throws into the river. From them a nice constant bridge to the other bank comes into being. Thus a free transition from the sensuous realm to the spiritual land is created.

However, we have to hear first what happens within the temple. The gate is opened, the old man says again: the time has come! The temple lifts itself above the river; the hut of the ferryman forms a nice small temple within the other, an altar of sorts. The old man becomes a young man again; also the ferryman and the wife of the old man are rejuvenated. The latter joins the three companions of the beautiful lily and is the fifth in the alliance. The young man experiences the initiation in the further course of the fairy tale. The three kings give him what they have to give. The bronze king gives him the sword with the words: the sword on the left, the right hand free! The silver king presents the sceptre to him, speaking: graze the sheep! While the golden king presses the wreath of oak leaves on his head and reminds him: recognise the highest! He is endowed with strength, beauty and knowledge.

Now the young man is not only alive, but is also mind-endowed. Hitherto he followed the old man with the lamp mechanically as it were from the world into the temple which is still subterranean. Then the temple rises upward. The man with the lamp gives light to the young man; he always stays on his side and leads him, finally, to the three kings who give him their gifts. You read then: “His eyes shone out of inexpressible spirit” , then the initiation is carried out! The young man is now allowed to unite with the beautiful lily, to embrace her in love, to consummate the marriage with her.

The fourth king collapses in himself, after the will-o'-the-wisps have licked all gold out of him. The giant arrives on the scene; in the beginning the young man is astonished, however, the shade does no longer cause damage. The giant becomes a kind of obelisk; he serves as a sundial with which artificial human figures instead of the numbers display the time.

The bridge and the temple are admirable buildings; people come in flocks, the bridge seethes with travellers, and the temple is the most visited on earth.

This is the end of the fairy tale.

This point in time is neither a present one nor a past one; it is one of a distant future of the human development when the consciousness of the present humanity which is directed completely unilaterally to the sensory world has gone through the soul path. This is described in the fairy tale; when the human being has got the wisdom, the initiation which grasps the things not only but also masters them. Then the whole humanity is able to receive the initiation.

What does this mean now? The old man with the lamp is, as already explained, the ancient wisdom, that wisdom which works by means of intuition which has the power to develop divine force not human force, to master the things, and to transform all things. It imprints the spirit into all things. It knows how to transform the stones into gold, how to destroy the metals. These are all qualities that are attributed to the elixir of life of the true alchemist. A profound knowledge is indicated with it. In the whole progress of the events which are shown in the fairy tale, Goethe shows a future condition of humanity and indicates how to attain this condition. If we consider Goethe wants to say what happens round us, we see the human development in a perpetual transformation; also nature changes perpetually. It is the task of the human being to penetrate the whole physical nature with his thinking.

The human being is able due to the progress of technology to transform the raw product of nature into something that serves the civilisation. In his art he breathes his mind into the lifeless marble. The human being converts nature into an art product; he transforms everything that nature presents to him into something that carries his character. Today nature is rationally spiritualised that way. The human being becomes the creator of a higher nature.

This is the development of humanity, this alchemy: bit by bit the human mind is imprinted on everything lifeless. Goethe looks in big perspective at a world where everything in the world is transformed, is infiltrated with the human mind, so that nothing of the realm of nature exists, but everything is converted by the human mind in such a way that everything lifeless is infiltrated with it.

This external transformation of the lifeless matter is shown in the fairy tale with the light that shines from the lamp of the old man and changes the stones and metals. However, if this light shines into the human soul, it has attained a quite different power, it not only controls the dead matter but it spreads also over life. The human being becomes able, taking up the ancient profundities in him and obtaining internal knowledge, to attain quite different forces. He will not only rule over the lifeless matter in future times but also over life. He will also change living beings by his spiritual alchemy. He takes up the same wisdom which once created the world, the ancient wisdom of the world, and that is why he is able to transform dead matter into living matter.

Wisdom transforms the plant which is lignified and withered. The dying plant realm becomes silver, the glamorous appearance. However, the living, the feeling, the animal goes another way; its lower nature is sacrificed, must die to ascend to the height. What Jacob Böhme said who probably knew these secrets of the alchemists: “death is the root of all life” and:

Who does not die, before he dies,
Ruins himself when he dies.

And what Goethe puts into the words:

As long as you don't have
This dying and growing,
You are any dull guest
On the dark earth only. (From West-Eastern Divan)

Hence, the human being is able to attain the ability to develop his higher self in himself if he deadens the lower one in himself. The human being is only able to approach the godhead if he has overcome his lower nature.

Only the prepared human being who has experienced the hard ordeals, the internal purification, and the catharsis can understand the divine. Hence, the young man is killed who approaches the lily, before he is prepared and purified.

Who lifts the veil of Isis, who walks through guilt to the image of the goddess must perish. Only after he has slowly prepared himself, has familiarised himself with all probations, he is able to receive the initiation. The young man, who faces us in the fairy tale at first, has not yet purified his inside. He is paralysed when he wants to get to the spiritual world with such a soul constitution, and later when he forces entry, he is killed by the lily. In Faust we find how Faust can probably get to the spiritual world using magic where those are who are no longer in the physical existence: Paris and Helena. But he is led by Mephistopheles, not by own internal soul work, and he is paralysed. Only the human being, purified by grief and pain, carried by serious desire and striving can find entry, after he has been well prepared by the “lamp.” Only then he can hope to get to the initiation.

The old man with the lamp returns to the hut. The will-o'-the-wisps have been there in the meantime. He finds his wife in big distress, because the will-o'-the-wisps were ill-behaved to her and have licked off all gold that covered the walls since ancient times. They have called her their queen wantonly, and then they have shaken off the gold licked from the walls. The pug has eaten of it, and now it lies there dead. The will-o'-the-wisps are the representatives of the lower personality full of desire; they take up all gold of knowledge wherever they find it, but in futile, complacent, selfish attitude. They cannot recognise the high value of the gold; they do not respect it and cast it off from themselves. They spread the gold to the ferryman. The ferryman is terrified from this gold in which the personality full of desire is involved. He says: the river the pure cosmic astrality cannot use it; the river wildly foams up.

However, the snake transforms the gold; it uses it for its searching striving. It feels that it has to bend its head to the earth to stir from the spot. Thanks to the gold the will-o'-the-wisps have ideas and concepts, but these are abstractions, are rigid; the will-o'-the-wisps themselves are unproductive. The snake makes the gold valuable; it becomes luminous from within. It makes the gold fertile; the gold changes its thinking, so that it can penetrate the nature of the things. With the will-o'-the-wisps it leads only to the vertical line, to the soul constitution, flitting about, without life. It loses the relation to that which is below.

The animal, the pug, cannot take up wisdom; it is killed. Now the effect of the lamp comes to the fore. As long as the pug lived, the lamp could not lead it to God; this is only possible by deadening the lower qualities. The old man with the lamp can transform the dead pug into a nice onyx. The change of the brown and black colours of the precious rock makes it the rare piece of art but he cannot reanimate it. Wisdom only cannot give life; other forces must be added. The pug can only receive life if it has gone through death. Death means deadening everything, all lower desires. Thus Goethe points to the fact that also the animal is developing, even if not the single animal; the animal type is determined to perfection.

Goethe was a theosophist; that is why he knows this ancient wisdom of ascending; from the purification of all beings which all religions contain in their core. The ancient wisdom of the world gleams in all religious systems; its truth shines on all confessions of the different peoples of the earth. Goethe shows this wisdom in the old man. But what suppresses the lower desires and passions only does not suffice. An even higher wisdom must come; the ancient wisdom will be replaced by an even higher wisdom. The events in the hut of the old man point to it: “The fire of the fireplace had burnt down, the old man covered the coal with a lot of ash, put the luminous golden pieces aside and now his lamp shone brightly again.”

The secret doctrine in which the ancient wisdom is hidden is a property of humanity since many thousand years. There was the strictest secrecy of it; only to somebody who was prepared the light of wisdom was allowed to shine. The snake sacrificing itself represents the higher self of the human being which gets to knowledge. The lamp must not illuminate the dark; the wisdom of the teacher is not allowed to approach anybody who wants to accept it only, but anybody who meets it with inner life. But this refers only to the highest enlightenment. The great teachers of humanity, the great initiates are always active. The effect of the ancient wisdom always takes place, takes also place if no other light shines unless it is disturbed. Thus we find profound significance in this apparent contradiction. Everything that happened in the course of human development was caused by the ancient wisdom. The administrators of this ancient wisdom, the initiates stood behind everything that happened from culture to culture by human beings; they direct the destinies and events that happen on the external plane of world history.

We look now at the wife of the old man; we face a female figure. Mysticism shows the different soul states of the human being as different female figures. The old woman is the soul state of the present humanity remaining in the sensuous life. With it something low is meant; it is the general condition of the human beings. She is married to the old man with the lamp. humanity is married to the ancient wisdom. The ancient wisdom also works on the present-day humanity; humanity could not survive without it. This ancient wisdom has always combined with the sensuous humanity.

The woman goes to the ferryman who represents the natural forces. She must clear away the debt of the will-o'-the-wisps. The present humanity owes something to nature. The lower self, the human being who feels himself gifted with the body has to pay the price to the remaining nature which also belongs to him even if he does not feel it belonging to him. The flickering soul-life of the will-o'-the-wisps does not accept this; they cannot get to such concepts. Nevertheless, the law has an effect: “they feel chained to the soil in incomprehensible way, it was the most disagreeable sensation which they ever had.” The will-o'-the-wisps represent, as already mentioned, the lower knowledge. The human being who is gifted with sensuousness has become this only because he has gone through the whole nature. This is shown in the picture of the river

The river, the passing current of passions, must receive the toll in form of “earth fruits.” Three bowl-shaped fruits are the single covers which surround the true human being, the real self. This self descended from the kingdom that is beyond the river. The river must be crossed in order to land in the astral kingdom; the river has to get the skinned fruits. The old woman the healthy prudent human soul-force is able to give the toll to the ferryman, the representative of the unconsciously active soul forces, but she cannot pay the complete one; for the present general consciousness does not suffice for that. Because the old woman remains in debts, the sense-perceptible disappears. It can reappear to new life only if she penetrates to the spiritual.

The giant hindered the old woman to pay the debt to the ferryman; he robbed and ate a part of her fruits which she wanted to carry to the river. Previously the snake said to the will-o'-the-wisps when they required knowing how they can get to the kingdom of the beautiful lily: “The giant is capable of nothing with his body; his hands lift no straw, his shoulders would carry no faggot; but his shade is capable of a lot, of everything. That is why he is most powerful with sunrise and sunset, and one needs only to sit down on the nape of his shade in the evening; the giant then gently approaches the bank and the shade brings the traveller over the water.”

The will-o'-the-wisps refuse the way over the snake which wants to lie down as a bridge over the river at the bright midday. What is the giant? About the snake that soul gets to the spiritual world which developing its own forces is able to devotedly cross the threshold with bright daytime consciousness. However, there is a second way, when this bright daytime consciousness is lessened, in the somnambulistic states. The human being is weak there, without own consciousness. Lower forces then work on the human being; the soul itself is without own forces, is powerless. Nevertheless, the human being can also experience something of the spiritual world that way even if it is subjected to errors.

There is grief in the kingdom of the beautiful lily. The lily is desolate; to her feet the canary, her last joy, lies dead who usually accompanied her songs. The lily is mourning; for the bird is dead which reminded her of the sensuous. However, the spiritual and sensuous realms belong together; harmony is there only where both penetrate each other. But a new harmonisation between both should be attained; this is why the memory of the sensuous has to go through death to become new afterwards.

In the companions of the lily again three beings face us. We hear about them next time. They complement each other with the lily. The old woman represents the present condition of consciousness, the human intellectual soul, the lily the higher consciousness that the human being obtains if he sacrifices himself like the snake. The old woman is the bright daytime consciousness, the lily the clairvoyant consciousness that will be given to the human being. Before humanity got the present consciousness, three former states of consciousness which are shown as the three companions led the way. These are states, like they appear in trance today; still appear in certain atavisms sometimes, dreamy, vague, but comprehensive states of consciousness. The human being experienced other conditions of consciousness, before he got his present waking consciousness. In them the harmony between sensory being and spiritual being was given by nature. The three companions sleep, while the transformation takes place; they live over into the new state without noticing the transformation. They already got by nature what the other soul forces have to acquire for themselves.

With the rise of the temple the lily also brings the old woman with her. Then the human being will combine all five states of consciousness, the previous ones and the future ones, in him. The young man attains the highest consciousness in the last scene which can be given to the human being for the time being.
The hawk has killed the canary. The harmonisation of the sensuous and the spiritual has no longer to be sought looking back at old achievements of humanity, but looking at the future. The hawk is the herald of the future, of the prophetic. He collects the last rays of the setting sun with his crimson chest. The sign leads the old man with the lamp who causes the transformation and leads all to the temple of initiation. The hawk hovers about this temple and throws the light of the newly rising sun to the temple, so that it is illuminated with a heavenly shine. Thus the hawk connects a setting world day with a newly dawning one. The hawk is that in the human soul which senses in advance what should come true in future.

In the temple the initiation takes place. There is shown how the young man is gifted with the three forces: manas, buddhi and atma. We see next time why Goethe depicts these three forces just as the three kings,

The temple was once in the abysses of the earth. One had to join an occult school which deeply hidden from the external world unfolded its effectiveness in order to get to the higher secrets. However, the time comes when the temple of the esoteric training does no longer rest in concealed depths, but ascends, is there open and free in front of the whole world, accessible to all human beings. When does this time come?

Remember the mystery word which the snake whispers into the ear of the old man in the subterranean temple; the solution of this mystery word is reserved to our time. What did it answer to him on the question what it has decided? I want to sacrifice myself, before I am sacrificed.

The time comes for humanity when the human being is really ready to sacrifice himself, to enter the whole nature, to feel effective in the elements of the whole nature, not in his narrow own being; when he will be ready to give up his self as single egoistic self and to enter the all-embracing self, to regard himself as part of the all-embracing self. Then the human being has achieved his goal, the gate of higher knowledge uncloses itself to him, as well as he gives up everything that closes him from the remaining world. The true initiation can now take place for humanity.

This time is when “the three are there who rule on earth: wisdom, appearance and power.” – The old man with the lamp says who brings about this state. The initiation is now described: “With the first word the golden king got up, with the second one the silver, and with the third one the bronze king slowly stood up, when the composed king suddenly sat down clumsily.” The golden, silver and bronze kings are the three highest forces of the human being in their purity. In these three forms the human being experiences the divine in himself. Only when the human being can survey the forces in him and in their origin worlds in full purity and integrity, he is ripe to initiation. These are the pure, divine forces which experience themselves in the human being as human thinking, feeling and willing. The course of the fairy tale shows the purification of these forces from the lower personal.

All that still lives chaotically in the human being. As long as the human being is still undeveloped, chaos prevails in the interaction of these forces. The fourth king is a representative of the present humanity; but he collapses in himself, that means that this state of humanity is replaced by the new state which the initiation of the young man shows. Everything is transformed. Then that happens which the hawk prophetically announces, while it collects the rays of the sun which shines to the new world day: “the king, the queen and their companions appeared in heavenly shine in the twilit vault of the temple;” there will be peace and the harmony which will bring the rest in the all-embracing consciousness of humanity.

The representative of humanity, the young man, is endowed in the temple with this new consciousness of humanity. He is endowed with a new life; previously he was directed mechanically by other forces, so to speak, not by his own forces. Now he has gained these new forces, he can get married to the beautiful lily, the clairvoyant consciousness, and this world and the next world can be combined with each other by the sacrificing snake which establishes the foundation of the bridge on which all human beings can walk to and fro.

The young man receives the force for that from the three kings. He is led by the old man first to the third, the bronze king. He receives a sword from him in a bronze scabbard; this is the symbol of the highest human force: atma. The king shouts: “the sword to the left, the right hand free!” In the left hand that should be which represents the human strength, where it does not serve quarrel, but only defence. The right hand should be free to the work, to the service of humanity. The young man is endowed by the silver king with that which buddhi can give the human being: wisdom in harmony with feeling is true philanthropy. With this love the young man should live among people and graze the sheep. The golden king presses the wreath of oak leaves on the head of the young man and speaks: “recognise the highest.” The young man receives the knowledge of the most perfect kind, manas, from the golden king. Now he can enter into the bond of marriage with the beautiful lily and the bond is much influenced by love: “love does not rule, but it cultivates, and this is more.”

The subconsciously working soul forces the giant have lost their destroying force; the giant damages for the last time when he staggers about the bridge to the temple. He is seized by the soil and is only a pointer of a past human cycle, a gigantic statue which displays the course of the hours and days and human cycles like a sundial.

If we want to summarise what Goethe wanted to express with his fairy tale, we can say: Goethe wanted to show the development and final redemption of the single human being and the whole human race in poetic pictures. The fairy tale contains the secret of the decay of the lower and of the rise of the higher human being and of the condition of the final union with the divine which any mysticism strives for as its loftiest goal, as salvation, as rest in salvation, as union with God. When this moment of sacrifice has come, when this “dying and growing” has become fact, then not only the spiritual comes to the sensuous, but also the sensuous to the spiritual. When this time has come, not only single esoteric students, single inspired mystics are able to get to the temple, but all human beings walk to it, to and fro, to the spirit-land.

Goethe pointed to this great moment in the evolution of humanity in his fairy tale. A lot could still be said that is included in this fairy tale. But one can indicate a lot only. If one can usually say of the poet:

Who wants to understand the poet
Has to walk to poet's land,

we must realise speaking of Goethe that we apply this saying to Goethe in such a way that Goethe's land is the land of spiritual reality. Only somebody who knows the mysteries and the mystery knowledge can completely penetrate into the rich contents of this fairy tale. What has only been indicated here can serve as a signpost to a more and more intimate understanding of the contents of this fairy tale.

In the two preceding talks I tried to explain the basic symbols in Goethe's profound fairy tale. We have seen, how Goethe, how the mystics of all times have given the truths which they counted among the deepest ones in characteristic coloured symbols.

Today you allow to me to add two other fairy tales: The New Melusine and The New Paris. It may seem that something unnatural, something worked out is in these fairy tales, but you will see, if you delve in these pictures that also here only an esoteric, mystic interpretation enables us to give an explanation.

Goethe inserted the fairy tale The New Melusine at a typical passage of Meister Wilhelm's Journeyman Years (1807, 1821, 1829). Who penetrates into Goethe's mind will never abandon himself to the superficial view that Goethe deals only with putting pictures next to each other like in a kaleidoscope, that it concerns a mere play with pictures. But he realises that Goethe expressed his most profound inside.

A man relates it who wants to develop his soul to higher capacities and, hence, “refrains from speaking as far as speech expresses something ordinary or accidental, however, another talent of speech has developed to him that has a intentionally prudent and pleasant effect.” Like this man, also Wilhelm Meister deals with secret societies, is directed by mysterious guides.

The man repeats and arranges the rich experiences of his life calmly. Imagination combines with it and gives life and movement to the events. He is a philosopher who speaks in this fairy tale to us, and at the moment when in the end of the story he gets the longing for developing his soul to a higher condition, he also understands the ideals of the philosophers.

Let now the fairy tale of The New Melusine pass our souls in its main trains which deeply lead us into Goethe's nature.

A young man gets to know a strange woman in an inn who deeply impresses him. He sees her carrying a small box and keeping it carefully. He asks whether he cannot do anything for her, to oblige her. She asks him to continue the journey with the small box instead of her because she has to stay here some days. However, he should always take a special room for the small box and close it with a special key, so that the door cannot be opened with any other key. He departs. On the way his money runs out; the lady appears and helps him. Again he spends the money; he believes that in the small box something could be that may be sold for money. He discovers a crack in the small box, looks into it, something bright gleams in it. He sees a chamber with many dwarfs, a girl among them. It exists in double figure (as lady and as dwarfish girl), outside in a big, inside in a small size. He is deeply horrified; the lady appears again, and he receives explanation about the small box. The lady says that her true figure is that of the dwarfish girl.

This race of dwarfs has been there long before the human beings, when the earth was still in the igneous state. It had not been able to hold their ground because a race of dragons waged war on them. To save the dwarfs a race of giants is created, however, these soon position themselves on the side of the dragons. Hence, for the protection of the dwarfs who withdrew into the mountains still a new race of the knights or the race of heroes as it is called in the original version had to originate. With it dragons and giants, on the one hand, dwarfs and heroes, on the other hand, face each other. However, the dwarfs become smaller and smaller, so that it became necessary that every now and then somebody of them comes to the upper world to get new force from the realm of the human beings.

The young man wants to combine with the lady, and after some other adventures she says to him that he himself must become a dwarf. She slips a ring on his finger, the young man becomes small like a dwarf and enters into the world which he has seen in the small box. Now he is united with the lady. But longing for the land of the human beings soon awakes in him, he gets a file, saws through the ring, shoots up suddenly and is a human being again.

Goethe makes an interesting remark at the end of the fairy tale when in the young man the longing awakes for being a human being again. This remark is important to understand the fairy tale. He lets the young man say: “now I understood for the first time what the philosophers might understand by their ideals by which the human beings are supposed to be tormented so strongly. I had an ideal of myself, and appeared to myself sometimes in the dream as a giant!”

