| 309. The Roots of Education: Lecture Three
15 Apr 1924, Bern Translated by Helen Fox Rudolf Steiner |
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| However, the astral body itself, in its true inner being and function, cannot be understood by those laws. It can be understood only by understanding music—not just externally, but inwardly. |
| In this case, it is not something that arises from cosmic shaping, but from the musical impulse streaming into the human being through the astral body. Again, we must begin with an understanding of music, just as a sculptural understanding is necessary in understanding the etheric body’s activities. |
| You can do this when you attempt to understand the way a word is formed. There is untold wisdom in words, way beyond human understanding. |
| 309. The Roots of Education: Lecture Three
15 Apr 1924, Bern Translated by Helen Fox Rudolf Steiner |
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In the preceding lectures I have repeatedly spoken of how important it is that teachers turn their attention in particular toward the drastic changes, or metamorphoses, that occur during a child’s life—for example, the change of teeth and puberty. We have not fully developed our observation of such changes, because we are used to noticing only the more obvious outer expressions of human nature according to so-called natural laws. What concerns the teacher, however, arises in reality from the innermost center of a child’s being, and what a teacher can do for the child affects a child’s very inner nature. Consequently, we must pay particular attention to the fact that, for example, at this significant change of teeth, the soul itself goes through a transformation. Memory Prior to the Change of Teeth Let us examine a single aspect of this soul-life—the memory, or capacity for remembering. A child’s memory is very different before and after the change of teeth. The transitions and developments in human life occur slowly and gradually, so to speak of the change of teeth as a single fixed event in time is only approximate. Nevertheless, this point in time manifests in the middle of the child’s development, and we must consider very intensively what takes place at that time. When we observe a very young child, we find that the capacity to remember has the quality of a soul habit. When a child recalls something during that first period of life until the change of teeth, such remembering is a kind of habit or skill. We might say that when, as a child, I acquire a certain accomplishment—let us say, writing—it arises largely from a certain suppleness of my physical constitution, a suppleness that I have gradually acquired. When you watch a small child taking hold something, you have found a good illustration of the concept of habit. A child gradually discovers how to move the limbs this way or that way, and this becomes habit and skill. Out of a child’s imitative actions, the soul develops skillfulness, which permeates the child’s finer and more delicate organizations. A child will imitate something one day, then do the same thing again the next day and the next; this activity is performed outwardly, but also—and importantly—within the innermost parts of the physical body. This forms the basis for memory in the early years. After the change of teeth, the memory is very different, because by then, as I have said, spirit and soul are freed from the body, and picture content can arise that relates to what was experienced in the soul—a formation of images unrelated to bodily nature. Every time we meet the same thing or process, whether due to something outer or inner, the same picture is recalled. The small child does not yet produce these inward pictures. No image emerges for that child when remembering something. When an older child has a thought or idea about some past experience, it arises again as a remembered thought, a thought “made inward.” Prior to the age of seven, children live in their habits, which are not inwardly visualized in this way. This is significant for all of human life after the change of teeth. When we observe human development through the kind of inner vision I have mentioned—with the soul’s eyes and ears—we will see that human beings do not consist of only a physical body that can be seen with the eyes and touched with the hands. There are also supersensible members of this being. I have already pointed out the first so-called supersensible human being living within the physical body—the etheric human being. There is also a third member of human nature. Do not be put off by names; after all, we do need to have some terminology. This third member is the astral body, which develops the capacity of feeling. Plants have an etheric body; animals have an astral body in common with humans, and they have feeling and sensation. The human being, who exists uniquely as the crown of earthly creation, has yet a fourth member—the I-being. These four members are entirely different from one another, but since they interact with one another they are not generally distinguished by ordinary observation; the ordinary observer never goes far enough to recognize the manifestations of human nature in the etheric body, the astral body, or I-being. We cannot really aspire to teach and educate, however, without knowing these things. One hesitates to say this, because it may be regarded as fantastic and absurd within the broader arena of modern society. It is nevertheless the truth, and an unbiased knowledge of the human being will not disagree. The way that the human being works through the etheric body, astral body, and I-being is unique and is significant for educators. As you know, we are used to learning about the physical body by observing it—living or dead—and by using the intellect connected with the brain to elucidate what we have thus perceived with the senses. This type of observation alone, however, will never reveal anything of the higher