We want to see now what Goethe wanted to say with this fairy tale. The race of dwarfs, created before dragons, giants and human being, leads us to the track. The people of the dwarfs “is still active and busy since time immemorial. But, in olden times, their most famous works were swords which pursued the enemy if one threw them to him, invisibly and mysteriously binding chains, and impenetrable shields. Now, however, they occupy themselves chiefly with things of comfort and finery.” There it is pointed to that which the mystics call the “sparklet” in the human soul, to the self of the human being, which God sank in the human body. This self of the human being had magic powers, secret magic forces once; now it serves to make the earth in all cultural works subject to the human being; in all that the human mind, the self works.

What is the small box? A world, a small world, indeed, but an entire world. The human being is a microcosm, a small world in a big one. The small box is nothing but a picture of the human soul. The human reason, the present consciousness, as we have got to know it in the Fairy Tale of the Green Snake in the wife of the old man, designs pictures of the whole big world, pictures on the small scale. What is summarised in the human soul as the sum of the thoughts? It is the spiritual spark. If we saw into the human soul, we would discover the spiritual spark with the seeds of the future stages. This spark was enkindled in distant past in the human being who was only gifted with a vague dream consciousness. This spiritual spark which smoulders in the human soul preceded all physical states. Compared with the future size, with the perfection of the human being is that which lives today in him only seed, only something dwarfish.

There were other human races once; before our age the Atlanteans and the Lemurians lived et etcetera In the middle of the third, the Lemurian race the endowment with the spiritual spark, with the consciousness occurred. The self is in the human being the seed of the eternal which is able to rise by development of the human being to self-conscious life.

This consciousness came from another world, preceded the origin of the human being and was there earlier than the other components of the human being (kama manas). This self-consciousness is paired with passion even today. The true philosopher strives for freeing the divine in the human being from the sensuous, so that it realises its divine origin; manas is released from kama. Then this released manas develops buddhi from itself, the consciousness of being in the divine world to strive then to atma.

We know that this spiritual entity of the human being experienced the most different forms. One of these stages is called that of the dragons. Also in the Secret Doctrine by H. P. Blavatsky we hear of igneous dragons as symbols of the time in which the human being descended from his higher spirituality .

The way through the raw physical figure is shown with the giants. The human being must be refined, he rises up to finer and finer figures, he becomes the hero, the knight. These spiritual knights have always tried to form an alliance with the ideal of true humanity; they should live with the dwarfs in good harmony. “And it is found that afterwards giants and dragons, as well as the knights and dwarfs have always held together.”

Now the woman tells “that everything that has been big once must become small and decrease; thus we are also in the case that we always decrease since the creation of the world and become smaller, above all the royal family.” Hence, a princess of the royal house must be sent “every now and then to the country to get married with an honourable knight, so that the race of dwarfs would be refreshed again and saved from total expiration.” For the later-born brother has been so small, “that the attendants have lost him even from the nappies and one does not know where he has got to.”

Now a ring is brought the ring is always a symbol of the personality and by this ring the dwarf becomes a human being and combines with the spiritual knight.

In what way does the race of dwarfs develop? It goes through the physical humanity, through the different states of consciousness. In what way does the present consciousness develop? By the law of the karmic human development. We consider it at an example at first. The child learns to read and write; the efforts, the exercises which it does, all that passes; what has remained is the ability to read and to write. The human being has taken up the fruit of his efforts. What was outside at first, in the physical nature, has become a part of his.

“You are tomorrow what you think and act today” or as the Bible (Galatians 6:7) expresses it: “everyone reaps what he sows.”

We are the products of past times. Our soul would be empty if it did not collect experience from the external world. The soul would die away if it did not take up the lessons from the outside world.

If we want to make the things which we experience really our own, we must process them. This is the law of evolution and involution by which we increase our being. We have to collect force from the surroundings. We collect experiences in the outside world to make them our spiritual property. Then the mind processes the experience, which he has collected to return over and over again to the outside world, in the hours of leisure. Our concepts would atrophy if we withdrew from the outside world. It is a spiritual respiratory process, a “giving and taking.” We develop our inside world outwardly, we soak up the outside world. Goethe showed this evolution and involution process in this fairy tale in important way. The words of the young man concerning the ideals point to it. Ideals are what is not yet, what should be realised in future. What the human beings lifts out above all is the possibility that he puts ideals, is the possibility to approach a higher future. Because the human being gives reality the possibility to grow into a higher future, he cares for idealism.

Goethe also nicely expressed this truth in the fairy tale The New Paris. In this fairy tale Goethe speaks of himself. You find it in the outset of Poetry and Truth. Shortly before, in Poetry and Truth, the young child Goethe tries “to approach the great God of nature, the creator and preserver of heaven and earth” setting up an altar. “Natural products should represent the world allegorically, about these a flame should burn and signify the human soul longing for its creator.” The boy lights the flame of the little aromatic candles in the light of the rising sun. But he damages some things, and concludes that “it is generally dangerous to want to approach God on such ways.” It was a certain fact to Goethe that one can approach the divinity only if the human being awakes the abilities slumbering in him as we could show that in the Fairy Tale of the Green Snake and the Beautiful Lily. Also in The New Paris he points to this way.

In the outset of the fairy tale, Goethe describes how the god Mercury appears to him as boy at Whitsun Sunday in the dream and gives him three nice apples, a red, a yellow and a green one. They change in his hand into precious stones and he sees three female figures in them for which he should select three worthy young men at Mercury's behest.

While he admires them, they disappear from him; the fourth female being appears, dances on his hand and gives him a slap on the forehead, because he wants to catch it, so that he loses consciousness.

When he awakes, he dresses himself festively to make visits and comes before the gate where he finds a strange gate in the wall. It has no key.

A man with a long beard opens from within; he resembles an Oriental, however, he crosses himself and shows in such a way that he is a Christian. He shows the marvellous garden to the boy. From the bushes the birds shout quite clearly: “Paris, Paris”, then again “Narcissus, Narcissus.”

The new Paris now sees an even more marvellous garden behind a kind of living wall. He asks whether he is allowed to enter. The old man permits it, after he has taken off hat and sword. Led by the hand of the old man, he sees even more marvellous things. He sees behind a fence of swords and partisans an even nicer garden, surrounded by a canal. Now he must put on another robe; he receives a kind of oriental costume. Three strange ropes are shown to him as warning. Now the swords and partisans put themselves over the water and form a golden bridge, and he enters. Over there the girl meets him that he has had dancing on his hand and which has escaped from him. It leads him to the three young ladies from the apples who are dressed here in suitable garments and play certain instruments.

The girl who he has recognised as belonging to him refreshes him with fruits. He delights in marvellous music. Then he and the girl begin a game with little warriors. Against the warning he and the girl gets in zeal; he destroys her fighters; they hurl themselves into the water, this foams, the bridge bursts on which the play took place, and the boy finds himself sodden and thrown out on the other side.

The old man comes, threatens with the three ropes which should punish that who betrays his trust. The boy escapes, while he says that he is chosen to find three worthy young men for the three young ladies. Now he is politely led out of the door. The old man shows him different marks to find the gate again. The significance of their positions to each other points to the medieval astrology/astronomy.

When the boy returns, the gate is no longer there, the three objects, plate, well and trees are differently positioned to each other. However, he believes to note that after some time they have changed their positions a little bit, and he hopes that once all marks will coincide. He closes typically: “Whether I can tell to you what takes place further on, or whether it is expressly forbidden to me, I cannot say.”

The fairy tale, which is written in 1811, shows in every line that we have to search something deeper in it. Not without reason Goethe tied it on the legend of Paris, changed it in such a way not without reason. The legend of Paris and Helena, of the Trojan War, is known. Paris has to pass the apple to the most beautiful one of three goddesses; in return he wins Helena. Goethe reversed the matter, three, later four young women are there for whom the new Paris should choose the young men. The boy is led into a kind of mystery that is triply enclosed, he must always meet new conditions. A kind of war game develops, an image not a real war. Let us now pursue the fairy tale step by step.

While Goethe says that the contents of the fairy tale come from the god Mercury, he points to the fact that he perceives that which he experiences in this fairy tale as a message of the divinity. Mercury says to the young man that he were sent by the gods to him with an important order.

Goethe always wants to represent the states of human consciousness by women. In this fairy tale are also four young women who meet the young man immediately in the beginning, as sent from the god Mercury. Significantly, Mercury gives him apples at first. The apples change into wonderful precious stones, namely a red, a yellow, and a green one. Then the three precious stones become three beautiful young women whose clothes have the colours of the precious stones. However, they waft away from the young man when he wants to retain them. But instead of theirs a fourth young woman appears who then becomes his guide.

Also in The Fairy Tale of the Green Snake and the Beautiful Lily Goethe points to four states of consciousness of the human soul using four female figures. In The New Paris these four women are characterised even more intimately by the mystic colours which they wear. If we want to understand the nature of these women closer as well as the colours which they wear, we have to look at states of consciousness which the human being has presently, and those which he can acquire to himself developing his soul forces.

Today, humanity lives on the earth in the mineral cycle; the human being is related to the mineral by means of his physical body. All substances that are found in the physical human body in chemical compounds may they be salts, sorts of lime, metals et etcetera-, are also found outside in nature. The human soul lives within this physical body. From incarnation to incarnation the human soul lives a life between birth and death again and again in a body that it receives at birth or already at conception.

In every incarnation, the human soul has to go through a plenty of experiences. It thereby becomes richer and richer. One can also say that it thereby becomes purer and purer, because the soul living originally in raw desires and impulses appears then within a cultural world in a new body again, lives differently in this cultural world than, for example, within a body that belongs to a savage tribe. The human soul lives now in kama-manas, that is in a spirituality that is still used, indeed, to satisfy the impulses and passions of the human being. But more and more the longing also arises in the human soul to ascend to a higher spirituality. This soul state is expressed in esotericism with the red colour which shines through from within no dead red colour , a bright one, illuminated from within. The red colour signifies the consciousness for the astral world in the initiatory knowledge. If the human being takes his soul contents, his inner soul-life less and less from the physical surroundings, if he kindles an internal, spiritual life in his soul, this life of the human soul is signified yellow, again a bright, beaming yellow colour.

If the human being has achieved to live no longer in his narrow stubbornness, if he feels linked in sympathy with the whole world, if he feels like merging in the universe, this state of the human soul is signified in esotericism with a nuance of green, with a bright green colour. This is the colour which shows the human soul in the aura if the single consciousness pours out itself in the whole world.

Thus these women who are also precious stones, are signs of that which the young man should make of his soul. The present consciousness that leads us to all knowledge produces the connection with these soul conditions. It is symbolised by the fourth figure, by the small figure that “steps dancing to and fro“ on the finger points of the young man. This is the usual reason. The human being penetrates to something higher with the help of his present consciousness, it is the guide in the sanctum. Only the fourth state of consciousness that is represented by the girl already exists; the other three exist only as rudiments, are to be developed. There is something that appears like remembrance in the soul; something lives in the soul that points back to former states. At especially ceremonious moments the human being penetrates into these former soul conditions. The young man has got a particular order from Mercury. Goethe points here to his mission. He remembers former initiations.

In the fairy tale it is now told how the young man is led in miraculous way to a place that he has not entered up to now nay, at which he has never looked in the surroundings well-known to him. An old man meets him, leads him in the inside of a nice garden; at first he leads him within the garden in the round of an external circle. Birds call to the young man, the chatty starlings in particular; “ Paris! Paris!” the ones call and “Narcissus! Narcissus!” the others. The young man would also like to penetrate into the inside of the garden, he asks the old man for it; this accepts his request only on condition that he takes off his hat and sword and leaves them behind.

After it the old man leads him closer to the centre of the garden. There he finds a golden lattice. Behind it he sees a gently flowing water which shows a big number of golden and silver fish in its clear depths. He wants to go further to find out the state of the centre of the garden. The old man accepts it, but only on new conditions: the young man must change. He receives an oriental garment which he likes. Besides, he notices three green little ropes, any tied in a special way, so that it seems to be a tool to just not very desired use. On his question for the meaning of the ropes the old man says that it is for those who betray his confidence which one would be ready to give them here. Now the old man leads him to the golden lattice; these are two rows of golden spits, an external one and an internal one; both fall mutually, so that a bridge originates on which the young man comes now into the centre. Music sounds from a temple, and when he enters it, he sees three female figures sitting in a triangle; the miraculous music sounds from their instruments. Also the little guide is there again and takes care of the young man.

These are three fields of existence in which the boy is gradually introduced by the old man. He enters into the first region, the astral world, coming from the world of the everyday life; there he finds the animals who call to him. But he wants to go further into the centre of existence. Something in his soul pushes him that he should develop higher and higher. He brings the disposition of this rise with him since his birth; there he has come from a world, in which he was a psychic-spiritual being, into the darkening of his psycho-spiritual being caused by the physical world. But the urge for the spirit has remained awake in his soul it points the soul to the fact that there is something that it remembers at solemn moments of life. There also the memory of former stages of existence appears and that from these a mission results for the present stage of existence. The boy feels that this mission is based on experiences of his former incarnations. “I once received the initiation,” he has brought this initiation from former stages of existence with him. The memory of a previous initiation appears in him he got in a previous life. There the master took him also with the hand and led him from stage to stage. There he also had to perform the symbolic action: taking off the hat and sword. He had to take off everything that connects him with everyday things of life in the physical world. Somebody who ascends to a chela, to a spiritual student has always to do that; in his inside he has to do it. This is why he/she is called a “homeless human being;” he has put away what the usual human being calls his home. This does not mean tearing out from life; he/she stands firmly on his/her position, but his/her own life is lifted out from the surrounding world.

When he wants to be led by the master further on, he gets to the second stage; he has to completely get changed to put away all clothes of his present existence. He is fitted with a new set of oriental clothes. This is an indication that all impulses to attain new wisdom have come from the East to humankind. (Ex Oriente lux.)

The boy in his oriental clothes is endowed with the ancient wisdom which the old man with the lamp represents in the Fairy Tale of the Green Snake and the Beautiful Lily; he is endowed with a soul capacity remembering ancient initiatory states. He is led to the river that the soul world separates from the real spiritual world. The river of passions, the astral world, does not rage and roar, it is the “gently running waters which let see a big number of golden and silvery fish in its clear depths which gently moved to and fro, partly single ones, partly shoals of them.” This is an image how the human being can find valuable knowledge instead of raging passions if he has quietened down the astral world in himself.

Swords tilt downwards across the river separating the astral world from the internal, the spiritual realm. The human being has to sacrifice what he has, otherwise, for his protection. He has to sacrifice his personal ego; it has to become the bridge to the spiritual realm. He has to experience the “dying and growing.” Two rows of swords, an internal and an external row, tilt downwards and form the bridge which the boy crosses. This is an image of the fact that a lower and a higher ego-consciousness must join with each other to make the transition into the spiritual world possible to the human being.

Now we can also see why this fairy tale bears the name: The New Paris. It is Paris about whom the Greek mythology tells that before his birth the parents were scared by the prophecy that the fire of the boy, who is born, consumes everything. Hence, he is abandoned after his birth; a bearess nurses him for five days. He grows up and after various adventures he is recompensed, he got married to Helena. However, Helena is synonymous with Selene the daughter of the light of wisdom. Selene is the symbol of the moon. Thus the Greek mythology shows the union of the human being with the consciousness which should lead him to higher and higher stages in the marriage of Paris with Helena.

Narcissus is the other word which the chatty starlings called to the boy. About Narcissus it is told that he is the son of the river god Kephissos and a nymph. So Narcissus is not of earthly, but of supernatural origin.

One tells also that he once saw his image in the mirror of a spring. This delighted him so much that he always stared at himself only. He rejected all temptations of a nymph, approaching him, and he completely sank into his own image.

Narcissus is a symbol of the human ego which wants to insist on its separate existence, on its own self. If the human being remains concluded in his ego, hardens in his ahamkara, if he is not able to get out of his own little human being, if he looks always only into himself, has fallen in love with his own ego, then he does not get beyond himself, then he loses the consciousness that his ego has its real home in a spiritual world, then he cannot ascend to his spiritual home, he remains “a dull guest on the dark earth.” Then he cannot develop the higher consciousness in himself which leads him upwards, he must pine away. Only somebody who can combine with the higher female principle in his soul will thereby ascend. Paris gets married to the daughter of the light, to Selene-Helena. However, Narcissus fell in love with his own nature and rejects the union with the spiritual being, which approaches him as a nymph.

While the birds call the boy: “Paris – Narcissus,” he finds himself faced with the choice: what do you want to bear in yourself, the Paris nature or the Narcissus nature? This question is put to everybody who wants to become a chela, a spiritual student. Everybody must choose the way himself which his soul has to go.

The boy chooses the way of Paris, according to the urge working from a former incarnation in his soul; he wants to become the “new Paris.” Hence, he must also get to know the so-called threats of initiation if he chooses the way of initiation. They are shown symbolically with three ropes. In the initiatory schools, the ropes, which lie around the neck of the neophyte, show different symbols. Among other things, they represent the threefold nature of the human being in the world. What is due to this threefold nature of the human being laces itself around his neck if he breaks the confidence which is put in him with the initiation.
Since the young man wants to become the “new Paris,” he is allowed to be led by the old man who leads him over the bridge. He comes into the second circle which is flowed around by the river, the water of the astral world. There he finds a wonderful garden which appears to him like an image of heaven on earth. In the midst of this wonderful garden, he sees the innermost centre, a temple surrounded by porticoes from which a heavenly music issues forth. He has arrived at the region of the spiritual world which manifests itself sounding: in the region of the creative world word, which sounds through the world as the sphere-harmony. Here he finds the three women again who were sent to him by the god Mercury at first.

In the image which now the boy experiences is expressed what the human being can experience if he has attained the stage of initiation. The human being is able there to receive messages from higher worlds.
The woman in red turns first to the boy; the red stone gives him the strength that he can have insight in the spiritual world. This is the first stage of initiation. The second stage is not mere imagination, but life in the spiritual world. Indeed, there the human being still feels as a special being, he feels as a spirit among spirits, but still separated. He feels, so to speak, like a sound which is not yet part of a symphony. This stage is shown in the yellow robe.

Then the human spirit learns to adapt itself in the sphere-harmony, it learns to regard itself as a member of the spiritual world, as a sound that resonates in the world symphony. Then the human being gains the green stone; this represents the woman in green pictorially. You read in the fairy tale about this woman in green: “she was that who seemed to care mostly for me and to turn her play to me; however, I was not able to figure her out ..., she could behave howsoever, she gained little from me, because my small neighbour ... had completely taken me in for herself ... and although I saw the sylphids of my dream and the colours of the apples quite clearly in those three ladies, I probably understood that I would have no cause to retain them.”

Although the boy gets insight in those lofty realms by initiation, he feels that he has hard to work for the life in them. At first he must still dispute with his small guide, the fourth woman, the human reason.

This happens by a war game. You read in the fairy tale: the little one led the boy to the golden bridge; there the war game should take place. They put up their armies. Against the warning he and the girl get into zeal, the boy overcomes the troops of the little lady, “which running forth and back disappeared toward the wall finally, I do not know how.”

The Paris of the Greek mythology is the cause of the Trojan War, in which symbolically the decline of a human race and the rise of the new race is shown in which the ego of the single human being has to show its effectiveness. “The new Paris” is victorious in a fight which is, actually, a game that is only the image of a fight, which is nothing that has external reality. This war game between the human reason and that in the human being which carries the consciousness that issues from the divine is not anything that has external reality; it is something that lives only in spirit that is in such a way that it takes place like in the mirror image of spiritual events in the human soul. Goethe should announce the higher things which he beheld not in life but in the art. He should speak in mental pictures, in images.

After the fight, the boy meets the old man again, his first guide, and now the consciousness of his own deepest nature is kindled within him with such certainty that he can call the words to the old man which should live from now on in his inside. “I am a darling of the gods!” he calls. But he still wants to live with that what he requests from the old man as reward: he wants his guide, the small creature. He wants to lead his life as a human being striving for knowledge in such a way that the good human reason becomes his guide at first.

Then he is outdoors. The old man “indicated some objects at the wall, beyond the way, at the same time pointing backward to the little gate. I understood him well; he wanted that I memorise the objects to find the little gate again which shut behind me all of a sudden. I noticed thoroughly what faced me. Above a high wall, I saw the branches of ancient walnut-trees. ... The branches reached up to a flagstone; however, I could not read the inscription on it. It rested on a corbel; a niche in which an artificially worked well poured forth water from bowl to bowl... that disappeared in the ground. The well, the inscription, and the walnut-trees stood vertically about each another.”

The young man stands outdoors; looking back he remembers the experiences of his previous incarnation, and at the same time he looks at a moment in future. A second initiation follows after this one which he remembers; once the spiritual initiation followed the initiation of wisdom.

In the image of the tree, the flagstone with the inscription, the well from which the water flows, a symbol of knowledge is dressed which found its expression in mediaeval times in old astrological mysticism. It gives the boy the view to the future: if the same constellation of the stars happens again which allowed you to find the place where the human being is initiated, if the constellation of the stars in the future recurs for you, the gate is opened to you again, and then the initiation on higher level is repeated for you.

He looks at a moment of reality where he will live through what he has experienced as a prelude with the initiation. He looks at a distant future in which he appears on the scene and explains what he has experienced in former incarnations.

A certain constellation existed at the moment when he was initiated. These signs must recur if on a higher level the initiation is possible. Then the gate is visible again, and it depends on the permission, whether one is able to tell more about the future events.

One must take into consideration this fine mood, the intimate forces which play a role there speaking about this fairy tale.

As we see, Goethe also depicts the evolution of the human soul in these both fairy tales. On the one side, he expressed his conviction of soul development in his Fairy Tale of the Green Snake and the Beautiful Lily in coloured pictures which is valid to all human beings, on the other side, he puts the initiation of the higher secrets before our souls in these both fairy tales, The New Melusine and The New Paris, a Fairy Tale of a Boy, as it was commensurate with his own nature. An individual way of his own soul development is represented by Goethe in these two fairy tales. His whole later soul striving adequate to Goethe's attitude is included in the Fairy Tale of a Boy in particular.

In a fragment, The Journey of Megaprazon's Sons it was begun in 1792, but was not continued , Goethe likewise wanted to show a developmental way of the human soul. Also this fragment indicates the greatness of what he had to say, also here he points to a constellation. “Venus” and “Mars” are the last words of it which are kept to us.

A father sends his seven sons on a far journey in foreign countries that are not discovered by others. These are the seven basic members of the human being which theosophy refers to. The father gives his sons the wish with them: “happiness and welfare, good courage and glad use of the forces.” Every son has received own talents from nature; now he should apply them and seek his happiness and perfection by means of them, every brother in his way. In this fragment, The Journey of Megaprazon's Sons, the journey to the spiritual land of ancient wisdom should be shown that the human being can attain if he develops that from the basic members of his nature which is predisposed as rudiments in them; if he attains higher states of consciousness by this development. A found piece of the plan of the spiritual journey shows how Goethe wanted to depict this voyage.

So we have done some looks only at Goethe's most intimate inside and have discovered more and more profundities which shine through his marvellous poems.

So it is comprehensible if his contemporaries looked up at him like to a signpost to unknown worlds. Schiller and some others, they have recognised or, nevertheless, have anticipated what lived in him. However, many have passed without understanding him. The German still has a lot to do to exhaust what is manifested in his great spirits. But the words can apply to them only too well, which Lessing (1729–1781 expressed about Klopstock (1724–1803, German poet):

Who does not praise Klopstock?
But does anybody read him? No.
We want to be praised less
But be read all the more.

Our great spirits want to be recognised, and then they lead to intense spiritual deepening.

They also lead to the world view which theosophy represents. Wilhelm von Humboldt, one of those who anticipated what lived in Goethe's soul welcomed the first translation of the Bhagavad Gita (1823) with the deepest understanding. “It is worthwhile”, he says “to have lived so long to take these treasures up in oneself.”

Thus those human beings who learnt from Goethe were prepared for the theosophical world view.

Oh, a lot can still be learnt from Goethe!

This lecture is something like a continuation of that which I held about the origin of the human being. We come today back to times which are in the distant past, and we get to concepts which are very far to the present materialistic thinking. Hence, allow me that I tie on a few introductory words about the relation of my topic to the contemporary ideas.

It has absolutely to be clear to everybody who has penetrated and understood the scientific knowledge of the present that today the theosophical ideas about the origin of the earth can be taken as something very speculative, maybe even very fantastic. However, do not believe if one goes deeper into the matters that then a real contradiction appears between the scientific and the theosophical ideas. We have to get absolutely clear about the fact that the naturalist is only able to verify and to explain what takes place in the external sensory world and is to be grasped with the scientific reason. I am of the opinion completely that about such difficult questions, as this is one, also from the theosophical point of view only somebody should speak who is also familiar with the whole scientific education of our time, so that he has an idea of it, how much he violates the generally accepted ideas. However, I would like to put an example of mutual understanding on the top of my lecture for those who oppose these advanced views from the materialistic point of view.

It was at the end of the sixties, when for the last time an even if pessimistic; nevertheless, decidedly idealistic philosophy appeared which made a deeper impression on a bigger public. It was Eduard von Hartmann's (1842–1906) Philosophy of the Unconscious (1869). I only want to say what has resulted historically. Hartmann bore down on the ideological ideas which originated from Darwinism. When one noticed which great impression the Philosophy of the Unconscious caused, many opposing writings appeared. Among these one appeared anonymously with the title The Unconscious from the Standpoint of Physiology and the Theory of Evolution (1872). The most significant philosophers said that it was the best writing against Eduard von Hartmann and his philosophy. The writing was sensational. The naturalists realised that it was written by a naturalist and that Eduard von Hartmann was disproved thoroughly. The second edition of the same anonymous writing appeared soon afterwards, however, with the name of the author, namely with the name of Eduard von Hartmann! It was an ingenious mystification! Indeed, I am not a Hartmannian or follower of the Philosophy of the Unconscious, but this philosophy stands higher and contains more than one can otherwise bring forward from the pessimistic side. Hartmann showed that one only needs to scale down his point of view to understand the matters in question still much deeper than the opponents. Thus spiritual science or theosophy may also express itself in such a way like those who believe to be the best naturalists. I have said this to show that one may also disprove theosophy in similar way. However, theosophy may give this rebuttal better than any other.

We have to take into consideration that we deal with very difficult chapters and that it is exceptionally laborious to penetrate into these regions. However, it is even more difficult to find the appropriate means of expression within our language only shaped for the external sensuous world. One has to use everything possible to dress the fine, subtle concepts and the views which are taken from purely spiritual worlds into clear language. Nevertheless, I attempt to pictorially and clearly express what is familiar to me as experience in these higher fields. You find the relevant periods of the big world evolution also shown in the theosophical literature. But you find them shown more schematically than I will do it today. I do not make any objection to this schematic description which may also be useful and gives clear concepts of this evolution to the reason. One can learn this from the theosophical manuals. However, I would like to describe it somewhat clearer.

We have seen the human being facing us as another being in very distant times taking on the physical dress only bit by bit not having his origin from the physical but from the psychic. We have seen the psychic leading the way of the physical, the psychic developing the forces in itself by which it can gradually clothe itself in this physical dress. All that has been shown. At the same time, we have drawn our attention to the fact that we can trace back the human being, as well as he faces us today, only through a certain number of periods.

We are within the fifth age of our physical earth development. Another age preceded it that took place on a continent which forms the bottom of the Atlantic today. And another age preceded this Atlantean age called the Lemurian age. At that time, in the middle of the Lemurian age, we find that, actually, that connects with the human being, as well as he had developed till then which we call our immortal spirit. This higher element, this higher nature of the human being which outlasts any physical corporeality and any psychic development in other words the eternal in the human being this has established itself in those days. If we want to express ourselves figuratively, we may call it a spiritual spark in the human nature, so that the human being faces us till then as the connection of soul and body. Up to the middle of the Lemurian age, our ancestors were bodily-psychic beings.

If we want to conceive a clear idea how these human ancestors were in some way, actually, we have to remember that the spirit is inseparably connected with any really higher thinking. Without spirit the human being could not count, without spirit he could not speak, without spirit no higher spiritual activity, never mind still higher activities would be possible. So that we deal with a human being till then who waited to become mind-endowed who did not yet have the immortal part who had, however, a soul-life that was completely different from ours. Our soul-life is infiltrated with spirit. If we want to call the human being who was not yet mind-endowed a human being and we want to do this for the sake of the shortness of time , we must say that his soul-life was vague that it was a more dreamy, pictorial soul-life. One can understand the soul-life of the human being at that time only if one traces it back one period more. In the time of which I have spoken now the human being is able to receive external body impressions, to perceive the surroundings. This perception developed only slowly and gradually.

If we trace back the Lemurians still farther, we find that the human ancestors have sensation already, indeed, that the external objects make impressions on them but that they could not connect ideas with these external percepts. If you imagine a soul-life like that of the dream, then you have something similar. However, it is not completely the same. For the pictorial ideas which surged up and down in the soul at that time were much clearer, much more original and more elementary, much more saturated than the confused dream pictures of the present-day average person are. Above all, these pictures in the human soul were dependent in certain way on that which took place around the human being. At that time, the human being was not yet able to associate a colour with an external object, he could not yet see the things coloured. He could not see that an object is green or red; the colour idea did not yet combine with the object. Nevertheless, colours still surged in the human soul. These colours had some resemblance to that which the clairvoyant knows if he develops certain capacities in himself. The clairvoyant sees not only the external physical, but also the feelings and instincts in the form of an aura. The physical human being is only one part of the human being. The physical human being is embedded like in a cloud in which all sorts of formations surge up and down. Only someone can see them who has the gift of clairvoyance in our theosophical sense not in the sense of spiritism. I pass some remarks about the acquisition of such capacities next time when I speak about the great initiates of the world. Any real initiation can be connected only with the gift of clairvoyance. The capacities of the great initiates originated from the gift of clairvoyance.

Today you have to be an absolutely reasonable person, before you become a clairvoyant. You must be able to think logically and clearly. Somebody who would attain the gift of clairvoyance without having developed the gift of the reasonable, clear thinking would receive a bad gift. He would be led to a world of fancies rather than to a higher spiritual world. There he would miss any control and would face it like the chaotic dream world. Not before you get into the habit of logical, clear, reasonable thinking, so that you walk through the spiritual things as the reasonable human being walks through tables and chairs, so that it is no longer anything special, you can understand that the gift of clairvoyance guides one into the riddle of the world. All occult schools have as a precondition that the human being is a quite reasonable, maybe a somewhat sober human being, so that he is the opposite of a daydreamer. Hence, we say that clairvoyance, the cognition of the astral auric world, is connected with the development of our spiritual abilities.

The view of the human being, as I have described it, was similar in the pre-Lemurian time. But it was not pervaded with consciousness. Only a dim consciousness existed in the human being. Indeed, at that time on this level he already felt what was hot and cold; he had a sense of touch and could perceive certain differences of density. He also had the gift of hearing. The sense of hearing is one of the oldest senses which humanity developed. But he did not yet have the sense of seeing. This still was, so to speak, an internal one. The colours lived as pictures in the human soul. If he came, for example, to a region which was colder than that he came from then in his soul a colour picture of darker colour shadings appeared. If he made it reversely, if he came from a colder air layer to a warmer one, then there was a yellowish or a yellowish-reddish colour picture. Thus those human beings had colour pictures which did not combine, however, with the surface of the bodies, but lived as uncertain colour pictures in the soul. This combined then with the surroundings of the human being.

But at that time the human being had something else. He had a fine sensitivity for that what took place emotionally in his surroundings. If we are here in a room, you do not sit there only as physical bodies, but also as souls. In each of you feelings and sensations live. These are also something real like the physical body is something real. What today the human soul has as sentient ability can no longer penetrate these forces of the feelings and sensation because just due to the further development of humankind the human being became clearer in his consciousness because he has developed his reason, his everyday view. But he has temporarily lost what existed in his soul. He will regain this ability maintaining his present reasonability and his clear waking consciousness. Once the whole humankind attains a state which today only the practical mystic, the clairvoyant has. In order to attain this state the human being had to go through a merely physical view, through a merely bodily percipience. In one respect humankind gets to a higher level, and in another respect it descends to a lower level in certain way.

At that time, the human being came from a vague, dim percipience. But this was at the same time mental-clairvoyant percipience. If now in the nearness of the human being any likeable feeling, anything emotional lived which you allow the expression emitted sympathy, then the human being received those bright colour pictures in himself. Bad feelings let arise darker colour pictures tending to blue, brownish, reddish colours. This was the interrelation of the inner soul-life with the external mental reality at that time. But at that time this external mental reality could just be perceived.

Only bit by bit the senses developed as they are today. With it the reason, the object consciousness came into being. The original gift of clairvoyance withdrew. At the same time, we come to a time where another development goes hand in hand with this development, the development of the so-called uni-sexuality. The human being was not always in such a condition as he is today concerning his reproduction. The bigger force which the soul had over the physical caused that the human being could produce a being of the same kind without resorting to another physical human being because he combined both sexes in himself. Hence, the transition was at the same time that of the mutual perception and that from hermaphroditism to uni-sexuality. At that time, the human brain was not yet developed in the same way as it is today. The human being was not yet such a cerebral being as he is today; at that time he also did not have such a perception as he has today. This is the time of which we have already spoken which is simultaneously the time of the creation of the human brain.

I have indicated last time that we do not sign Darwinism completely. We sign it in this respect that it shows the relationship of the physical human being with all other physical living beings on earth. But I have also indicated that we do not regard the imperfect animal living beings as ancestors of the present human beings, not even of the psycho-physical human beings. We have to regard these animal beings rather as branches of a common ancestor which resemble neither the modern human being nor the imperfect living beings, the animals of today.

In the time of which I have spoken, the higher mammals did not yet exist. The higher mammals have, just as the human being, only more imperfectly, a brain and a perception similar to the human one. Beings which have developed such a perception did not yet exist in this time. There were on the earth only beings with pictorial ideas, with a pictorial kind of soul formation, and basically everything was united in one single being, like in a common nodal point, that is today the human being and the higher animal realm. The human being was, in so far as it is a psycho-physical being, in a certain respect on the level of animality. But no present animal and also not the present human being resembles the human being of that time. However, the human being has developed so far that a part, a branch of the previous type has further-developed up to the present-day human beings. Other members of the beings of that time remained behind because of certain circumstances which I will especially show another time. They went back in their development, became decadent. These decadent beings are the higher animals.

I want to make this point clear to you and use the following for it: you know that there are regions in which Catholicism has degenerated to a kind of fetish service where it appears like adoring lifeless objects or pictures of saints. Nobody is able to state that this point of view, in proportion to the more perfect to which humankind has developed, is the same one. This fetish Christianity is a decayed Christianity. Thus it is also from the theosophical point of view considering different “savage” tribes. The materialistic history of civilisation regards them as ancestors of the civilised people. We regard them as decayed, decadent descendants of once advanced peoples. The same applies to the higher animals if we go back in time even farther. Once they were more perfect, they decayed. We come to a formation of the human realm which is different which shows the human being still undifferentiated from the other higher animal species, indeed, at a time which lies millions of years behind us.

How has it come to pass that the human being stopped in those days on the course of his development? Concerning his soul development the human being is completely the result of that which takes place round him. Simply imagine the room in which we are with a temperature higher than hundred degrees, and imagine also everything changing there! If you expand this thought to all the other natural conditions, it shows you that the human being is in truth completely dependent on the constellation and configuration of the forces within which he lives. He becomes another being if he is in another interrelation.

One made scientific attempts recently: one made butterflies hatch at temperatures at which they do not live, otherwise. One found that they change their colours and colour shadings. At higher temperatures even bigger changes are to be observed. Today the natural sciences are already a kind of elementary theosophy. Concerning theosophy there is no contradiction between the natural sciences and theosophy!

Thus the developmental levels of humankind also depended on the quite different developmental levels on our earth. Already the physicist says to you namely as a hypothesis that the farther we go back in the earth development, we come to higher and higher temperatures. The theosophist or the practical mystic sees really back to these primeval times, and he sees these conditions in the Akasha Chronicle as truth, like the average person sees table and chairs as truth before him. We come to a condition in which all substances on our earth are in quite different relations to each other than today.

You know that the substances if they are warmed up change their state. Solid substances become liquid, liquid ones become vaporous et etcetera Now we come back to much higher temperatures than we know on earth today. There the whole material world of our earth was different. Only someone who is set on the materialistic view and on the immediate view of our earth can get to the view that this is impossible. Who emancipates himself from our reality today also realises that life was possible in these higher temperatures of the earth .The human being really lived in these higher temperatures, indeed, in another way. He lived in the state of the “fire mist.” The bodies were a vaporous, soft mass which cannot really be compared with anything we know today. Thus we come back to quite different circumstances. One can still follow up this if one wants to get to know the origin of the earth. This origin is intimately connected with the whole development of the human being. If we go back, we find the human being in company of much lower animals which belong to the lower classes of our present-day animal realm which had, however, other figures in those days, were different from their present-day descendants. Because the earth became more solid and denser, they took on other shapes and characteristics. We have, if we observe what takes place in us with the bare rational eye, no idea how it looked at that time. An animal world, nevertheless, lived round the human being. As the human being takes up food from the physical world today, he also took up it in those days in similar way.

We have now to realise that what I tell now is something quite fantastic and strange for those who are not used to such ideas. The time has come to pronounce it once again. We stand on the point of evolution where again an idealistic world view will replace the purely materialistic one. Going back to these times, the whole materiality of our earth becomes different. At that time, the mass of the earth I ask you to not be too much astonished about what I say was still in connection with other heavenly bodies than it is the case today. Already somebody who thinks the present physical ideas without clairvoyance to an end understands that what I say is not completely inconsistent.

You need only to go back according to the Kant-Laplace theory to the time when the single planets do not yet circle the sun, have not yet developed from the primal nebula, and then you have a valiant, but correct hypothesis. We can also come back from the standpoint of the physicist to a time when the earthly materiality still was in contact with the materiality of the whole solar system. At that time, the human being was much more related with everything than he is today. In the Akasha Chronicle we find in this time that the earth was in a material connection of much more intimate kind with another heavenly body which circles the earth today, with the moon. It was a certain material interrelation between earth and moon.

If I may express myself roughly: what we have today as earth mass formed only because the crude materiality that we have in the moon was extruded as it were. Both bodies have differentiated from each other. You can imagine which immense shocks must have occurred there in the whole materiality! This cosmic shock is the counter pole, the correlative of what I have told, the correlative of the big living being with whose separation and change is connected that the human being went over from hermaphroditism to uni-sexuality. The whole separation did not take place in one go. Unfortunately, the reading of the theosophical literature offers so much opportunity to assume as if a heavenly body hurries out of the other. However, it is not a violent development. Slowly and gradually everything took place, in millions and millions of years. However, it is difficult to speak about figures because one must get to know the methods which the secret doctrine applies.

If we go back even farther, we find another interrelation that is harder to imagine and more intimate than that interrelation which today exists between sun and earth. But it existed in an older time. We want to take an idea in hand which makes it somewhat easier to us to illustrate this interrelation a little figuratively. If you see the sun and then imagine the sun limited within space is it really limited that way? Already a quite usual reflection can teach us that a real demarcation of the sun is basically not possible.

Does the sun really stop being where one sees its border? It does not stop there, its effect spreads through the whole planetary system. On our earth the sun has an effect. Does not belong that to the sun body what the sun makes on our earth, do not the etheric forces belong to it which spread on the earth and make life possible? Are these etheric forces not only the continuation of the etheric forces of the sun? Or their force of attraction? Does it not belong to the sun? There we see that if we understand the existence in an unrestricted way, we can realise that such an arbitrary limitation does not take place if we speak of a heavenly body like the sun. The effects which come from the sun were in the former times still quite different on the earth than they were later, and than they are today. They were in such a way that, if anybody could sit down on a chair and could have looked at the whole world edifice basically the physicist imagines this in such a way if he illustrates it to the children , he would not have perceived the sun and the earth as separate bodies, but he would have over-viewed the whole filled with perceptible contents; he would have seen that the earth is crystallised from the whole sun ball in later times.

If we go back to the times of the most distant earth past, we come to a point where that what has deposited in the lunar matter today was still connected with the earthly matter where the forces, which are pulled out today, were still efficient on the matter. These had effects on our physical bodies. They formed it in such a way that it reacted in quite different way to the forces and that in quite different way the effects on the bodily expressed themselves. In even earlier times the solar effect on the earth was there in an even more different way than today, also concerning growth. When the lunar body and the earth body were still united, we have all earth beings in a state which we only find with the animals which have the temperature of their surroundings approximately. The warm blood starts to develop to the same extent as the lunar matter withdraws from the earth.

If we go back farther to the times in which the solar body was still connected with the earth, we find within the human ancestors the effects which are preserved today in quite decadent forms of the lowest animals. The human being reproduced in those days by a kind of separation process. The human being existed in delicate matter, even more delicate than the fire mist. At that time, the reproduction happened as a kind of detachment. The daughter being had the same size as the mother being. The solar forces were in those days vital forces. They overpowered the material. They imprinted forms to the material. Thus we look, if we go back to the origin of our earth, at a time in which the human being was surrounded by subtler and subtler material states.

In the end, we get to a state which only the clairvoyant can envision where the most delicate etheric corporeality merges into astral being; as a pure soul-being the human being was placed in the earthly scene. The human beings who were formed like the physical aura were placed into the earthly scene. In the soul forces worked that imprinted forms into the matter soaking up the matter into themselves and forming it so that they became external seal impressions, a kind of shades of that what the souls were in the pure soul land. Now we have come back to the stage of our earth where the human being did not yet have the physical materiality where the human being only came in as an astral being into this physical world which was in those days of extremely delicate nature. Now we could go back to still much older states in which the human being did not yet have this astral existence. We could go back to purely spiritual states. Now, however, this should not interest us; for we do not want to pursue the human being, but the origin of the earth.