members of human nature. They are inaccessible to methods of observation based only on sense-perception and intellectual activity. If we think only in terms of natural laws, we will never understand the etheric body, for example. Therefore, new methods should be introduced into colleges and universities. Observation through the senses and working in the intellect of the brain enable us to observe only the physical body. A very different training is needed to enable a person to perceive, for example, how the etheric body manifests in the human being. This is really necessary, not just for teachers of every subject, but even more so for doctors. The Etheric Body and the Art of Sculpting First, we should learn to sculpt and work with clay, as a sculptor works, modeling forms from within outward, creating forms out of their own inner principles, and guided by the unfolding of our own human nature. The form of a muscle or bone can never be comprehended by the methods of contemporary anatomy and physiology. Only a genuine sense of form reveals the true forms of the human body. But when we say such things we will immediately be considered somewhat crazy. But Copernicus was considered a bit mad in his time; even as late as 1828 some leaders of the Church considered Copernican theories insane and denied the faithful any belief in them! Now let’s look at the physical body; it is heavy with mass and subject to the laws of gravity. The etheric body is not subject to gravity—on the contrary, it is always trying to get away. Its tendency is to disperse and scatter into far cosmic spaces. This is in fact what happens right after death. Our first experience after death is the dispersal of the etheric body. The dead physical body follows the laws of Earth when lowered into the grave; or when cremated, it burns according to physical laws just like any other physical body. This is not true of the etheric body, which works away from Earth, just as the physical body strives toward Earth. The etheric body, however, does not necessarily extend equally in all directions, nor does it strive away from Earth in a uniform way. Now we arrive at something that might seem very strange to you; but it can in fact be perceived by the kind of observation I have mentioned. When you look up into the heavens, you see that the stars are clustered into definite groups, and that these groups are all different from one another. Those groups of stars attract the etheric human body, drawing it out into the far spaces. Let’s imagine someone here in the center.  The different groups of stars are drawing out the etheric body in varying degrees; there is a much stronger attraction from one group of stars than from another, thus the etheric body is not drawn out equally on all sides but to varying degrees in the different directions of space. Consequently, the etheric body is not spherical, but, through this dispersion of the etheric, certain definite forms may arise in the human being through the cosmic forces that work down from the stars. These forms remain in us as long as we live on Earth and have an etheric body within us. If, for example, we take the upper part of the thigh, we see that both the form of the muscle and the form of the bone are shaped by influences from the stars. We need to discover how these very different forms can arise from different directions of cosmic space. We must try to model these varying forms in clay, and we will find that, in one particular form, cosmic forces act to produce length; in another the form is rounded off more quickly. Examples of the latter are the round bones, and the former are the more tubular bones. Like sculptors, therefore, we must develop a feeling for the world—the kind of feeling that, in ancient humankind, was present as a kind of instinctive consciousness. It was clearly expressed in the Eastern cultures of prehistory, thousands of years before our era; but we still find it in Greek culture. Just consider how contemporary, materialistic artists are often baffled by the forms of the Greek sculptors. They are baffled, because they believe the Greeks worked from models, which they examined from all sides. But the Greeks still had a feeling that the human being is born from the cosmos, and that the cosmos itself forms the human being. When the Greeks created their Venus de Milo (which causes contemporary sculptors to despair), they took what flowed from the cosmos; and although this could reveal itself only imperfectly in any earthly work, they tried to express it in the human form they were creating as much as possible. The point is that, if you really attempt to mold the human form according to nature, you cannot possibly do it by slavishly following a model, which is the contemporary studio method. One must be able to turn to the great “cosmic sculptor,” who forms the human being from a feeling for space, which a person can also acquire. This then is the first thing we must develop. People think they can gauge the human form by drawing a line going through vertically, another through the outstretched arms and another front to back; there you have the three dimensions. But in doing this, they are slaves to the three dimensions of space, and this is pure abstraction. If you draw even a single line through a person in the right way, you can see that it is subject to manifold forces of attraction—this way or that, in every direction of space. This “space” of geometry, about which Kant produced such unhappy definitions and spun out such abstract theories—this space itself is in fact an organism, producing varied forces in all directions. Human beings are likely to develop only the grosser physical senses, and do not inwardly unfold this fine delicate feeling for space experienced in all directions. If we could only allow this feeling for space to take over, the true image of the human being would arise. Out of an active inner feeling, you will see the plastic form