A few words more about the course backward. We meet the human being there, so to speak, still without material earth. He is not yet embodied in physical corporeality. There we would have to go back long periods if we wanted to find the human being at the former developmental stadia. The human being who was placed as a soul-being on the earth has the ability to draw the substance to himself in a particular way. If one were able to investigate the etheric man, one would perceive that his soul was already organised. It could already create forms. It had to develop for that for long times.

It had already gone through long developmental states. These have been completed on other heavenly bodies, of course. How have we to imagine such a development on other heavenly bodies? All the abilities which the soul had acquired were in such a way that they could work in the physical. It was led from former developmental states. The soul had to have already gone through physical states several times, because only within the physical world certain abilities can be developed. The human being could not speak and think today unless he had got into contact with the physical nature. What we work today becomes our ability later. I have often pointed to the child that learns to write and read. When the child has grown up, it can write and read. What was labour, what was intercourse with the outside world before has disappeared, but the fruit, the result has remained. This is the ability of writing and reading. What we have in the soul has originated from the intercourse with the outside world.

The theosophical world view calls it involution. If the human being again works out from within what he has acquired, we call it evolution. Between involution and evolution all life takes place. What the soul has done in the evolution is based on the fact that the abilities have emerged from the soul. These abilities were acquired once by involution. This involution took place again in another physical body. We have there an important moment that has happened on our earth; this is the moment when the human being was able to become a warm-blooded being from a cold-blooded one, because the lunar matter had emerged. This is the important point of the earth development. In all mystic schools this is emphasised. The human being takes the heat into him and reworks it inside. The myth which always shows the great truths figuratively preserved this in the Prometheus legend. Prometheus got down the fire from the heaven. This is the warmth of the human being that he got down there, not the external heat. Thus the human being had to get down all remaining abilities from the heaven, too.

I would like to lead you still to a point that is also very important for the earth development. This is the moment when the human being takes up in him what we have once got to know as the inside of the soul. We have seen that pictures have risen up in the human being which he associated with the objects. The human being possessed this ability to develop light in him in the first time. He acquired that sooner as well as he acquired the ability later to develop warmth. The human being developed the ability to sense light around him or still more properly speaking to sense the objects around him in the light. This took place on a planet which the theosophical world view calls “Moon.” However, this was not our physical moon. When the soul had acquired the ability of the inner light, the connection was there, and who knows the circumstances of the past, knows that it evoked the soul ability of seeing colours, the inner luminescence. We have to realise once how this abilities are connected. The development of warmth is connected with all life on our earth, with the present kind of reproduction, with the way the human being can bring something into real existence. Everything else is combining; only the reproduction is a real creating, and this is connected with warmth. We have a similar level of development when the inner luminescence appeared. The human being developed the luminescence on a previous planet. This was a luminescence from within like it is warmth from within today. It was luminescence. With it we have come to the most excellent characteristic of the human being in his pre-physical state on another heavenly body. Everything that went out from the human being was luminous as his aura shines today. The human being was a luminous being, and the perception of the human being was the perception of his luminescence. At that time, luminescence developed down to the physical. It was a physical luminescence of the human being.

How do we get our most significant ideas of the environment? Just by means of the visual percepts. You would nearly lose nine tenths of that what you know if you cancel the visual percepts. Because we have visual ideas today, wisdom can pour somewhat in us. With our lunar ancestors this was different. From them the light was emitted. The same was emitted from them that pours in us as light effects today. One calls our earth the universe of love in the mystic mythology because it is connected with forces of love. The universe of wisdom on which the light played the same role as today the warmth preceded this universe of love. The earth followed as a universe of love the universe of wisdom. The inner light is connected with the human will. The human being, who has certain desires, passions, sensations, and emotions, provides his aura, his astral body with particular colour shapes. These are subjected to the will in a broader sense. In those days, in the lunar period, the whole human being was an expression of will. The will flowed outwardly and came to the fore as that which shines.

Hence, our ancestors are the sons of will if we call these human beings of the universe of wisdom human beings. The children of love descended from the sons of will. The light played a similar role in those days as today the heat on the earth. One calls these luminous human beings within the luminous environment also the sons of the twilight. It was an especially luminous human being within the surrounding luminosity, an exchange of light took place as we have an exchange of warmth today. As we have a feeling of cold if it is cold one approximately had a feeling if it was darker all around than in the own inside. The will was the basis of that because the will basically found its expression in the whole surroundings. As today the human being is creative by love, he was creative in those days using his will. His will had an immediate influence on all surroundings. As powerless the creating human being is before the physical things of the outside world today because he has got to clearness in his consciousness and thereby the other soul forces have become more imperfect , as powerful the will was in those days. The human will had influence on the whole physical surroundings. Because it strives and is the upward trend in the development, this will strove for the higher. Thus that was caused, immediately from the living nature, what separated the centre of the heavenly body in two, so that at that time already a kind of invagination took place. One centre became two centres in a more mental way. We see this separation of the centres achieved in the later development in the separation of the earth and the moon.

These are sketchy indications I could give you. However, you will see that the matters coincide. Who tries to think consistently and strictly can admit this from the start. I myself might give a rebuttal as I have indicated it in the outset concerning Eduard von Hartmann. Habitual ways of thinking are something temporary. Who studies history of the Middle Ages, for example, not only the external one, because it is a wrong picture which is given to us, finds my explanations verified.

Goethe also says that it is basically only the historians' own spirit, in which the times are reflected. It is the task of theosophy to show the development in the past to receive an idea of the great human future. I have quoted Goethe, because he deeply looked into these mystic, mysterious connections of the world development. He used a strange figure, the “old man with the lamp” in his Fairy Tale of the Green Snake and the Beautiful Lily. The lamp can only shine where another light shines. I have shown that as the incarnation of ancient wisdom. Now we come to an even more profound significance. It becomes clear to us what Goethe means with the light which spreads its light only where light is. Where the gift of clairvoyance is developed again, the lamp develops its whole magic force. There we get to that time when the human being becomes the flame to look back to this epoch in which he was a luminous being when the ability developed to bring light into existence. Goethe knew that this internal light was there once in the human being and that the present-day seeing of light is a later developmental state.

Before the human being could see the sun, he had to become an internally luminous being first; he had to develop light in himself to show light to the light. Goethe was a mystic; one does not know it only. At the head of his preface to the theory of colours he pronounces it using the words of an old mystic:

Unless the eye were like the sun,
How could we see the light?
Unless God's own force lived in us,
How could delight us the divine?

The theosophical world view differs from all remaining world views, which we can meet in the present, because it also satisfies knowledge. We have so often heard in the present: we cannot recognise certain matters; our cognitive faculties have limits and cannot rise up above a certain height. If we let the philosophical investigations of the present approach us, then one often speaks of such limits of knowledge in particular those philosophical schools which go back to Kantianism. The view of the theosophist and the practical mystic differs from all such discussions because it never puts limits to the human cognitive faculties, but considers them in such a way that they can be extended. Is it not a big immodesty, if anybody considers his particular cognitive faculties, his point of cognition as something decisive and says that we cannot go with our cognitive faculties beyond a certain limit?

The theosophist says: I stand on a certain point of view of human cognition today. From this point of view I can recognise this or that, and I cannot recognise this or that. But it is possible to develop the human cognitive faculties to increase them. What one calls initiatory schools is intended basically to increase these human cognitive faculties to a higher level, so that it is indeed correct if one says from a lower level of knowledge that there are limits of cognition, that one cannot recognise this or that. But one can also rise up above such a level of knowledge, one can get to higher levels, and then one can recognise what one could not recognise on subordinate levels. This is the nature of initiation, and this deepening or rise of knowledge is the task of the initiatory schools. It is a matter of raising the human being to the levels of knowledge on which he cannot stand from nature which he has to attain only with long-standing patient exercises.

At all times, there have been such initiatory schools. With all peoples recognising men of higher kind came from such initiatory schools. The nature of such initiatory schools and of the great initiates who have outgrown the lower levels of the human cognitive faculties and got to the highest knowledge, which is accessible to us on earth, expresses itself in the fact that these initiates gave the different religions and world views to the different peoples.

We want to outline the nature of these great initiates today. As one must get to know the methods of every science, of every spiritual procedure with which one penetrates to knowledge, it is also in the initiatory schools. Also there it is the point that we are led to higher stages of cognition using certain methods of which we have just spoken. Now I shortly invoke the concerning stages. Certain levels of knowledge are to be attained only in the intimate initiatory schools, where teachers are who themselves have experienced that school, who have carried out those exercises, who can really consider any single stage, any single step. One has to confide in such teachers of these initiatory schools only.

Indeed, there is nothing of authority in these initiatory schools, nothing of the principle of dogmatism, but only the principle of advising holds sway. Who has gone through certain stages of study and has thereby acquired the experiences of the higher super-sensible life knows the intimate ways leading to this higher cognition. Only such a man/woman is competent to say what one has to do. What is necessary in this field between pupil and teacher is confidence only. Who does not have this confidence is not able to learn anything. Who has this confidence sees very soon that by any esoteric or mystic teacher nothing else is recommended than what this teacher himself has worked through. The point is that only the externally visible part of the whole entity of the human being is completed, as well as the human being faces us today. Everybody who strives for esoteric instructions has to get clear in his mind that the human being is not a completed being today, as he faces us, but that he is developing that he gets to much higher stages in future.

What has already attained the image of God today, what of the human being has come to the highest level is the human sensuous body what we see of him with eyes, what we can generally perceive with our senses. However, this is not the only what the human being has. The human being has even higher members of his nature. At first, he has a member which we call the etheric body. Someone who has developed the soul organs can see this etheric body. Because of this etheric body the human being is not only a creation in which chemical and physical forces work but a living creation that lives and is provided with growth, life and the capacity of reproduction. One can see this etheric body which is a kind of archetype of the human being, if one suggests the usual physical body away with the methods of clairvoyance that are still characterised afterwards. You know that one can achieve by the usual methods of hypnosis and suggestion that if you say to anybody that here is no lamp he really sees no lamp. Thus you are able to thoroughly suggest the room away although you look into the room. That is possible if you develop enough strong willpower in yourselves, that willpower which diverts the attention from the physical body. Then you see the room not empty, but filled with a kind of archetype. This archetype has approximately the same figure as the physical body. However, it is not through and through of the same kind, but is organised thoroughly. It is not only interspersed with fine little veins and currents, but it also has organs. This formation, this etheric body causes the real life of the human being. Its colour can be compared only with the colour of the young peach-blossom. It is no colour which is included in the solar spectrum; it is approximately between violet and red. This is the second body.

The third body is the aura which I have already described occasionally, that cloud-like formation of which I have spoken last time, when I described the origin of the human being, in which the human being is like in an ovoid cloud. Everything expresses itself in it that lives in the human being as desire, passion and feeling. Happy, devoted feelings express themselves in bright colour currents in this aura. Hatred, sensual emotions express themselves in darker hues. Keen, logical thoughts express themselves in well-defined figures. Illogical, confused thoughts find expression in figures with unclear contours. Thus we have an image of the human soul-life in this aura.

As well as I have now described the human being he was placed so to speak, by the hand of nature on earth at that time which lies nearly in the outset of the Atlantean age. I have described last time what one has to understand by the Atlantean age. At the time when the fertilisation with the eternal spirit had already taken place the human being faces us with three members: body, soul and mind. Today these three members of the human being are basically somewhat changed because the human being has worked on himself since that time, since nature has dismissed him, since he has become a self-conscious being.

This work on himself means improving his aura, irradiating light from the self-consciousness to this aura. The human being who stands on a very deep level who has not worked on himself, we say a savage, has an aura as nature has given him. All those, however, who are within our civilised world, have auras in which they themselves have co-operated. For as far as the human being is a self-conscious being, he works on himself, and this work finds expression in him at first that his aura changes. Everything that the human being has learnt from nature what he has taken up, since he can speak and think self-consciously, is a new impact in his aura, caused by himself.

If you transport yourselves back to the Lemurian age when the human being was warm-blooded since long time when his fertilisation by the spirit had taken place in the middle of this Lemurian age, the human being was not yet a being capable of clear thoughts. All that just started developing. The spirit had just taken possession of the corporeality. At that time, the aura was completely a result of the natural forces. There one could notice and one can notice it still today with people of very low level , a smaller aura of bluish colour originating at a certain place within the head. This smaller aura is the external auric expression of the self-consciousness. The more the human being has developed this self-consciousness by his thinking and working, the more this smaller aura spreads out about the other aura, so that both become often completely different in short time. The human being who lives in the external civilisation who is an educated civilised person works on his aura in such a way as civilisation just drives him. We take up our usual knowledge, as our school offers it, our experiences, which life brings us, and they perpetually change our aura. But this change must be continued if the human being wants to join the practical mysticism. There he has to work particularly on himself. There he has to incorporate into his aura not only what civilisation offers him, but there he has to exert an influence in certain, regular way on his aura. This happens by means of the so-called meditation. This meditation or the inner contemplation is the first stage which the student of an initiate has to go through.

What is the sense and purpose of this meditation? Attempt once to hold the thoughts before yourselves, which you hold in the mind from the morning up to the evening, and to ponder how these thoughts are influenced by the space and time in which you live. Attempt once whether you are able to prevent your thoughts and ask yourselves whether you had them if you did not live by chance in Berlin and in the beginning of the 20-th century. At the end of the 18-th and at the beginning of the 19-th century, the human beings have not thought in the same way as the human beings of today. If you imagine how the world has been changed in the course of the last century and which changes time has caused, then you see that what permeates your soul from morning to night depends on space and time. It is different if we dedicate ourselves to thoughts which have an eternal value. Actually, these are only certain abstract, academic thoughts, the highest thoughts of mathematics and geometry to which the human being dedicates himself and have eternal value. Twice two is four: this must hold good at all times and places. The same applies to the geometrical truths which we take up. But if we refrain from the certain foundation of such truths, we can say that the average person thinks very little that is independent of space and time. What is dependent on them connects us with the world and exerts a small influence only on that being which itself is something permanent.

Meditation is nothing else than dedicating oneself to thoughts of eternal value, to educate oneself consciously to that which is beyond space and time. The great religious writings contain such thoughts: the Vedanta, the Bhagavad Gita, the John's Gospel from the thirteenth chapter up to the end, also the Imitation of Christ (1441) by Thomas à Kempis (~1380-1471, canon regular). Who becomes engrossed with patience and perseverance in such a way that he lives in such writings, who becomes engrossed every day anew and maybe works on one single sentence for weeks, and thinks and feels it through, gets an infinite use. As well as one gets to know and love a child with all its peculiarities more and more every day, one lets such a sentence of eternity penetrate the soul every day which arises from the great initiates or inspired human beings. This fulfils us with new life. The sayings in Light on the Path (1885), written down by Mabel Collins (1851-1927) according to higher instructions, are also very important. Already the first four sentences are suitable if they are exercised patiently to intervene in the human aura in such a way that this aura is completely illuminated with a new light. One can see this light lighting up in the human aura. Bluish colour nuances replace the reddish or reddish-brownish ones, light reddish nuances replace the yellow ones et etcetera All the colours of the aura change under the influence of such thoughts of eternity. The student cannot yet perceive this in the beginning, but he starts gradually feeling the deep influence that goes out from this changed aura.

If the human being exercises certain virtues, certain performances of the soul most carefully beside these meditations, then his soul senses develop within this aura. We must have these if we want to behold into the soul-world, just as we must have physical senses to be able to look into the physical world. As the external senses are implanted by nature into the body, the human being has to implant higher soul senses lawfully into his aura. The meditation causes that the human being becomes mature to work on these senses which exist as rudiments.

But we have to turn our attention to particular soul performances if we want to develop these senses. Consider that the human being has a number of such senses as rudiments. We call these senses lotus-flowers, because the astral structure which the human being starts developing in his aura takes on the figure of lotus-flowers comparatively. Of course, this is only comparative, just as one speaks of lungs which resemble to wings. The two-petalled lotus-flower is in the middle of the head about the nasal root between the eyes. Then near the larynx is the 16-petalled lotus-flower, near the heart is the twelve-petalled one, near the pit of the stomach the 10-petalled one. More far below there are the 6-petalled and the 4-petalled lotus-flowers. I would like to speak only of the 16-petalled and the 12-petalled lotus-flowers today.

In Buddha's teaching the so-called eightfold path is given. Now ask yourselves once: why does Buddha give just this eightfold path as especially important for the attainment of the higher stages of the human being? This eightfold path is: right view, right aspiration, right speech, right action, right livelihood, right effort, right mindfulness, and right concentration. Such a great initiate like Buddha does not speak out of a vaguely felt ideal, he speaks out of the knowledge of the human nature, and he knows which influence the soul performances have on those bodies which must develop only in future. If we consider the 16-petalled lotus-flower of a modern average person, we see, actually, very little. It is about to light up again, so to speak. In times of very distant past this lotus-flower existed already once. It declined in its development. Today it appears again due to the cultural work of the human being. However, in future this 16-petalled lotus-flower comes again to full development. It begins to gleam in its sixteen spokes or petals brightly, any petal appears in another hue, and, finally, it moves from the left to the right, clockwise.

Someone develops in the initiatory school consciously what every human being experiences and possesses once in future, so that he can become a guide of humanity. Eight of the sixteen petals were already developed in the very distant past. Eight are still to be developed today if the esoteric student wants to get to the use of these senses.
These are formed,
-If the human being goes consciously and carefully the eightfold path
-If he exercises the eight soul activities given by Buddha
-If he arranges his whole soul-life in such a way that he exercises these eight virtues as intensely as possible,
So that he controls himself, supports his meditation work and not only matures the 16-petalled lotus-flower, but sets them also in motion to be able to really perceive.

Now I still want to speak of the 12-petalled lotus-flower near the heart. Six petals were already developed in the far-off past; six have to be developed in future with all human beings, with initiates and their pupils already today. In all theosophical manuals you can find certain virtues cited which someone who wants to ascend to the stage of a chela or student should acquire in the forecourt. These six virtues, which you find cited in every theosophical manual where of the development of the human being is spoken, are: control of thoughts, control of actions, tolerance, steadfastness, impartiality and balance or what Angelus Silesius calls calmness. These six virtues, which one has to practice consciously and carefully and to add to the meditation, develop the other six petals of the 12-petalled lotus-flower. This is not blindly or accidentally picked up in the theosophical textbooks or written down out of own internal feeling, but is spoken from the deepest knowledge of the great initiates. The initiates know that somebody who really wants to develop to higher super-sensible stages has to develop the 12-petalled lotus-flower. For this purpose he has to develop the six petals, which were not developed in the past, with these six virtues. Thus you see how from a deeper knowledge of the human being the great initiates gave their instructions for life. I could still extend this consideration to other organs of cognition and observation, but I want only to give you an outline of the initiatory process with these remarks which should be sufficient.

If the student has advanced so far that he starts developing these astral senses if he has advanced so far that he is thereby able to see not only the sensuous impressions in his surroundings but also what is mental, what the aura is in the human being, in the animal and in the plant, a quite new level of instruction begins. Nobody can see anything mental in his surroundings, before his lotus-flowers rotate, just as somebody who has no eyes can see no colours and no light. If now the wall is broken through if he has progressed on the preliminary stage of knowledge so far that he has an insight into this astral world, then only the real apprenticeship begins for him. This leads through four stages of knowledge. What happens now at this moment when the human being has become a chela, after he has gone through the preliminary stages? We have seen that everything that we have now described refers to the astral body. This is organised thoroughly by the human body. The human being who has experienced such a development has another aura. If he then examines his astral body with self-consciousness, if he himself has become the clear organisation of his astral body, we say that this student has examined his astral body with manas. Nothing else is manas than an astral body which is controlled from self-consciousness. Manas and astral body are one and the same, but on different developmental stages.

One has to realise this if one wants to practically use for the practical mysticism what is given in the theosophical manuals as seven principles. Everybody who knows the mystic way of development, everybody who knows something of initiation says that they have a theoretical value for the study, but for the practical mystic only if one knows the relationships which exist between the lower and upper principles. No practical mystic knows more than four members: the physical body, in which the chemical and physical laws are working, the etheric body, the astral body and, finally, the self-consciousness which we call kama-manas in the present development, the self-consciously thinking principle. Manas is nothing else than what the self-consciousness works into the body. The etheric body, as it is now, is taken away from any influence of the self-consciousness. We can influence growth and nourishment indirectly, but not in such a way as we let our wishes, our thoughts and ideas come from the self-consciousness. Thus we ourselves cannot influence our relationships of nourishment, digestion and growth. These are without any connection with the human self-consciousness. This etheric body has to come under the influence of the astral body, the so-called aura. The self-consciousness of the astral body must penetrate and treat the etheric body in the same way as the human being his aura, his astral body. If the human being has advanced so far by meditation, by contemplation and by the exercise of the soul activities that the astral body is organised of its own accord, then the work proceeds to the etheric body, then the etheric body receives the inner word, then the human being hears not only what lives in the environment, then the inner sense of the things sounds to him in his etheric body.