of the human being emerge. If we develop a feeling for handling soft clay, we have the proper conditions for understanding the etheric body, just as the activity of human intellect connected with the brain provides the appropriate conditions for understanding the physical body. We must first create a new method of acquiring knowledge—a kind of plastic perception together with an inner plastic activity. Without this, knowledge stops short at the physical body, since we can know the etheric body only through images, not through ideas. We can really understand these etheric images only when we are able to reshape them ourselves in some way, in imitation of the cosmic shaping. The Astral Body in Relation to Music Now we can move on to the next member of the human being. Where do things stand today in regard to this? On the one hand, in modern life the advocates of natural science have become the authorities on the human being; on the other hand we find isolated, eccentric anthroposophists, who insist that there are also etheric and astral bodies, and when they describe the etheric and astral bodies, people try to understand those descriptions with the kind of thinking applied to understanding the physical body, which doesn’t work. True, the astral body expresses itself in the physical body, and its physical expression can be comprehended according to the laws of natural science. However, the astral body itself, in its true inner being and function, cannot be understood by those laws. It can be understood only by understanding music—not just externally, but inwardly. Such understanding existed in the ancient East and still existed in a modified form in Greek culture. In modern times it has disappeared altogether. Just as the etheric body acts through cosmic shaping, the astral body acts through cosmic music, or cosmic melodies. The only earthly thing about the astral body is the beat, or musical measure. Rhythm and melody come directly from the cosmos, and the astral body consists of rhythm and melody. It does no good to approach the astral body with what we understand as the laws of natural science. We must approach it with what we have acquired as an inner understanding of music. For example, you will find that when the interval of a third is played, it can be felt and experienced within our inner nature. You may have a major and minor third, and this division of the scale can arouse considerable variations in the feeling life of a person; this interval is still something inward in us. When we come to the fifth interval, we experience it at the surface, on our boundary; in hearing the fifth, it is as though we were only just inside ourselves. We feel the sixth and seventh intervals to be finding their way outside us. With the fifth we are passing beyond ourselves; and as we enter the sixth and the seventh, we experience them as external, whereas the third is completely internal. This is the work of the astral body—the musician in every human being—which echoes the music of the cosmos. All this is at work in the human being and finds expression in the physical human form. If we can really get close to such a thought in trying to comprehend the world, it can be an astonishing experience for us. You see, we are speaking now of something that can be studied very objectively—something that flows from the astral body into the human form. In this case, it is not something that arises from cosmic shaping, but from the musical impulse streaming into the human being through the astral body. Again, we must begin with an understanding of music, just as a sculptural understanding is necessary in understanding the etheric body’s activities. If you take the part of the human being that goes from the shoulder blades to the arms, that is the work of the tonic, the keynote, living in the human being. In the upper arm, we find the interval of the second. (You can experience all this in eurythmy.) And in the lower arm the third—major and minor. When you come to the third, you find two bones in the lower arm, and so on, right down into the fingers. This may sound like mere words and phrases, but through genuine observation of the human being, based on spiritual science, we can see these things with the same precision that a mathematician uses in approaching mathematical problems. We cannot arrive at this through any kind of mystical nonsense: it must be investigated with precision. In order that students of medicine and education really comprehend these things, their college training must be based on an inner understanding of music. Such understanding, permeated with clear, conscious thinking, leads back to the musical understanding of the ancient East, even before Greek culture began. Eastern architecture can be understood only when we understand it as religious perception descended into form. Just as music is expressed only though the phenomenon of time, architecture is expressed in space. The human astral and etheric bodies must be understood in the same contrasting way. We can never explain the life of feeling and passion with natural laws and so-called psychological methods. We can understand it only when we consider the human being as a whole in terms of music. A time will come when psychologists will not describe a diseased condition of the soul life as they do today, but will speak of it in terms of music, as one would speak, for example, of a piano that is out of tune. Please do not think that anthroposophy is unaware of how difficult it is to present such a view in our time. I understand very well that many people will consider what I have presented as pure fantasy, if not somewhat crazy. But, unfortunately, a socalled “reasonable” way of thinking can never portray the human being in actuality. We must develop a new and expanded rationality for these matters. In this connection, it is extraordinary how people view anthroposophy today. They cannot imagine that anything exists that