Many a time I have said here that the actually spiritual in the things is something sounding. I have drawn your attention to the fact that the practical mystic if he speaks of a sounding in the spiritual world that he speaks of a luminescence in the astral world, the world of desires. Not without reason Goethe says when he leads his Faust to the heaven:

In ancient rivalry with fellow spheres
the sun still sings its glorious song,
and it completes with threat of thunder
the journey it has been assigned.

And not without reason Ariel says, as Faust is led by the spirits to the spiritual world: “In these sounds we spirits hear the new day already born.”

This inner sounding which is, of course, no sounding perceptible to external sensuous ears, this inner word of the things by which they express their own nature is the experience which the human being has if he is able to influence his astral body from his etheric body. Then he has become the chela, the real disciple of a great initiate. Then he can continue this path. One calls such a human being who has ascended this level a homeless human being, because he has found the connection with a new world because the spiritual world sounds to him and because he has no longer his home, so to speak, in this sensuous world. One must not misunderstand this. The chela who has attained this level is a good citizen and father of a family, a good friend as he would be, if he had not become a chela. He needs to be torn out from nothing. What he experiences there is a course of soul development. There he attains a new home in a world which lies behind these sensuous one.

What has happened there? The spiritual world sounds in the human being, and while the spiritual world sounds into the human being, he overcomes an illusion, the illusion generally, in which basically all human beings are prejudiced before this level of development. This is the illusion of the personal self. The human being believes that he is a personality, separated from the rest of the world. Already a mere reflection could teach him that he himself is no independent being in the physical. Take into account if in this room the temperature were 200 degrees higher than now, we would not be able to exist here as we exist now. As soon as the circumstances change outside, the conditions are no longer appropriate to our physical existence. We are only the continuation of the outside world and absolutely inconceivable as a special being. This is even more the case in the psychic and in the spiritual worlds. We see that the human being, understood as a self, is only an illusion that he is a member of the general divine spirituality. Here the human being overcomes the personal self. It appears what Goethe pronounced it in the chorus mysticus (Faust) with the words: “All that is transitory is only a symbol.” What we see, is only an image of an eternal being. We ourselves are only an image of an eternal being. If we give up our special being, we have the external life and we live a separate life with the whelp of the etheric body , then we have overcome the external, separate life, we have become a part of the All-life.

In the human being something now appears that we have called buddhi. Buddhi is virtually now achieved as a developmental stage of the etheric body, of that etheric body which does no longer cause a special existence, but enters the All-life. The human being, who arrives at this, has arrived at the second level of chelahood. Then all scruples and doubts drop from his soul, and then he can no longer be a superstitious person, just as little as he can be a disbelieving person. Then he does no longer need to get truth comparing his ideas with the external environment, then he lives in the sound, in the word of the things, then it sounds and sounds out of the being what it is. Neither superstition nor doubt is there. One calls this the delivery of the key of knowledge to the chela. If he has attained this stage, a word of the spiritual world sounds into this. Then his word does no longer echo what the world is but what comes from another world which works into our external world which cannot be seen with our external senses. Messengers of the divinity are these words.

If this stage is stepped over, a new one comes. It happens that the human being wins influence on what his physical body is immediately doing. He had only influence on the etheric body before, now, however, on the physical body. His actions have to set the physical body in motion. What the human being does is integrated into what we call his karma. But the human being does not work consciously on it; he does not know that he pulls an effect behind himself because of his action. Only now the human being starts performing the actions consciously in the physical world in such a way that he consciously works on his karma. There he wins influence on the karma with the physical action. There it sounds not only from the things of the environment, but there he is so far that he is able to pronounce the names of all things. As the human being lives in our cultural stage, he is able only to pronounce one single name. And this is the name he gives himself: I. This is the only name the human being himself can give. Who becomes deeper engrossed in it, can come to profound knowledge nothing of which the academic psychology dreams.

It is only one thing to which only you yourselves can give the concerning name. No one else can say to you I, only you yourselves. To anyone you must say you and every other must say you to you. It is something in everybody that everybody can call I. Therefore, the Jewish secret doctrine also speaks of the inexpressible name of God. This is something that is immediately an announcement of the God in him. It was forbidden to pronounce this name unworthily and unholy. Hence, the holy shyness, the importance and fundamentality if the Jewish esoteric teacher pronounced this name. “I” is the only word which says something to you what can never come to you from the outside world. As the average person gives his self only the name, the chela of the third degree gives names which he has from intuition to all things of the world. That is he is merged up in the world-self. He speaks out of this world-self. He is allowed to say the deepest name of a thing to this thing, whereas the average present-day human being is only able to say “I” to himself. If the chela has attained this level, one calls him a swan. The chela who can rise to the names of all things is called swan because he is the herald of all things.

What is beyond the third degree cannot be expressed with everyday words. This requires the knowledge of a special script which is taught only in the esoteric schools. The following degree is the degree of the disguised. Beyond it are the degrees which the great initiates have, those initiates who gave our culture the big impulses at all times. They were chelas first. First they attained the key of knowledge. Then they were led to the regions where to them the universal and the names of the things were disclosed. Then they ascended to the stage of the All and could have the deep experiences by which they were enabled to found the great religions of the world.

Not only the great religions, but generally every big impulse, everything that is important in the world originated from the great initiates. Only two examples are cited which kind of influence on the world the great initiates have who experienced the training.

We transport ourselves back to that time where under the guidance of Hermes the students of the initiatory schools were instructed. These instructions were usual, so-called esoteric, scientific lessons.

Only with a few lines I am able to draw what such lessons contained. It was shown there how the world spirit descends to the body world, embodies itself, and how it revives in the matter, how it gets to its highest stage in the human being and celebrates its resurrection. Paracelsus expressed this pleasantly saying: what we meet outside, these single beings are the letters, and the word which is joined together from them is the human being. We have off-loaded all human virtues or weaknesses on the creatures outside. However, the human being is the confluence of all that. How in the human being a confluence of the remaining macrocosm revives as a microcosm, this was taught in details and with immense spiritual wealth as esoteric lessons in the Egyptian initiatory schools.

After these lessons the hermetic lessons followed. One can understand with the senses and with the reason what I have said. One can only understand what in the hermetic lessons was offered if one has achieved the first degree of chelahood. Then one gets to know that special script which is not an accidental and arbitrary one but echoes the great laws of the spiritual world. This script is not like ours an external image which is fixed arbitrarily in single letters and members, but it is born out of the spiritual law of nature because the human being who is expert of this script is in the possession of these laws of nature. Thus all his ideation is following a set pattern in the psychic and astral space. What he imagines he imagines in the sense of these big characters. He is able to do that if he gives up his self. He submits to the eternal laws. Now he is over his hermetic lessons. He is admitted to the first stage of a more profound initiation. He has to experience something in the astral world, in the real soul-world that has a significance extending over the world cycles. After he has attained the capacity that the astral senses fully work, so that they work down to the etheric body, he is introduced in a deep secret of the astral world for three days. He experiences in the astral world what I have described to you as the origin of the earth and the human being last time. He experiences this descent of the spirit, this separation of sun, moon and earth and the origin of the human being, he has this whole sequence of phenomena before himself. At the same time, he has them before himself in such a way that they become a picture. And then he comes out of the temple. After he has gone through this great experience in the initiatory school, he steps among the people and tells what he has experienced in this psychic and astral world. This story runs approximately in such a way:

Once a divine couple, Osiris and Isis, was combined with the earth. This divine couple was the regent of everything that happens on earth. But Osiris was persecuted and dismembered by Typhon, and Isis had to search for his corpse. She did not bring it home, but at different places of the earth Osiris's graves were laid out. There he descended completely and was buried in the earth. There a ray of the spiritual world radiated on Isis, fertilising her to the new Horus by an immaculate conception.

This image was nothing else than a big representation of what we have just got to know as the emergence of the sun and moon, as the separation of the sun and moon and as the origin of the human being. Isis is the symbol of the moon; Horus signifies the earthly humanity, the earth itself. When humanity was not yet provided with warm blood, when it was not yet covered with the physical body, it felt in big images what occurred in the soul-world. It was prepared to receive the big truths in such images from the great initiates in the beginning of the Lemurian, Atlantean and Aryan developments. Hence, these truths were not simply arranged, but were given in the picture of Osiris and Isis. All great religions which we find in antiquity were experienced by the great initiates in the psychic space. These great initiates came out and spoke to the people in the way how it could understand, namely in images of that which they themselves had experienced in the initiatory schools. This was in antiquity that way. Only because one was in such initiatory school one could ascend to the higher astral experience.

With the emergence of Christianity this changed. It represents a significant incision in the development. Since the appearance of Christ, it was possible that one could be initiated as a nature initiate as one also speaks of a nature poet. There are Christian mystics who had received the initiation by mercy. The first who was called to bring out Christianity all over the world under the effect of the saying “happy are they who find faith without beholding me” (John 20:29) was Paul. The appearance on the road to Damascus was an initiation outside of the mysteries. I cannot deal with further details.

To all great movements and cultural foundations the great initiates gave the impulses. A nice myth has survived to us from the Middle Ages which should show this in a time when one did not yet ask for materialistic reasons. The epic originated in Bavaria and, hence, has taken on the dress of Catholicism. We want to realise what happened at that time in the following way. At that time the so-called urban culture, the modern bourgeoisie originated in Europe. The mystic understood the further development of humanity, the advance of every soul to the next stage as the advance of the soul, of the female in the human being. The mystic sees something female in the soul that is fertilised by the lower sensory impressions of nature and by the eternal truths. In every historical process the mystic sees such a fertilisation process. The big impulses for the progress of humanity are given by the great initiates. Somebody can notice this who looks deeper into the evolution of humanity who beholds the spiritual forces behind the physical phenomena. Thus the medieval world view also attributed that rise of the soul to higher stages during the new cultural stage which was caused by the cities. This urban development was achieved because the soul took a leap forward in history. It was an initiate who caused this leap. One attributed all big impulses to the great lodge of the initiates who surrounded the Holy Grail. From there the great initiates came who are not visible to the external human being. And one called that person Lohengrin who provided the urban culture in those days with an impulse in mediaeval times. This is the emissary of the Holy Grail, the great lodge. And the urban soul, the female principle that should be fertilised by the great initiates is suggested by Elsa of Brabant. That who should mediate is the swan. Lohengrin is brought by the swan to this physical world. The initiate must not be asked for his name. He belongs to a higher world. The chela, the swan, provided this influence.

I could only suggest that the big impact was symbolised again for the people in a myth. The great initiates worked that way and put into their teachings what they had to announce. Also those worked this way who founded the elementary culture of humanity: Hermes in Egypt, Krishna in India, Zarathustra in Persia, and Moses in the Jewish people. Then again Orpheus, Pythagoras and, finally, Jesus worked who is the initiate of the initiates who carried Christ in himself.

With it only the great initiates are called. I have tried to characterise their connection with the world in these explanations. What has been described with it is still abstruse to many people. But those who themselves felt something of the higher worlds in their souls looked always up not only to the spiritual worlds but also to the leaders of humanity. Only with this point of view they were able to speak so enthusiastically like Goethe. But you also find something of a holy spark with others, which leads us to this point which spiritual science should give us again. You will find it with a German, with a young sensible German poet and thinker whose life looks like a blissful recollection of a former life of a great initiate. Who reads Novalis (pseudonym of Friedrich von Hardenberg, 1772-1801, German poet and philosopher) feels something of the breath which leads to this higher world. It is not so pronounced as usually, but it is something in him that also the magic words have. That is why he wrote the nice word of the relationship of our planet to humanity, which applies to the lower, undeveloped human being as well as to the initiate:

Humanity is the sense of our earth planet, humanity is the nerve that connects this earth planet with the upper worlds, and humanity is the eye with which this earth planet faces the heavenly kingdoms of the universe.

Answer-to-Question

Question: Why did Christ not leave writings behind?

This is just the basic difference between him and the former founders of a religion. Christ says: “I am the way, the truth and the life.” The other founders of a religion were way and truth. They announced what should be done and believed, as Moses did, for example. If we study the ancient religious confessions, we find no difference of the contents, no difference between Christianity as doctrine and the other great religions. Who knows the Egyptian religious system in its deepness finds everything that is included in Christianity also there. That applies to all religions. Christianity is still something absolutely new, not as a doctrine but as a fact. Hence, I have called my book: Christianity as Mystic Fact and the Mysteries of Antiquity (CW 8). The appearance of Christ signifies something that is termed “blessed” (selig), filled with the soul (Seele). Now everybody should become blessed who was connected in faith with the founder. Christ descends to the valley and becomes a human being among human beings. He teaches nothing new, but he lives in the immediate existence, in the innermost personality in that which the others taught. What the others taught was the Logos, the divine truth. If you study Buddha, if you penetrate the lofty teachings of Hermes or of the Vedas, you have external sayings of the divine creator's word. The Logos became doctrine there.

Before I close the lecture cycle of this winter with a picture of the human future and human ideals, I would like to talk of the present cultural life as it expresses itself in one of the most significant and most typical spiritual heroes of our time.

Not from the literary, not from the aesthetic point of view, but from the world view I might speak of Ibsen's attitude; for really everything expresses itself just in Ibsen that the deepest and best spirits of the modern time feel and think.

One has often said that every poet is the expression of his time. Indeed, this sentence holds good, but only if one gives it the quite special contents, it can be understood. Just as Homer, Sophocles, and Goethe were expressions of their time, it is undoubtedly Henrik Ibsen (1828-1906, Norwegian playwright and poet) for the present, and nevertheless how differently our time does leave its stamp on him as once on those personalities.

In order to recognise how completely different the time was around the turn of the 18-th century, the time of Goethe, Schiller and Herder, and how differently our time expresses itself, one needs to put two things next to each other only. Goethe still rounds off the second part of his Faust, seals it and leaves it behind as a big will of his life. After his death he leaves a legacy behind to the human beings, shining into the future, full of forces in the confidence: “the traces of my days will survive into eternity” (Faust II, 11583-11584). A human being who is basically the representative of the whole humanity stands before us in Faust. We cling to him; he fulfils us with purpose in life, with life-force. Beyond his death Goethe points out that to us. Faust cannot become outdated; we find deeper and deeper truths in it. We feel it as something living on, something that we have not exhausted: this is an end of his life pointing to the future.

Henrik Ibsen consciously finished his life work long before his death with his drama When We Dead Awaken (1899). What has fulfilled human beings for half a century, what existed in revolutionary and other ideas penetrated Henrik Ibsen's soul. He described what the hearts moves what separates them, fighting the struggle for existence in a way never seen before. This drama appears as a big review and stands there like a symbol of the artist himself. He was a hermit in the human life, a hermit in his own life. For half a century he looked for human happiness and truth, did not save any forces to get to light and truth, to the solution of the big riddles of life. Now he himself awakes, feels what lies behind him as something dead, and he decides to write nothing more. It is a review that points only to the transitory; what he longed for appears to him as something mysterious, something unreal the ideals collapse behind him. Because he awoke, he is at his wits' end. This is the poet who is the representative of our time, the poetically greatest one. This life balance is a criticism of everything that we have a give-up and at the same time an awakening from and at the criticism of our time. An immense overview of the modern life expresses itself in this drama; if we realise it, we understand the tragic in the personality of the poet. For Henrik Ibsen is a tragic personality.

If one wants to understand him completely, one has to understand him as representative of our time. Hence, do not consider it as academic sophistry if I try at first to conceive the nerve of our time; for Henrik Ibsen is an expression of it. A word characterises our time and also the whole Ibsen, this is the word “personality.” Goethe also probably said: “personality is the highest happiness of the earth children only.” But, nevertheless, it happens with Ibsen quite differently. Ibsen is completely a child of our time, and from here we understand him best of all.

Remember how differently the personality stands there in ancient Greece. How does Oedipus stand there? What moves the destiny of Oedipus goes far beyond his whole house. We have to make connections with quite different regions: his destiny extends beyond his individual personality, it is lifted out above personality however, the personal is not yet lifted out from the moral connection with the whole world. This is different from today: we have now to search for the centre in the personality that destiny relocated in the personality. Bit by bit we can pursue this. With the emergence of Christianity it happens that the urge of individuality wants to satisfy itself. The personality wants to be free, free before the highest, before the divine. The connections are torn, the personality shifts for itself. During the Middle Ages, personality tries to understand itself.

How deeply the whole environment is yet connected with the personality in Greece! How the human being grows out of his surroundings! He is born out of the whole universe. The external configuration of the Greek life, however, is like a piece of art: Plato creates a state idea in which the single human being should adapt himself like a limb to the whole body. Christianity brings another ideal; but this new one is purchased by the price of the relationship with nature, one seeks above nature. The Christian searches what should release his personality in something that reaches beyond personality. Even the individual Roman felt as a member of the whole state: he is a citizen first, and then he is a human being. In mediaeval times, a tendency prevails that looks out over the environment, looks up to a yonder world which one clings to. This makes a big difference for the whole human thinking, feeling and willing. This continues that way up to modern times.

The Greek, the Roman citizen lived and died for what surrounded him what lived in his outside world. In mediaeval times, something of a divine world order still lived, indeed, not in the environment, but in the “Gospel of the Good News,” and expressed it like in a mirror. In the best as in the simplest souls, in the mystic as in the people this divine world order was alive. It is something that is given from without, indeed, but that lives as something emerging in the soul. What happens in the world of stars as God's will fulfils the soul substantially: one knows what is beyond birth and death.

Let us take the new time and look from the artistic point of view at Shakespeare. What finds expression in Shakespeare's dramas and lives in these dramas is the character first of all. Something like that does not exist in Greece and in mediaeval times. Shakespeare's dramas are character dramas; the main interest is directed to the human being, to that what happens in the depth of his soul, as he is put into the world.

The Middle Ages had no real drama; the human beings were occupied with other interests. Now the personality emerges but with it all the uncertain, all the incomprehensible of personality emerges at the same time. Take Hamlet: one can hear so many different interpretations about that from so many scholars. About no work so many books were probably written. This is due to the fact that this character itself has something uncertain. It is no longer a mirror image of the outside world, also no longer a mirror of the Good News.

The whole point of view of the modern times takes on this character. Have a look at the figure of Kant (1724-1804, German philosopher) how everything is put into the personality. What he says would be possible neither in mediaeval times, nor in antiquity. It is something quite uncertain that he represents: act in such a way that your action could become the guideline of the community. But this ideal remains something quite uncertain. He says: we cannot recognise, we have limits that we cannot overcome with our reason; it only feels something dark that urges and drives. Kant calls it the categorical imperative.

The Greek, the medieval human being had sharply outlined ideals. He knew not only that he should live like the other human beings in their sense: they lived in his blood. This had changed: a categorical imperative which has no right contents positioned itself before the reason; nothing fills this soul with particular ideals. Thus it was in the 18th century.

Something that asks for certain ideals awoke in our classical authors. It is interesting that Schiller who was a not less harsh critic of his time like Ibsen we take the Robbers: Karl Moor wants something certain, he wants to create human beings who change their time, do not practise only criticism , it is interesting that Schiller trusts in the ideal and says: whatever the world may be, I put human beings into it who set this world on fire.

Even more significantly this comes to the fore with Goethe in his Faust. Goethe appears here as a spirit who looks into the new aurora.

But now there came the 19th century with its demand for freedom, for personality. What is freedom? In which respect should the human being be free? One must want something certain. But it was freedom in itself, which one wanted. In addition to that, the 19-th century had become the most rationalistic one. The human beings see their surroundings; but no ideal pours out of them; the human beings are no longer borne by ideals. The human being stands on the peak of his personality, and the personality has become self purpose. Hence, humanity can no longer distinguish two concepts today: individuality and personality; it does no longer distinguish what must be separated.

What is individuality? Individuality is that what appears full of contents in the world. If I have a future thought, full of contents, and imagine what I insert into the world, my personality may be powerful or weak, but it is the support of these ideals, the cover of my individuality. The sum of all these ideals is the individuality which shines from the personality. The 19th century does not make this differentiation; it considers the mere powerful personality, which should be, actually, a vessel, a self purpose. That is why the personality becomes something nebulous, and with it also that becomes nebulous which was as clear as ether once. Mysticism was called mathesis once because it was clear like two times two. The human being lived in such spiritual contents, he took stock of himself and found something that was higher than personality: he recognised his individuality. The 19-th century cannot understand mysticism, one talks of it as something unclear, something incomprehensible. This was necessary: the personality had to be felt once like a hollow skin. One speaks mostly of personality, however, the real personality exists least of all. Where the personality is fulfilled with individuality, one speaks of it least of all because it is a matter of course. One talks mostly of that what is not there. If, hence, the 19th century talks of mysticism, it speaks of something unclear. We understand why this happened that way.

As a son of his time Henrik Ibsen deeply looked down into this personality and this time. Like an honest truth seeker he strives for the true contents of the personality, but as somebody who is completely born out of his time. “Oh my eye is dazzled by the light to which it turns.”

How would have an old Roman spoken of the right? It was a matter of course to him; as little as he denied the light, he would have denied the law. With Ibsen one reads: “Right? Where is it valid as right?” Everything is determined by power to a greater or lesser degree. Thus we see Henrik Ibsen as a thoroughly revolutionary spirit. He looked into the human breast, and he found nothing there, everything that the 19th century offered was nothing to him. He expresses it: oh how have these old ideals of the French revolution lost their strength; we need a revolution of the whole human spirit today! This is the mood expressing itself in Ibsen's dramas.

Once again let us consider the ancient times. The Greek felt well in his polis, the Roman in his state, the medieval human being felt as a child of God. How does the son of the modern time feel? He finds nothing around himself that can support him. The Greek and the medieval human being did not feel as lonesome human beings, with Ibsen the strongest man is the most lonesome one. This feeling of loneliness is something absolutely modern, and Ibsen's art arises from it. This concept, nevertheless, which speaks from Ibsen's dramas: we must appeal to the human personality, is nothing clear. These forces in the human being which must be uncovered are something uncertain, but we have to turn to them. Ibsen tries to understand the human beings around him in such a way. However, what else can one see in such a time than the struggle of the personality which is torn out from all social connections? Yes, there is the second possibility: if the human being is still connected with the state, with his surroundings, his personality bows to that, denies itself. However, what can these connections mean to the human being even today? They were true once, now the human being shifts only for himself and disharmonies originate between the personality and the surroundings.

Ibsen has a decided sense of the untruth of these connections between the human being and his surroundings. The seeker of truth becomes the rigorous critic of the lie. Hence, his heroes become uprooted personalities, and those who want to produce the connection with their surroundings must become enslaved by the lie, can do it only by deception of their self-consciousness. In the dramas of the middle time this attitude can be found. We see this if we let pass by Brand (1866), Peer Gynt (1867), and Emperor and Galilean (1873) before our eyes. We find a tip to three ages in the latter drama. The first is that which we have characterised before, that of the past when the external form held good so much. Emperor Julian looks into the second, that of the Galilean, which shows an internalisation of the soul. But a third age is said to come when the human being has ideals again and coins them from within to the outside. Destiny once came from without. What must be longed for is the internal ideals which the strong human being can impress to the world; he should be an emissary not reproduce, but shape, create. The third world age in which the ideal comes into its own is not yet attained. In the loneliness, the human being finds it in his soul, but not in such a way that it had force and power to fashion the world. This unification of Christianity with the antique ideal is the reverse way. But Ibsen put this ideal on a weak soul which collapses; Julian is still the human being of the past.

On the other hand, we have to do it with the human being who rests on the only formal, on the hollowed out personality. Nothing is more typical for Ibsen than the way he put the hard gnarled figure of his “Brand” into our time. He is not despotic and autocratic, but he is torn out of the connection with the environment. He stands there as a clergyman, surrounded by people to whom the connection with the divine had become a lie. Beside him a clergyman stands who only believes what he believes because he generally has no strong religious feeling.

An ideal which is a higher one must be able to work on all human beings. The theosophical ideal of brotherliness immerses the human acting in mildness and benevolence and regards every human being as a human brother. As long as this ideal is not yet born and the human being must rest on the fragments and leftovers of the old ideals which mix personality and individuality, he appears as hard and sturdy. Who puts up the personality ideal in such a way becomes hard and sturdy like Brand, and it must be that way. Individuality connects, personality separates. Nevertheless, this passage through the personality uncovered forces which had to be developed and would not have emerged, otherwise. We had to lose the old ideals, to regain them once on a higher level. A poet like Ibsen had to reach into this personality and to describe it as a hollow one as he does it brilliantly in the League of Youth (1869).

He explained what works on the personality, what it should only present in his later dramas in which he becomes the positive critic of the time like in the Pillars of Society (1877).

He shows us the personality in conflict with its surroundings in the Ghosts (1881). During the conflict with her surroundings Mrs. Alving must lie where she seeks for truth to bring her son in a clean atmosphere. Thus fate befalls her like the ancient Greeks. Ibsen lives in the sign of Darwin, and this Oswald stands not in a spiritual, ethical connection with the past, but in that of heredity. The personality, as far as it is soul, can only be torn out from its surroundings; the corporeality is connected with the physical heredity, and thus a fate befalls Oswald Alving pouring out only from the physical laws like a moral, spiritual-divine fate befalls the antique hero.

With it Ibsen is completely a son of his time. However, he also shows that way what of this personality is justified of the personality which should again become an individuality maybe later.

In an especially typical way this problem faces us in the woman. Nora lives as it were at A Doll's House (1879) and grows out of it, seeking for the way to individuality. All old world views have stated an individual, natural difference between man and woman, and this reproduced till our time. The passage had just to be found by the personality to remove this. Only as personalities man and woman are opposing each other on the same level; not until they find the same in the personality, they are able to develop the same individual, so that they go once as companions toward future. As long as one got the ideals from without, they were connected with the natural, and the natural was rooted in the difference between man and woman which can be compensated only in the soul. From nature this contrast was brought into religion still in mediaeval times, while it yet had an echo of the natural in the divine.

You find the male and female principles in the old religions side by side as something that flashes through the whole being, lives and works in nature. We find it in Osiris and Isis, in God Father and Mary. Only when one had cast off the nature basis, when one got to the soul and emancipated this soul, the personal in the human being finally managed to get to freedom by that which is not connected with the differentiation of man and woman. So only the contrast of male and female was overcome. And the poet of personality also had to find the typical word for it. Thus that differentiation grows up as a problem in him in such dramas like A Doll's House, Rosmersholm (1886) and The Lady from the Sea (1887).

We see how Ibsen is connected with everything that constitutes the greatness, even if the emptiness of our time. The more Ibsen looked into the future, the more he felt how the emptiness must happen if the personality is emancipated, is detached from its divine-spiritual connections. Thus Ibsen himself faces the problem of personality in The Master Builder (1892) with the big question to the future: we have freed the personality to what end? Something uncertain remains with this search for the essential. As a real truth seeker he represents this unknown like in an allegory in The Lady from the Sea. She gets free for the old duties. However, one has to continue asking: to what end? This is shown in the drama symbolically in a marvellous way.

When he tries to look even farther into the riddles of life in Little Eyolf (1894), in When We Dead Awaken, something deep disappears to him in the human heart in which he believed before. Desperation seizes the sculptor in When We Dead Awaken who tried to catch the ideal. He cannot yet form the free human being: animal grimaces rise before him. He tries to form something creatively that lifts him out of them, a resurrection however, always the grimaces push themselves to the fore, position themselves before the picture. When he realises that he cannot overcome them, he awakes and sees what is missing for our time, what it does not have. A tremendously tragic moment is put before us in When We Dead Awaken.

Thus Henrik Ibsen is an intrepid prophet of our time: he still feels in the deepest heart, assured of a good future, that there must be something that reaches beyond personality; but he is quiet, and this silence has that tremendously tragic in itself. Who familiarised himself with what stands out in the personality beyond birth and death who made himself familiar with the big law of karma finds new contents also in the personal. He establishes a new ideal; he overcomes personality and makes himself the confessor and lord of this big law of retribution.

The antique human being trusted in the reality around himself; he built up the supports of his soul on it. The Middle Ages experienced the ideal in the innermost soul. The modern human being has descended to isolation in the personality, to egotism. He still feels the categorical imperative but as something uncertain, dark. He strives for personal freedom, but the question imposes itself on him: to what end should the personality be freed?

The old ideals say nothing more to our time; something new must arise.

It is the purpose of the theosophical world view to bring freedom about which does no longer depend on personal arbitrariness, which combines again with divine ideals. It is the spiritual, theosophical life and world view to contribute to it, to build up this future.

Only if the best of our time point to this theosophical, spiritual-scientific world view being rooted in the cosmic reality, it gets the significance which it must have. If a great man is quiet in tragic modesty, one like Henrik Ibsen who has aroused the minds, this is such a suggestion.

In the days of the 19-th century drawing to an end he wrote his When We Dead Awaken. Now then, the time has come that to us dead human beings Goethe's saying comes true:

As long as you don't have
This dying and growing,
You are any dull guest
On the dark earth only. (From West-Eastern Divan)

The time has come that we live again, that we become personalities again but emancipated personalities: individualities.

In the talk on the great initiates fourteen days ago, I allowed to myself to point to the fact that the great initiates are basically the supporters of the future ideals of humanity and that their force, their mode of operation consists in the fact that they entail as their secret, have taken up as their mystery and put it into the ideals in an appropriate way what becomes obvious to the whole remaining humanity only in future. So that the idealism of humanity, the future ideals of our race are expressions of the masters' profound knowledge of the big spiritual world principles. I pronounced at that time that the theosophical ideals which come from the masters themselves differ from the ideals in life and that they come from a real knowledge of the principles of nature and not possibly from sensations such like: it should be that way, it is right that way et etcetera

At that time, I pointed to the fact that this is not prophecy in the bad sense of the word. It is a kind of indication of the future as we have it also in the natural sciences. As well as we exactly know from the knowledge of the material laws of hydrogen and oxygen that they combine under certain conditions and yield water, it is also with the spiritual laws, so that we can say which the ideals of the human future are. The developmental law leads the human being into the future. The initiate has to consciously get out of the knowledge of the big world principles what he wants for the future. This was one indication of the present talk given already fourteen days ago. The other indication I gave in the talk about Ibsen's attitude. I showed how Ibsen points brilliantly to the configuration of the personality in our time and how he characterises what has developed in our time and that he points to something higher that overcomes the personality what we call individuality in theosophy.

We stand actually at a turning point today. The great results of natural science have shown us how on one side the materialistic observation has brought the biggest fruits, how Darwinism and materialism extend into our time and we have to thank to them for a big cultural progress; but on the other side that also currents assert themselves preparing the future. New ideals arise just in the most excellent spirits. Indeed, these spirits who point to a distant future are not the so-called practical spirits, but the world history advances differently than the practical people fancy it. I have pointed to a pillar of idealism, to Tolstoy before. Today, however, I would still like to point to a western spirit, to Keely (John Ernst Worrell K., 1827–1898, inventor of a motor, based on “vibratory energy”), the great mechanic who furthers us although his mechanical idea is not yet a practical one. Some questions are connected with it which may appear fantastic to the materialist. But at the same time we want to get to know an idealism that is of another type than that of the everyday life. It is the same that lived in the mysteries once. What we spread today in popular talks lived up to the foundation of the Theosophical Society in 1875 in the so-called secret schools. I have pointed to the Rosicrucians repeatedly; also to the fact that one can scholarly find nothing about the real secrets of the Rosicrucians. Goethe was in close contact with the Rosicrucians; in his poem The Secrets he expressed this clearly. We have taken all that from the past talks.

We want to occupy ourselves with those big world laws which were announced in the mysteries as the world laws of the future, as those world laws which the human being has to conform to unless he wants to blunder into future in the darkness, but that he is aware to face these or those future events as well as the naturalist who goes to the laboratory knows that if he mixes certain substances and combines them, he receives certain results. This, explained popularly, can be heard only since 1875, since the foundation of the Theosophical Society. That is why it cannot surprise us that the academic literature contains nothing of these ideals of the future.

Now the question could arise, and this question has often been put: Are these the unworldly idealists generally who are apparently far away from any practise, who think out the thoughts of future, which support life, first in their heads? Can they be these? Has life not to be born from practise? Nevertheless, they spin out thoughts only, they are daydreamers, and want to bear the future? Only somebody who knows how one has to use the things of the everyday life is able to intervene, and it is to him to intervene in the practical life. Let me pick out examples of the pragmatist and the idealist as a small intermezzo and show that the pragmatists did not cause the great and real progress, but that these were the theorists who created from the plenty of ideas and also brought about the future in the everyday life.

Take the discoveries of the 19th century. Wherever we go we can find nothing that does not remind us of the steam power, of the telegraph, of the telephone, of the postal system, of the railway et etcetera But no practitioner has invented the railway. How have the pragmatists faced up to it? An example: when in Germany the first railways should be built, when the railway should be led from Berlin to Potsdam, this made a lot of brainwork to the Prussian Postmaster General von Nagler (1770–1846). He said: I send six to seven mail coaches to Potsdam a day which are not even completely used. Instead of building a railway there, they should rather pour money down the drain. The vote of the Bavarian medical board which was asked about the medical effect of the railway was approximate in such a way: one should build no railways, because people could thereby cause serious impairments to themselves. If one built them, however, one should raise wooden walls at both sides at least, so that those who pass do not become dizzy by the sight of the rapid trains. This was in 1830.

Another example is the postage stamp. Rowland Hill (1795–1879), a private citizen in England, had this idea first, not a practitioner of the postal system. When in the parliament in London this proposal should be negotiated, the chief post official argued that the post-office buildings would be too small because of the increasing mail dispatch, and one had to answer to the practitioner that the post-office buildings had to comply with the traffic and not vice versa the traffic with the post-office buildings. The telephone is also no invention of a practitioner. It was invented by the teacher Philipp Reis (1834–1874) in Frankfurt on the Main. Then it is developed further by Graham Bell (1847–1922), a teacher of deaf-mute. It was invented by real theorists. This was also the case of the electromagnetic telegraph. It was invented by two scholars, by Gauss (Carl Friedrich G., 1777–1855, mathematician) and Weber (Wilhelm Eduard W., 1804–1891, physicist) in Göttingen.

With some great examples I wanted to show that never the practitioners were those who brought the real progress of humanity. The practitioners cannot assess what belongs to the future. They are the real conservatives who counter all kinds of obstacles to any thought concerning the future. One can feel a certain accentuation of the exclusive skill and sense of authority so easily with the practitioners.

I said this in advance to show that the ideals do not arise from the practical, but are supported by those who are imbued with a higher spiritual reality. However, this was only an intermezzo.

You remember the lecture about the origin of the human being where we as theosophists ascribed a very early origin to humanity. We search for this origin much farther back than the scientific documents can lead us. May it seem fantastic that this origin was traced back up to the separation of the earth from sun and moon: somebody who becomes engrossed in the method which theosophy makes available finds that these are no fantastic ideas, but concrete realities like the tables and chairs in this room. Who becomes engrossed in the laws of the past that way and sharpens his look with the spiritual development at the same time can get to know the laws from the knowledge of the past which belong neither to the past, nor to the present, nor to the future, but to the all-time. If one has brought it so far that he has attained the initiation up to the degree which I have characterised in the talk on the great initiates, then the world laws appear before the spiritual look, world laws according to which the development takes place which need, however, the human being to be realised. Just as the chemist has to mix the substances first to let play the laws of nature, the human being has also to mix the substances to help the big world laws to the road of success. On the basis of such world laws, two matters should occupy us today: the distant future at which we look so that we do not keep to the few historic millennia and a short interval if we see into the future with the everyday look.

We want to see into in the more distant future as we have seen into in the distant past. We also want to understand our task in the future from the theosophical point of view. We have seen that another humanity preceded our present humanity. We went back to the older races which lived under other living conditions and with other abilities. The task of our race is to develop the inferring reason. While we have the logical thinking, counting and calculating, that which enables us to get to know the laws of the external physical nature and to use them in technology and industry, it was substantially different with the Atlantean race.

Memory was the basic force of this race. The present human being can hardly imagine which extent memory had with the Atlanteans. They could count only a little. Everything was based on the connection which they formed by memory. For example, they knew three times seven by memory, but they could not calculate that. They knew no multiplication tables. Another force which was developed with them but is to be understood even more difficultly was that they had a certain influence on the life-force itself. By a particular development of the willpower they could win an immediate influence over the living, for example, over the growth of a plant.

If we go back even farther, we come to a continent which we call Lemuria. The natural sciences admit this continent which was at the position of the present Indian Ocean, although they do not assume human beings but lower mammals as population on it.

We get to quite different stages of development now. Who has followed the lecture about the earth evolution some weeks ago knows that we get to a period when the human being was still a hermaphrodite, when the single being was male and female at the same time. In myths and legends, this original hermaphroditism was still preserved in the consciousness of the peoples. The Greeks originally regarded Zeus as hermaphrodite. One said that he was a beautiful man and a beautiful maiden at the same time. In the Greek mysteries the hermaphrodite human being still loomed large; he was put as a unity of the human being. The uni-sexual human being originated from the process I have described. We follow up the process as it represents itself to the seer in the worlds which give an insight into these matters by the means of practical mysticism to be explained another time.

If we follow up the human being in such a way, we see that he goes through that again now only consciously which he already completed unconsciously in former periods. We meet the human being at that time in such a way that his external material cover is thin. At that time, the earth was still in a high temperature state. The substances entered and went out of the human being; it was like a kind of inhaling and exhaling. He lived that way without perception moving through the senses; like pictures surging up and down as with the dreamer, the sensory impressions passed him by. If such a human being who was basically a soul human approached an object or being dreamily, clairvoyantly, he could not perceive this object or this being with the eyes, he could not smell the smell, but he approached the being, and it was by a force which I cannot further describe today that a vision rose in him. A world in his soul answered to the outside events. It was approximate in such a way, as if you have a clock before you, and you do not perceive the clock but the ticking of the clock.

Or you topple a chair in sleep and dream of a duel. This is chaotic today, so that it has no significance for us. However, this must be transformed again to clairvoyance, and then it has significance again. If you approached a human being in those days who had a bad emotion in himself, a picture rose in your soul that had dark colour nuances and was a reflection but not a perception of the external reality. The pleasant relation was reflected with bright nuances. Only by the fact that the human being received the gates of the senses the soul pictures changed into perception. He connected his ability to form colour pictures with the outer reality. The physicist says today that nothing else exists than the vibration of matter, and colour is the answer of the soul to vibrations. When the human eye was developed, the human being moved that on the outer objects which surged up and down as pictures in the soul. Everything that he perceived of his surroundings was basically nothing else than a spread of the soul pictures across the outer world.

In the further development the human being penetrates the higher worlds consciously and not in fugue states where he perceives the soul-world around him. Nothing else is initiation than developing up to this level. What the mystic can already develop today by certain methods in himself is developed in future with all human beings. This is the nature of the initiate that he already develops what is revealed to all human beings in future, and that he can at least indicate the direction of the future ideals of humanity. The ideals of the initiates thereby have a value that the unconscious ideals can never have. Then the human being moves between the soul things as he moves between tables and chairs today. Again and again I would like to emphasise that it is necessary for that who himself wants to advance to this level that he is absolutely firm concerning the developmental stage of humanity on which it stands now: He must be a person who is able to differentiate between speculative fiction and reality. Nobody can come to the higher world who indulges every fantasy but only somebody who stands firmly on the point of view of development which humanity has attained.

Another state is that in which the human being starts spiritually beholding or rather hearing what constitutes the deepness, the nature of the things. This is the so-called inner word where the things themselves say what they are. As well as only the human beings themselves can say to us what they are, there is an inner essentiality of all things. We cannot recognise this inner essentiality of the things with the reason, we have to creep into the things, become one with the things. We are able to do this only with the mind. We must combine with the things spiritually. The world thereby becomes that sounding world of which Goethe speaks and which I have often stated so that the human being rises to the higher regions, to the spiritual world or devachan; to that world in which the human being stays between death and a new birth. These are the worlds between death and a new birth.

Our earth is in its fourth cycle or in its fourth round. It has three rounds behind it. Three following rounds develop higher capabilities of the human being. What I have just described forms soon; and the principal race which follows ours has substantially different qualities. In the middle of that period it produces a human race which does not penetrate the physical world as deeply as ours and which casts off the uni-sexuality and becomes hermaphrodite. Then it will higher develop, until the development concludes. This will be in the astral. Then it will go through two cycles again. humanity has still to complete three such cycles. But we can only touch the next two ones.

We have to get the task of the present human cycle clear in our mind at first. We progress best of all if we put the question to ourselves: what task does the human being have on earth with his inferring reason? Clairvoyance and clairaudience are states that belong to former and later states of development. The human being now has the task to stand firmly in the physical life, so that humanity can get its goal. Theosophy should not lead us away from the physical basis; theosophy rises from the physical earth because it is also the expression of the astral and spiritual worlds. We do not want to lead to anything uncertain, unclear, we do not want to lead away from the physical reality, but we want to lead this physical reality to the right understanding, to the right comprehension. What stands behind the physical reality points to the task of the human being in the present cycle of development.

Consider what happens now. We call the present cycle the mineral one because the human being deals with the mineral world. The naturalist says: we cannot yet understand the plant world and considers the plant as a sum of mineral processes. He proceeds also with the animal that way. Even if this is a caricature of a world view, nevertheless, something forms the basis of the thing. He combines with his reason what is side by side in space and one after the other in time. Everywhere it is the reason which works on the dead, on the unliving and composes the parts. Begin with the machine and lead it up to a piece of art: the human being has this task in the present cycle of development, and he will complete it, so that he transforms the whole earth into his piece of art.

This is the task which the human being has for the future. As long as one atom is there which the human being has not worked through with his forces, the human task on earth is not yet completed. Who pursues the newest progress of electricity knows how the naturalist can have a look at the smallest parts of the mineral world because he controls the electric force still almost unknown fifty years ago. His task is to transform the unliving into a big piece of art. Hence, pieces of art existed long before the historical times, long before the Egyptians. Pursue this, and you understand that the present cycle signifies the spiritualisation of the whole mineral nature. Already the sensible naturalist says to us that it is not inconceivable according to our present knowledge that a time comes when the human beings are able to go even deeper into the nature of the material. This is a certain future perspective.