transcends their powers of comprehension, but that those same powers can in fact eventually reach. Recently, I read a very interesting book by Maeterlinck translated into German. There was a chapter about me, and it ended in an extraordinary and very amusing way. He says: “If you read Steiner’s books you will find that the early chapters are logically correct, intelligently thought-out and presented in a perfectly scientific form. But as you read on, you get the impression that the author has gone mad.” Maeterlinck, of course, has a perfect right to his opinions. Why should he not have the impression that the writer was a clever man when he wrote the first part of the book, but went mad when he wrote the later part? But simply consider the actual situation. Maeterlinck believes that in the first chapters of these books the author was clever, but in the last chapters he had gone mad. So we get the extraordinary fact that this man writes several books, one after the other. Consequently, in each of these books the first few chapters make him seem very smart, but in later chapters he seems mad, then clever again, then mad, and so on. You see how ridiculous it is when one has such a false picture. When writers—otherwise deservedly famous—write in such a way, people fail to notice what nonsense it is. This shows how hard it is, even for such an enlightened person as Maeterlinck, to reach reality. On the firm basis of anthroposophy we have to speak of a reality that is considered unreal today. I-being and the Genius of Language Now we come to the I-being. Just as the astral body can be investigated through music, the true nature of the I-being can be studied through the word. It may be assumed that everyone, even doctors and teachers, accepts today’s form of language as a finished product. If this is their standpoint, they can never understand the inner structure of language. This can be understood only when you consider language, not as the product of our modern mechanism, but as the result of the genius of language, working vitally and spiritually. You can do this when you attempt to understand the way a word is formed. There is untold wisdom in words, way beyond human understanding. All human characteristics are expressed in the way various cultures form their words, and the peculiarities of any nation may be recognized in their language. For example, consider the German word Kopf (“head”). This was originally connected with the rounded form of the head, which you also find in the word Kohl (“cabbage”), and in the expression Kohlkopf (“head of cabbage”). This particular word arises from a feeling for the form of the head. You see, here the I has a very different concept of the head from what we find in testa, for example, the word for “head” in the Romance languages, which comes from testifying, or “to bear witness.” Consequently, in these two instances, the feelings from which the words are formed come from very different sources. If you understand language in this inward way, then you will see how the I-organization works. There are some districts where lightning is not called Blitz but Himmlitzer. This is because the people there do not think of the single flashes of lightning so much as the snakelike form. People who say Blitz picture the single flash and those who say Himmlitzer picture the zig-zag form. This then is how humans really live in language as far as their I is concerned, although in the current civilization, they have lost connection with their language, which has consequently become something abstract. I do not mean to say that if you have this understanding of language you will already have attained inward clairvoyant consciousness, whereby you will be able to behold beings like the human I. But you will be on the way to such a perception if you accompany your speaking with inner understanding. Thus, education in medical and teacher training colleges should be advanced as indicated, so that the students’ training may arouse in them an inner feeling for space, an inner relationship to music, and an inner understanding of language. Now you may argue that the lecture halls are already becoming empty and, ultimately, teacher training colleges will be just as empty if we establish what we’ve been speaking of. Where would all this lead to? Medical training keeps getting longer and longer. If we continue with our current methods, people will be sixty by the time they are qualified! The situation we are speaking of is not due in any way to inner necessity but is related to the fact that inner conditions are not being fulfilled. If we fail to go from abstractions to plastic and musical concepts and to an understanding of the cosmic word—if we stop short at abstract ideas—our horizon will be endless; we will continue on and on and never come to a boundary, to a point where we can survey the whole. The understanding that will come from understanding sculpting and music will make human beings more rational—and, believe me, their training will actually be accelerated rather than delayed. Consequently, this inner course of development will be the correct method of training educators, and not only teachers, but those others who have so much to contribute to educational work—the doctors. The Therapeutic Nature of Teaching Given what I spoke of in the introductory lectures concerning the relationship between educational methods and the physical health of children, it should be clear to you that real education cannot be developed without considering medicine. Teachers should be able to assess various conditions of health or disease among their children. Otherwise, a situation will arise that is already being felt—that is, a need for doctors in the schools. The doctor is brought in from outside, which is the worst possible method we could adopt. How do such doctors stand in relation to the children? They do not know the children, nor do they know, for example, what mistakes the