To those who have occupied themselves with physics a principle is memorable: future prospects are obtained because a big part of our technical work is performed applying heat, by conversion of heat to work. The theorist of heat shows us that always only a certain part of heat can be transformed into work or into that what is technically useful. If you heat a vapour machine, you cannot use all heat to create forces of locomotion. Imagine now that always heat is used for the work but a part of heat cannot be converted into work and remains behind. This is the state of heat which the heat engineer, the theorist of heat can show as a kind of death of our physical earth. There someone argues who occupies himself with the phenomena of life that then possibly the point in time may have come that life itself intervenes: that living machinery which masters the molecules and atoms quite differently with which we move our arm and set the brain in motion. This force could be able to work deeper on the material nature than the forces of transformation we know today.

This shows you an outlook that is not only a picture but something concrete and real for the clairvoyant who can pursue the spirit of development: He sees the whole earth transforming itself to a work of art. If this is achieved, then the human being has no longer anything to do in the mineral world, then he becomes free from all sides, then he can freely move, his soul does no longer stumble against the objects. This is the time when the earth enters the so-called astral state. As today already the engineer masters the outside world if he produces the machine which is filled with his mind, it is also with the human being. All that is there is the immediate product of his actions. We do not need to perceive what is our action what we ourselves formed. The senses have transformed themselves, and the astral state enters. This is the outlook: the mineral world stops with our earth cycle. Hence, we call the next cycle which the human being will finish, the cycle of plant existence. The whole earth will have cast off its mineral nature, and the human being will intervene like now with the mind in the mineral in the living with his soul-force. Then he will be the master of the plant world on a higher level, as he is now master of the mineral world. Then we get to that stage when the human being lives on a quite lively earth. However, we want to take this picture only as an approximate one; we want to be content to have obtained an outlook of the next cycle.

With it you have seen that the human being is on a course that leads him to another state absolutely different from ours that in him forces of such a kind are that can take on quite different forms in future. However, at the same time for somebody, who understands this, a feeling, a sensation combines with it which is basic for our whole life: what does the human being become if we consider him as a spring of such future forces? We face the human being quite differently about whom we know that the seed of this future human being slumbers in him. There our attitude toward him changes into the feeling that we have any human being as an unsolved riddle before ourselves. Deeper and deeper we would want to descend into the layers of the human nature because we know that they entail such deep things.

The theories are not important, even not that anybody imagines the plant cycle, but that we be in awe of any human individuality. Facing the human being as a god, who wants to leave his cover, we have understood something of the theosophical life, the theosophical life matters and not the theories. If we have certain ideas which show us what the human being can become and what he contains in himself, then our heart fills with that true love of the divine human being that the theosophical world view wants to accomplish. If we think it that way, we only understand the first principle of the Theosophical Society: forming the core of a brotherhood without differentiating sex, colour and denomination. What do these differences mean here?

You probably keep on asking: which significance have these images of humanity? How does this great ideal relate to our tasks? Is it not anything that belongs to a cloud-cuckoo-land, because it belongs to a future we do not experience? The human being has to utilise what he develops in himself. It is not without reason whether he lives on with the feelings, which I have just explained, or whether he lives into future only touching in the dark. Just as the plant bears the seed in itself of that which it is next year, the human being has to bear his future as a seed in himself. He can make this seed not full enough of content, not big enough. This applies also in the present. Since you have occupied yourselves with the social ideals and the plans for the near future of humanity, you know that almost anybody who reflects it has his own social ideal.

You ask yourselves if you look deeper into these matters: why do these ideals have so little power of persuasion? All the matters do not work and do not fit together. Both those who try to establish ideals of the future in a utopian way and those who want to do it with practical reason are not able to get to really great and radical points of view. All the social ideas, even the belief of big comprehensive world parties one can state this from profound points of view which are pronounced out of the consciousness of the sensuous world will never have any practical value. After fifty years, people will be surprised of these figments of imagination. The social ideal cannot be invented. Our thoughts or that which we obtain from our opinions, from our reason cannot form the basis of any social ideal. One has just to say: no social theory, whatsoever it may be, is fit to serve the welfare of humanity.

However, that is hard to verify. On the other side, consider the point in time in which we stand: The present has formed the personality. The personality is the characteristic, the significant of the human being. All the other differentiations, even that of man and woman, are overcome there. There is only the personality without any differentiation. We keep this in mind that humanity had to go through this point and that theosophy calls this personality lower manas: this is the power of thinking relating to the immediate world. The human being is a personality as far as he belongs to the sensuous world, and his combining reason belongs to the sensuous world, too. We have to raise everything to a higher stage that the human being can think with his reason and raises his personality if we want to understand it in its true being. That is why we also make a distinction between personality and individuality, between lower and higher manas. What is, actually, this lower manas?

Take the difference that exists between a modern human being and a simple barbarian who grinds the grains between two stones to prepare flour, and bakes bread then from it et etcetera With a very small expense of mental force the barbarian manages what fulfils his bodily needs. But civilisation advances, and what do we do basically in our time? We telegraph to America and let the same products come which the barbarian ground himself. All the technical understanding, what else is it than a detour to satisfy the animal needs? Still consider whether the reason accomplishes a lot of other things than to satisfy the everyday bodily needs. Does the reason become, therefore, anything higher, while it constructs ships, railways, telephones et etcetera if it produces nothing else than things to satisfy the everyday needs of the human being?

The reason is only a detour and does not lead out of the sensory world. Where, however, the spiritual world illumines this world: in the great works of art, in the original ideas which exceed the everyday needs, or where something of theosophy shines, then the human mind does not become only a manufacturer of that which is around it, but then it is a channel through which the spirit flows into the world. It brings something productive into this world. Every single human being is a channel through which a spiritual world pours forth. As long as the human being only seeks for the satisfaction of his needs, he is a personality. If he exceeds that, he is an individuality. We can find this spring only in the single individual; the human being is the mediator between the spiritual and sensory worlds, the human being mediates between both. This is the double way we can face the human being.

As personalities we all are on a par: the reason is developed somewhat less with the one somewhat more with the other. But that does not apply to the individuality. There the human being becomes a particular character; there everybody brings in something particular for his mission. If I want to know what he has to do as a personality in the world, what he can be on account of his genuineness as individuality, and then I have to wait, until through this channel something pours into this world from the spiritual world. If this influence is expected to take place, we have to regard every human being as an unsolved riddle. Through any single individuality the original spiritual force flows towards us.

As long as we consider the human being as a personality, we can control him: if we speak of general duties and rights, we speak of the personality. If we speak, however, of the individuality, we cannot squeeze the human being into a form; he must be the support of his genuineness. The human beings who live out their individualities know what humanity experiences in ten years. I am not allowed for my part to determine the child whom I educate, but I have to start from its mysterious inside that is quite unknown to me. If we want a social order, the single individualities must co-operate, and then everybody must be able to develop in his freedom. If we establish a social ideal, we bind this personality to this place, that personality to that place. The sum of that what exists is simply thrown together: however, nothing new comes into the world. Therefore, individualities have to go in; the great individualities must throw in their impact. There must be not laws, social programs from ideals of reason, but social brotherly attitude has to originate.

Only one social attitude can help us, the attitude that we face every being as individuality. We have always to realise that every human being has something to say to us. Every human being has something to say to us. We do need a social attitude, not social programs. This is absolutely real and practical. It is something that one can express in this talk, and it is that which theosophy establishes as a great future ideal. With it theosophy gains an immediate practical significance. If theosophy enters life, we give up squeezing everything into rules and regulations; we give up judging by norms, we accept the human being as a free and individual human being.

Then we realise that we fulfil our task if we put the right person to the right place. We do no longer ask: is he the best teacher who masters the teaching substance best, but we ask: which human being is he? One has to develop a fine feeling, maybe a clairvoyant talent whether the human being in question is with his being at his right place whether he is as a human being on his place. Somebody can understand his subjects of instruction completely; he can be a mine of information but unfit to teach, because he does not know what streams out of the human being what elicits the individuality of the other human being. Not until we refrain from rules and regulations and ask which human being is he, and put the best human being to the place where he is needed, we fulfil the ideals in ourselves which theosophy has brought. Somebody can also know a lot as a doctor but, nevertheless, it is crucial in the end facing the sick person which human being the doctor is. If theosophy intervenes directly in life, it must be that way.

Answer to Question

Question: What do you think of Dr. Eugen Heinrich Schmitt (1851–1916, philosopher)?

He faces theosophy friendly, has written something about theosophy, after he had published the writing about the secret of Hegel's dialectic. However, his way of thinking is an overly mathematical one, it is too constructive-mathematical, and is not enough based on observation. His way of thinking is also not enough tolerant toward other views.

Question: Where from do we know anything of the Atlanteans and Lemurians?

From the Akasha Chronicle. These are traces which any action leaves behind and which one can read long times backward. This Akasha Chronicle is absolutely a reality for that who can read it. However, it is difficult to read, and, besides, one is easily exposed to mistakes. To give an approximate idea of it the following may be said. If I speak here, the word fills the airspace. The oscillations correspond to the words. Who could not hear my words, but would be able to study the oscillations of the air, would be able to construct my words from the oscillations.

In the air these oscillations remain only a short time. In the astral substance, however, they survive longer. If the human being lives as a dreaming in such a way as the human being lives in the external reality, he can also see the psychic in the outer reality, he can also pursue the earth origin up to the astral origin of the earth. If the human being has attained the continuity of consciousness, and if he has this continuing consciousness during the night in the dream, he can see the concatenation of worlds, their origin and decay.

Question: What do you think of Karl Marx and his work?

What Karl Marx performed, applies to the time from the 16-th century till this day. It encloses the time of the emerging modern economic life and the developing industrialism. As far as production, consumption and what is connected with it is considered, theosophy can agree with Marx. However, the mistake which the Marxist makes is that he attributes everything to class struggle. It is a misunderstanding of the facts. The human being patterns, not the surroundings, not the relations of production. Can anybody state that the invention of the differential calculus depended on the relations of production? Certainly not. What has been performed, however, with the help of the differential calculus?

Question: Can a theosophist be a social democrat?

Yes, if he is also a theosophist with every step. Everybody has to decide for himself whether the social-democratic party is the desirable for the next time,

Question: Which task has art concerning the spiritual development of humanity?

The same as other activities. It helps to transform the whole world into a work of art, although also the single piece of art passes. However, we can ask whether these single pieces of art have no significance, and then we must say from the theosophical point of view that two things are to be considered with such a piece of art:

First the piece of art in space and secondly the force of the human being which had an effect. The force of the human being is the remaining. Art is something that has a still much higher significance.

Question: How does theosophy position itself to the Last Judgement and to the eternal punishments?

There are no eternal punishments in the theosophical view. There are only stages of development, karmic effects. However, the Last Judgement has a different significance. It signifies a certain point in time of that round I have spoken of in the talk. In this round the human being attains a certain level where he no longer gets any external impulse where he has overcome the sensuous completely where he has spiritualised the mineral-physical. What he has gained in the spiritual life appears as his tendency appears in the spirit. Hence, his tendency will be expressed in the external figure. The human being will carry that external figure which he himself has formed by his karma. The Last Judgement signifies nothing else than that this is impressed to everybody what he has in his soul. The human being can today hide what lives in his soul, then, however, this will no longer be the case.

Question: How does patriotism harmonise with the general brotherhood?

Patriotism is justified on a certain stage of development. What we put as the ideal of brotherliness is something bridging over. Both are compatible with each other. The activity of reason can have also individual moments, and because we mull over the individuality a certain moment happens there. Not any human being has his own logic, because the logic is something universal, nothing individual. However, these activities of reason take on an individual colouring. But the reason is not the individual.

Question: Why can a madman not control himself?

The madman is physically ill at first. The opposite of being mad is called being prudent that is to be able to harmonise his inner life with the surroundings. Who is not able to produce this harmony seems to be mad. If you wanted to behave on Mars as on earth, you would be a Martian madman.

Question: What do you think of the American books about hypnotism, magnetism?

What has a real significance is not to be found in these books. For the rest, these matters often are disadvantageous concerning health and in other ways as well. I can only advise against such matters the sharpest from the theosophical point of view.

Question: Has Christ really lived hundred years before the year one?

I stand here on the orthodox point of view. Others have made a mistake there to my way of thinking.

I have often emphasised here that the theosophical movement cannot disabuse us of the immediate reality, of the duties and tasks that the day imposes on us in this time. Now it must become apparent whether this theosophical movement finds the right words if it concerns to give us an understanding of the great spiritual heroes who are, in the end, the creators of our culture and education. During these days, everybody who counts himself among the German education directs his thoughts upon one of our greatest spiritual heroes, on our Friedrich Schiller (1759–1805).

Hundred years separate us from his earthly decease. The last big celebration of Schiller, which was committed not only within Germany, but also in England, in America, in Austria, in Russia, was in 1859, on his hundredth birthday. It was interlinked with jamborees, with devoted words to the highest idealism of Schiller. These were words that were spoken over whole regions of the earth. There will be again jamborees which are celebrated during these days to honour of our great spiritual hero. However, as intimate and sincere and honest as the sounds were, which were spoken in those days in 1859, so intimate and devoted and completely spoken from the heart the words will not be that are spoken about Schiller today. Education and the national view about Schiller has substantially changed during the last fifty years. In the first half of the 19th century, Schiller's great ideals, the great portrayals of his dramas settled down, slowly and gradually It was an echo of that which Schiller himself had planted, an echo of that which he had sunk in the hearts and souls which flowed in enthusiastic words from the lips of the best of the German nation in those days. The most excellent men of this time have exerted their best to say what they had to say. There the brothers Ernst and Georg Curtius, the aesthete Vischer, the linguist Jacob Grimm, Karl Gutzkow and many others united. They joined in the big choir of Schiller celebrations and everywhere it sounded in such a way, as if one heard anything from Schiller himself, anything of that which Schiller himself had planted.

We have to acknowledge to ourselves that this changed in the last decades. The immediate interest in Schiller has decreased because Schiller's great ideals do no longer speak so familiarly and intimately to our contemporaries. Hence, it may be a substitute that we bear in mind clearly and vividly what Schiller can still be for our present and future. It behoves the theosophist above all to take the big theosophical basic questions up and to ask himself whether Schiller has to do anything with these theosophical basic questions. I hope that the course of this evening shows that it is not pure invention if we bring together Schiller and the theosophical movement, if we theosophists feel called in certain way to care for the remembrance of Schiller.

What is our basic question, what do we long for, what do we want to investigate and fathom? It is the big question to find the way to that which surrounds us as sense-perceptible objects and to that which is beyond the sensuous, as the spiritual, the super-sensible that lives in us and above us. This was also an early question which moved our Schiller. I cannot get involved in details. But I would like to show one thing, nevertheless, that Schiller's life and work was penetrated by this basic question: how is the physical with the psycho-spiritual, the super-sensible connected? Schiller wanted to solve this problem from the beginning of his life up to the heights of his work, even through his whole work, which is the artistic and philosophical expression of this question. At that time, he wrote a treatise after he had completed his study of medicine. This treatise, a kind of thesis, which he wrote with the departure from the Karlsschule (elite military academy) addresses the question: which is the interrelation between the sensuous nature of the human being and his spiritual nature?

Schiller treats in this work emphatically and nicely how the spirit is connected with the physical nature of the human being. Our time has already outdistanced what Schiller answers to this question; but that does not matter with such a great genius like Schiller. It matters how he engrossed his mind and how he put up with such things. Schiller understood this in such a way that there no conflict may be permitted between the sensuous and the spiritual. Thus he tried to subtly show how the spirit, how the soul of the human being works on the physical, that the physical is only an expression of the spirit living in the human beings.

Any gesture, any form and any verbal utterance is an expression of it. He investigates at first how the soul enjoys life in the body; then he investigates how the physical condition works on the mind. Briefly, the harmony between body and soul is the sense of this treatise. The end of the treatise is brilliant. There Schiller speaks of death in such a way, as if this is no completion of life, but only an event like other events of life. Death is no completion. He says already there: life causes death once; but life is not finished with it; the soul goes, after it has experienced the event of death, into other spheres to look at life from the other side. However, has the human being already sucked out all experience from life really at this moment? Schiller thinks that it might very well be possible that the life of the soul within the body appears as if we read in a book which we peruse, put aside and take in hand again after some time to understand it better. Then we put it aside again, after some time we take it in hand et etcetera to understand it better and better. He says to us with it: the soul lives not only once in the body, but like the human being takes a book in hand again and again, the soul returns repeatedly to a body to make new experiences in this world. It is the great idea of reincarnation, which Lessing had touched shortly before in his Education of the Human Race like in his literary will, and which Schiller also expresses now where he writes about the interrelation of the sensuous nature with the spiritual nature of the human being. At the very beginning, Schiller starts considering life from the highest point of view.

Schiller's first dramas have an intense effect on somebody who has a feeling heart for what is great in them. If we ask ourselves why Schiller's great thoughts flow into our hearts, then we get the answer that Schiller touches matters in his dramas which belong to the highest of humanity. The human being does not always need to understand and realise in the abstract what takes place in the poet's soul if he lonely forms the figures of imagination. But what lives there in the breast of the poet when he forms his figures, which move there on the stage, we see this already as young people in the theatre, or if we read the dramas. There flows in us what lives in the poet's soul. What lived in Schiller's soul at that time when he out-poured his young soul in his Robbers, in Fiesco, in Intrigue and Love. We must take him from the spiritual currents of the 18th century if we want to completely understand him.

Two spiritual currents existed which influenced the spiritual horizon of Europe at that time. A term of the French materialism calls one current. If we want to understand it, we have to see deeper into the development of the nations. What seethed in Schiller's soul has taken its origin in the striving and thinking of centuries. Approximately around the turn of the 15-th to the 16-th century the time begins when the human beings looked up at the stars in a new way. Copernicus, Kepler, Galilei, they are those who bring up a new age, an age in which one looks at the world differently than before. Something new crept into the human souls relying on the external senses.

Who wants to compare the difference of the old world view of the12th, 13th centuries with that which arose around the turn of the 16th century with Copernicus and later with Kepler must compare what plays in Dante's Divine Comedy with the world view of the 17th, 18th centuries. One may argue against the medieval world view as much as one likes. It can no longer be ours. But it had what the 18th century did no longer have: it arranged the world as a big harmony, and the human being was arranged in this divine world order as its centre, he himself belonged to this big harmony. All things were the outflow of the divine, of the creativity which was revered in faith, in particular that of Christianity. The superior was an object of faith. It had to hold and bear. And this had an effect down to the plants and minerals. The whole world was enclosed in a big harmony, and the human being felt existing in this harmony. He felt that he can be released growing together and being interwoven with this divine harmony. He rested in that which he felt as the world permeated by God, and he felt contented.

This changed and had to change in the time when the new world view got entrance in the minds when the world was permeated with the modern spirit of research. There one had gained an overview about the material. By means of philosophical and physiological research one had received an insight into the sensory world. One could not harmonise what one thought of the sensuous world with faith this way. Other concepts and other views took place. However, the human beings could not harmonise their new achievements with that which they thought and felt about the spirit.

One could not harmonise it with that which one had to believe about the sources of life according to the ancient traditions. Thus something came up in the French Revolution that one can express with the sentence:”the human being is a machine.” One had understood the substances, but one had lost the connection with the spirit. One felt the spiritual in oneself. However, one did not feel how the world is connected with it; one did no longer have this. The materialists created a new world view in which actually nothing but substances existed. Goethe was repelled by such views like Holbach's Systeme de la nature, he found it empty and dull. But this world view of Holbach (1723–1789) was got out of the scientific view. It mirrors the external truth. How should the human being face up to it now who has lost the spirit? He has lost the connection, he has lost the harmony which the medieval human being felt, the harmony between the soul and the material. Thus the best spirits of that time had to strive to find the connection again or were forced to choose between the spiritual and the sensuous.

This was, as we have seen, Schiller's basic question in his youth, this interrelation between ideal and reality, nature and spirit. But the trend had torn up a deep abyss between the spiritual and the sensuous, it pressed like a nightmare on his soul. How can one reconcile ideal and reality, nature and spirit? This was the question.

This abyss had been still torn open by another trend, which issued from Jean-Jacques Rousseau (1712–1778). Rousseau had rejected the culture modern at that time up to a certain degree. He had found that the human being alienated himself by this culture, that he has torn out himself from nature. He had alienated himself from nature not only by the world view; he also could no longer find the connection with the spring of life. Therefore, he had to long for the return to nature, and thus Rousseau establishes the principle that basically the culture diverts the human beings from the true harmonies of life, that it is a product of decline.

At that time, the question of the spiritual, of the ideal had faced up the greatest of the contemporaries in new form: why should it not be there if they looked at life? In the time in which one felt the ideal of life so much, one had to feel the conflict twice if one looked at the real life as it had developed, and then at that which there was in the human society. Schiller's teens were in this time. All that towered up; and Schiller had to feel that as disharmony. His youth dramas originated from this mood. Back to the ideal! Which is the right social existence which is decreed to us in a divine world order? These are the feelings which lived in Schiller's youth, which he expressed then in his dramas, in the Robbers, in particular, however, also in the court dramas; we feel them if we take in the great drama Don Carlos. We have seen how the young doctor Schiller put the basic question of the interrelation between the sensuous and the spirit, and that he put it as a poet before his contemporaries.

After the hard trials which he was exposed to on account of his youth dramas he was invited by the father of the freedom poet Körner (Christian Gottfried K., 1756–1831) who did everything to support the cultural life. Körner's fine philosophical education brought Schiller to philosophy, and now the question arose philosophically before Schiller's mind anew: how can the interrelation of the sensuous with the spirit be found again? What was spoken in those days in Dresden between Schiller and Körner (1785–1787) and which great ideas were exchanged is reflected in Schiller's philosophical letters. Indeed, these may be somewhat immature compared with Schiller's later works. What is immature, however, for Schiller, is still very ripe for many other people and is important for us because it can show us how Schiller has struggled up to the highest heights of thinking and imagination.

These philosophical letters, The Theosophy of Julius, represent the correspondence between Julius and Raphael; Schiller as Julius, Körner as Raphael. The world of the 18-th century faces us there. Nice sentences are in this philosophy, sentences like those which Paracelsus expressed as his world view. In the sense of Paracelsus that of the whole outside world is shown to us which the divine creativity accomplished in the most different realms of nature: minerals, plants, animals with capacities of the most varied kind are spread out over nature. The human being is like a big summary, like a world like an encyclopaedia repeats everything once again in itself that is otherwise scattered. A microcosm, a little world in a macrocosm, a big world! Like hieroglyphics, Schiller says, is that which is contained in the different realms of nature. The human being stands there as the summit of the whole nature, so that he combines in himself and expresses on a higher level what is poured out in the whole nature. Paracelsus expressed the same thought largely and nicely: all beings of nature are like the letters of a word, and, if we read them, nature represents her being, a word results which presents itself in the human being. Schiller expresses this lively and emotionally in his philosophical letters. It is so lively to him that the hieroglyphics speak vividly for themselves in nature. I see, Schiller says, the chrysalises outside in nature which change to the butterflies. The chrysalis does not perish, it shows a metamorphosis; this is a guarantee to me that also the human soul changes in similar way. Thus the butterfly is a guarantee of human immortality to me.

In the most marvellous way the thoughts of the mind associate themselves in nature with the thought which Schiller studies as that which lives in the human soul. Then he struggles up to the view that the force of love lives not only in the human being, but finds expression in certain stages all over the world, in the mineral, in the plant, in the animal, and in the human being. Love expresses itself in the forces of nature and most purely in the human being. Schiller phrases that in a way which reminds of the great mystics of the Middle Ages. He calls what he pronounced that way the Theosophy of Julius. At it he developed up to his later approaches to life. His whole lifestyle, his whole striving is nothing else than a big self-education, and in this sense Schiller is a practical theosophist. Theosophy is basically nothing else than self-education of the soul, perpetual work on the soul and its further development to the higher levels of existence. The theosophist is convinced that he can behold higher and higher things the higher he develops. Who accustoms himself only to sensuality can see the sensuous only; who is trained for the psycho-spiritual sees soul and spirit around himself. We have to become spirit and divine first, then we can recognise something divine. The Pythagoreans already said this in their secret schools that way, and Goethe also said it in accordance with an old mystic:

Unless the eyes were like the sun,
How could we see the light?
Unless God's own force lived in us,
How could delight us the divine?

But we must develop the forces and capacities which are in us. Thus Schiller tries to educate himself throughout his whole life.

A new stage of his self-development is his aesthetic letters, About the Aesthetic Education of Man in a Series of Letters. They are a jewel in our German cultural life. Only somebody can feel what mysteriously pours out between and from the words also from Schiller's later dramas who knows these aesthetic letters; they are like a heart- balm. Who has concerned himself a little with the lofty spiritual, educational ideal, which lives in his aesthetic letters, has to say: we have to call these aesthetic letters a book for the people. Only when in our schools not only Plato, not only Cicero, but Schiller's aesthetic letters are equally studied by the young people, one will recognise that something distinct and ingenious lives in them. What lives in the aesthetic letters becomes productive first if the teachers of our secondary schools are permeated with this spiritual life, if they let pour in something of that which Schiller wanted to bring up giving us this marvellous work. In the modern philosophical works you do not find any reference to these aesthetic letters. However, they are more significant than a lot that has been performed by the pundits of philosophy, because they appeal to the core of the human being and want to raise this core a stage higher.

Again, it is the big question which faces Schiller in the beginning of the nineties of the 18th century. He puts the question now in such a way: the human being is subjected, on one side, to the sensuous hardships, the sensuous desires and passions. He is subjected to their necessities, he follows them, he is a slave of the impulses, desires and passions. The logical necessity stands on the other side: you have to think in a certain way. The moral necessity stands on the other side, too: you must submit to certain duties. The intellectual education is logically necessary. The moral necessity demands something else that exceeds the modern view. Logic gives us no freedom, we must submit to it; also the duty gives us no freedom, we must submit to it. The human being is put between logical necessity and the needs of nature. If he follows the one or the other, he is not free, a slave. But he should become free.

The question of freedom faces Schiller's soul, as deeply as it was never possibly put and treated in the whole German cultural life. Kant had also brought up this question shortly before. Schiller has never been a Kantian, at least he overcame Kantianism soon. During the wording of these letters he was no longer on Kant's point of view. Kant speaks of the duty so that the duty becomes a moral imperative. “Duty, you lofty and great name. You have nothing popular or mellifluous in yourself but you request submission, … you establish a law... in front of it all propensities fall silent if they counteract secretly against it...” Kant demands submission to the categorical imperative. However, Schiller renounced this Kantian view of duty. He says: “with pleasure I serve the friends, however, I do it, unfortunately, with propensity” and not with that which kills propensity which even kills love. Kant demands that we act from duty, from the categorical imperative.

Schiller wants harmony between both, a harmony between propensity and passion on the one hand and duty and logic on the other side. He finds it at first in the view of beauty. The working of beauty becomes a big universal music and he expressed this: ”Only through beauty's morning gate you enter the land of knowing.” If we have a piece of art, the spiritual shines through it. The piece of art does not appear to us as an iron necessity, but as a semblance that expresses the ideal, the spiritual to us. Spirit and sensuality are balanced in beauty. As to Schiller, spirit and sensuality must also be balanced in the human being. Where the human being is between these two conditions, where he depends neither on the natural necessity nor on the logic one, but where he lives in the condition which Schiller calls the aesthetic one, passion is overcome.

He got down the spirit to himself, he purified sensuality with beauty; and thus the human being has the impulse and the desire to do voluntarily what the categorical imperative has demanded. Then morality is something in the human being that has become flesh and blood in him, so that the impulses and desires themselves show the spiritual. Spirit and sensuality have penetrated the aesthetic human being that way, spirit and sensuality have interpenetrated in the human being because he likes what he has to do. What slumbers in the human being has to be awakened. This is Schiller's ideal. Also concerning the society, the human beings are forced by the natural needs or by the rational state to live together according to external laws. The aesthetic society is in between where love accomplishes what every human being longs for and what is imposed on him by his innermost propensity. In the aesthetic society, the human beings freely co-operate, there they do not need the external laws. They themselves are the expression of the laws according to which the human beings have to live together. Schiller describes this society where the human beings live together in love and in mutual propensity and do voluntarily what they should and have to do.

I could only outline the thoughts of Schiller's aesthetic letters in a few words. But they have an effect only if they are not read and studied, but if they accompany the human being like a meditation book through the whole life, so that he wants to become as Schiller wanted to become. At that time, the time had not yet come. It has come today where one can notice the large extent of a society which founds the interrelation of human beings on love as its first principle. At that time, Schiller tried to penetrate such a knowledge and such a living together. Schiller wanted to educate the human beings with his art at least, so that they become ripe once because his time was not ripe to create the free human beings in a free society. It is sad how little just these most intimate thoughts and feelings of Schiller have found entrance in the educational life which would have to be filled completely with them, which should be a summary of them.

In my talks on Schiller, which I have held in the “Free College,” I have explained how we have to understand Schiller concerning the present. I tried there to show the thoughts in coherent and comprehensive way. You can read up there in detail what I can only indicate today. In any Schiller's biography you can find basically only little of these intimacies of Schiller. But once a pedagogue, a sensitive, dear pedagogue concerned himself with the content of Schiller's aesthetic letters in nice letters. Deinhardt (Heinrich D., 1805-1867) was his name. I do not believe that you can still buy the book. All teachers, in particular of our secondary schools, had to purchase it. However, I believe, it was pulped. The man, who wrote it, could hardly achieve a poor tutor's place. He had the mishap to pick up a leg fracture; the consulted doctors said that the leg fracture could be cured, however, the man were too badly nourished. Thus he died as a result of this accident.

After Schiller had advanced to this point of his life that way, something very important occurred to him: an event took place that intervened deeply in his life and also in the life of our whole nation. It is an event which is very important generally for the whole modern spiritual life. This is the friendship between Schiller and Goethe. It was founded peculiarly. It was at a meeting of the “Society of Naturalists” in Jena. Schiller and Goethe visited a talk of a significant scientist, Batsch (Johann Karl B., 1761-1802, botanist). It happened that both went together out of the hall. Schiller said to Goethe: this is such a fragmented way to look at the natural beings; the spirit that lives in the whole nature is absent everywhere. Thus Schiller put his basic question again to Goethe. Goethe answered: there may probably be another way to look at nature.

Goethe had also pointed in his Faust to that where he says that somebody who searches in such a way expels the spirit, then he has the parts in his hands “however, unfortunately, the spirit band is absent.” Goethe had seen something in all plants that he calls the archetypal plant (Urpflanze), in the animals what he calls the archetypal animal. He saw what we call the etheric body and he drew this etheric body with a few characteristic lines before Schiller. He realised that something really living expresses itself in every plant. Schiller argued: “yes, however, this is no experience, this is an idea!” Goethe responded: “this can be very dear to me that I have ideas without knowing it, and even see them with my eyes.” Goethe was clear in his mind that it was nothing else than the being of the plant itself.

Schiller had now the task to attain the great and comprehensive view of Goethe. It is a fine letter, which I have mentioned already once; it contains the deepest psychology which generally exists and with which Schiller makes friends with Goethe. “For a long time and with always renewed admiration I have already observed the course of your mind although from considerable distance and the way, which you have marked for yourself. You search for the necessary of nature, but you search for it in the most difficult way, for any weaker strength will probably take good care not do that. You summarise the whole nature to get light about the single; you try to explain the individual in all its appearances. From the simple organisation you ascend step by step to the more intricate one to build, finally, the most intricate one of all, the human being, genetically from the materials of the whole nature. Because you recreate him in nature as it were, you try to penetrate his concealed techniques. A great and really heroic idea which shows well enough how much your mind holds together the whole wealth of its ideas in an admirable unity. You can never have hoped that your life will suffice to such a goal, but even to take such a way is more worth than to finish any other and you have chosen like Achilles in the Iliad between Phthia and immortality.

If you had been born as a Greek, or just as an Italian, and a choice nature and an idealising art had surrounded you already from the cradle, your way would be endlessly shortened, would maybe rendered quite superfluous. Then already in the first observation of the things you would have comprehended the form of the necessary, and with your first experiences the great style would have developed in you. Now, because you are born as a German, because your Greek mind was thrown into this northern creation, no other choice remained to you to become either a northern artist, or to give your imagination what reality refused to it to substitute with the help of mental capacity and to bear a Greece as it were from within on a rational way.” This is something that continued having an effect on Schiller as we will see immediately.

Schiller now returns again to poetry. What had a lasting effect faces us in his dramas. Greatly and comprehensively life faces us in Wallenstein. You do not need to believe that you find the thoughts which I develop now, if you read Schiller's dramas. But deeply inside they lie in his dramas, as well as the blood in our veins pulsates, without us seeing this blood in the veins. They pulsate in Schiller's dramas as blood of life. Something impersonal is mixed in the personal. Schiller said to himself: there must be something more comprehensive that goes beyond birth and death. He tried to understand which role the great transpersonal destiny plays in the personal. We have often mentioned this principle as the karma principle. In Wallenstein he describes the big destiny which crushes or raises the human being. Wallenstein tries to fathom it in the stars. Then, however, he realises again that he is drawn by the threads of destiny, that in our own breasts the stars of our destinies are shining. Schiller tries to poetically master the personal, the sensuous nature in connection with the divine in Wallenstein. It would be inartistic if we wanted to enjoy the drama with these thoughts. But the big impulse flows unconsciously into us which originates from this connection. We are raised and carried to that which pulsates through this drama. In each of the next dramas, Schiller tries to reach a higher level to educate himself and to raise the others with him.

In The Maid of Orleans transpersonal forces play a role in the personal. In The Bride of Messina he tries to embody something similar going back to the old Greek drama. He attempts to bring in a choir and a lyrical element there. Not in the usual colloquial language, but in sublime language he wanted to show destinies, which rise above the only personal. Why Schiller tied in with the Greek drama? We must visualise the origin of the Greek drama itself. If we look back to the Greek drama behind Sophocles and Aeschylus, we come to the Greek mystery drama, to the original drama whose later development stages are those of Aeschylus, Sophocles and Euripides. In his book The Birth of the Tragedy from the Spirit of Music (1872) Nietzsche (1844–1900) tries to explore the origin of the drama. In the Homeric time, something was annually brought forward to the Greeks in great dramatic paintings that was at the same time religion, art and science truth, devoutness and beauty. What did this original drama thereby become? This original drama was not a drama which shows human destinies. It should show the godhead himself as the representative of humanity Dionysus. The god, who has descended from higher spheres, who embodies himself in the material substances, who ascends through the realms of nature to the human being to celebrate his redemption and resurrection in the human being. This path of the divine in the world was shaped most beautifully in the descent, in the resurrection and the ascension of the divine.

This original drama took place in manifold figures before the eyes of the Greek spectators. The Greek saw what he wanted to know about the world, what he should know as truth about the world, the triumph of the spiritual over the natural. Science was to him what was shown in these dramas, and it was shown to him in such a way that this presentation was associated with devoutness and could be a model of the human lifestyle. Art, religion and wisdom was that which happened before the spectators. The single actors spoke not in usual language, but in sublime language about the descent, the suffering and overcoming, about the resurrection and ascension of the spiritual. The choir reflected what happened there. It rendered what took place as a divine drama in the simple music of the past. From this homogeneous spring flows out what we know as art, as science, which became physical, and as religion, which emerged from these mysteries. Thus we look back at something that links art with truth and religious devoutness.

The great re-thinker of the Greek original drama, the French author Edouard Schuré (1841–1929), attempted in our time to rebuild this drama. You can read up this really ingenious rebuilding in The Holy Drama of Eleusis (Le drame sacré d'Eleusis). Engrossing his mind in this drama he got to the idea that it is a task of our time to renew the theatre of the soul and the self. In The Children of Lucifer (Les Enfants de Lucifer) he tries to create a modern work that connects self-observation and beauty, dramatic strength and truth content with each other. If you want to know anything about the drama of the future, you can get an idea of it in these pictures of The Children of Lucifer. The whole Wagner circle strives for nothing else than to show something transpersonal in the dramas. In Richard Wagner's dramas, we have the course from the personal to the transpersonal, to the mythical. Hence, Nietzsche also found the way to Wagner when he sought the birth of the tragedy in the original drama. Schiller had already tried in his Bride of Messina what the 19th century aimed at. In this drama, the spiritual is represented in sublime language, and the choir echoes the divine actions before us. He says in his exceptionally witty preface of the writing About the Use of the Choir in the Tragedy from which depths he wanted to bear a Greece in those days. This writing is again a pearl of German literature and aesthetics.

Schiller attempted the same that the 19th century wanted to enter the land of knowing through beauty's morning gate and to be a missionary of truth. With the drama Demetrius which he could not finish because death tore him away, with this drama he tried to understand the problems of the human self, with a clearness and so greatly and intensely that none of those who tried it could finish Demetrius because the great wealth of Schiller's ideas is not to be found with them.

How deeply he understands the self that lives in the human being! Demetrius thinks of himself because of certain signs that he is the real Russian successor to the throne. He does everything to attain what is due to him. At the moment when he is near to arrive at his goal everything collapses that had filled his self. He has now to be what he has made of himself merely by the strength of his inside. This self which was given to him does no longer exist; a self which should be his own action should arise. Demetrius should act out of it. The problem of the human personality is grasped grandiloquently like by no other dramatist of the world. Schiller had such a great thing in mind when death tore him away. In this drama, something lies that with those who could not put it in clear words will now find more response. What was built in the human hearts and in the depths of human souls gushed out again in 1859.

1859 caused a change in the whole modern education. Four works appeared by chance round this time. They influenced the basic attitude of our education. One of them is Darwin's On the Origin of Species by Means of Natural Selection, or the Preservation of Favoured Races in the Struggle for Life that brought a materialistic movement with it. The second work was also typical, in particular concerning Schiller if we remember his words which he called out to the astronomers: “do not chat to me so much about nebulas and suns! Is nature only great, because she gives you something to count? Admittedly, your object is the loftiest in space; but, friends, the elated does not live in space.” But it became possible to understand just this elated in space by a work about the spectral analysis which Kirchhoff (Robert K., 1824–1887, physicist) and Bunsen (Robert Wilhelm B., 1811–1899, physicist) published. The third work was again in a certain opposition to Schiller. Gustav Theodor Fechner (1801–1887) wrote in idealistic spirit: The Preliminaries of Aesthetics (1876). An aesthetics should be created “from below.” Schiller had started it stupendously “from above.” Fechner took the simple sensation as his starting point. The fourth work carried materialism into the social life. What Schiller wanted to found as society was moved under the point of view of the crassest materialism in the work by Karl Marx (1818–1883) A Contribution to the Critique of Political Economy (1859). All that crept in. These are things which were far from the immediate-intimate which Schiller poured in the hearts, honestly and sincerely. And now those who are exposed to the modern literature can no longer look at Schiller in such an idealistic way. Recently, in the last decade of the 19-th century, a man wrote a biography on Schiller who had grown together thoroughly with the aesthetic culture. The first word in it was: “I hated Schiller in my youth!” And only by his scholarly activity he was able to acknowledge Schiller's greatness.

Who can listen only a little to what floods in our time sees that there a certain internal coercion prevails. Time has changed. Nevertheless, perhaps some great, enthusiastic words and some nice festivity will be also connected with Schiller. But somebody who has a good ear will not hear anything that still moved through the minds and souls before half a century when we revered Schiller. We must understand it; we do not reproach those who have no connection with Schiller today. But with the immense dimension of Schiller's oeuvre we have to concede to us: he has to become a component of our cultural education again. The immediate present has to follow Schiller again. Why should a society striving for spiritual deepening like the Theosophical Society not take Schiller up? He is still the first pre-school of self-education if we want to reach the heights of spirit. We get to knowledge differently, if we experience him. We come to the spiritual, if we experience his Aesthetic Letters. We understand the Theosophical Society as an association of human beings, without taking into consideration nation, gender, origin and the like, as an association merely on the basis of pure human love.

In the course of his life, Schiller strove for the heights of spiritual being, and his dramas are basically nothing else than what wants to penetrate artistically into the highest fields of this spiritual being. What he sought was nothing else than to develop something everlasting and imperishable in the human soul. If we remember Goethe quite briefly again: with the word “entelechy“ he termed what lives in the soul as the imperishable what the human being develops in himself, acquires experiencing reality, and what he sends up as his eternal. Schiller calls this the forming figure. As to Schiller, this is the everlasting that lives in the soul that the soul develops constantly in itself, increases in itself and leads to the imperishable realms.

It is a victory which the figure gains over the transient corporeality in which the figure only acts. Schiller calls it the everlasting in the soul-life, and we are allowed, like Goethe, after Schiller had deceased, to stamp the words: “he was ours.” If we understand Schiller with living mind, we are allowed to imbue ourselves with that which lived in him with which he lives in the other world, which took up his best friendly and affectionately. We are also allowed as theosophists to celebrate that mysterious connection with him which we can celebrate as a Schiller festival. As well as the mystic unites with the spiritual of the world the human being unites with the great spiritual heroes of humanity. Everybody who strives for a spiritual world view should celebrate such a festival, a “unio mystica,” for himself, still beside the big Schiller jamborees. Nothing should be argued against these big festivals. However, only somebody who celebrates this intimate festival in his heart connecting him with Schiller intimately finds Schiller's work. Aspiring to spirit we find the way best if we make it like Schiller who educated himself all his life. He expressed it, and it sounds like a motto of the theosophical world view:

Only the body belongs to those powers
Which braid the dark fate;
But freely from any force of time,
As playmate of blessed beings,
Strolls above in the light's acres,
Divinely among gods the figure.