teachers have made with them, and so on. The only way is to cultivate an art of education that contains so much therapy that the teacher can continually see whether the methods are having a good or bad influence on the children’s health. Reform is not accomplished by bringing doctors into the schools from outside, no matter how necessary this may seem to be. In any case, the kind of training doctors get these days does not prepare them for what they must do when they are sent into the schools. In aiming at an art of education we must provide a training based on knowledge of the human being. I hesitate to say these things because they are so difficult to comprehend. But it is an error to believe that the ideas of natural science can give us full understanding of the human being, and an awareness of that error is vital to the progress of the art of education. Only when we view children from this perspective do we see, for example, the radical and far-reaching changes that occur with the coming of the second teeth, when the memory becomes a pictorial memory, no longer related to the physical body but to the etheric body. In actuality, what is it that causes the second teeth? It is the fact that, until this time, the etheric is almost completely connected with the physical body; and when the first teeth are forced out, something separates from the physical body. If this were not the case, we would get new teeth every seven years. (Since people’s teeth decay so quickly nowadays, this might seem to be a good thing, and dentists would have to find another job!) When the etheric body is separated, what formerly worked in the physical body now works in the soul realm. If you can perceive these things and can examine the children’s mouths without their knowledge, you will see for yourself that this is true. It is always better when children do not know they are being observed. Experimental psychology so often fails because children are aware of what is being done. You can examine a child’s second teeth and find that they have been formed by the etheric body into a modeled image of the memory; and the shape of the teeth created by the etheric will indicate how the memory of the child will develop. Except for slight alterations in position here or there, you cannot physically change the second teeth once they are through—unless you are able to go so far as, for example, the dentist Professor Romer. He has written a book on dentistry—a new art of medicine based on anthroposophic principles—where he speaks of certain changes that can be effected even after the second teeth are established. But this need not concern us further. When the etheric body is loosened and exists on its own after the change of teeth, the building of memory leaves the physical realm and remains almost entirely in the element of soul; indeed, this fact can put teachers on the right track. Before this change, the soul and spirit formed a unity with the physical and etheric. After this, the physical—previously acting in conjunction with the soul—is expressed as the second teeth, and what collaborated with the physical in this process separates and manifests as an increased power to form ideas and as the formation and reliability of memory. Once you have acquired such insight into human nature, you will discover much that will help in your teaching. You must permeate yourselves with this spiritual knowledge of the human being and enliven it in yourselves; your observations of children will then inspire you with ideas and methods for teaching, and this inner inspiration and enthusiasm will penetrate your practical work. The rules established in introductory texts on education produce only abstract activity in the soul. But what arises from anthroposophic knowledge penetrates the will and the efforts of teachers; it becomes the impulse for everything done in the classroom. A living knowledge of the human being brings life and order to the soul of a teacher. But if teachers study only teaching methods that arise from natural science, they may get some clever ideas of what to do with the children, but they will be unable to carry them out. A teacher’s skill and practical handling of children must arise from the living spirit within, and this is where purely scientific ideas have no place. If teachers can acquire a true knowledge of the human being, they will become aware of how, when the etheric body is freed at the change of teeth, the child has an inner urge to receive everything in the form of images. The child’s own inner being wants to become “image.” During the first stage of life, impressions lack this picture-forming tendency; they are transformed instead into habits and skills in the child; memory itself is habit and skill. Children want to imitate, through the movement of the limbs, everything they see happening around them; they have no desire to form any inner images. But after the change of teeth, you will notice how children come to know things very differently. Now they want to experience pictures arising in the soul; consequently, teachers must bring everything into a pictorial element in their lessons. Creating images is the most important thing for teachers to understand. Teaching Writing and Reading When we begin to view the facts, however, we are immediately faced with certain contradictions. Children must learn to read and write, and when they come to school we assume they will first learn to read, and after that they will learn to write in connection with their reading. Let’s consider, however, the reality of letters—what it means when we take a pen to paper and try to express through writing what is in the mind. What is the relationship between the printed letters of today and the original picture-language of ancient times? How were we taught these things? We show children a capital A and a lowercase a, but what in the world do these letters have to do with the sound “ah”? There is no relationship at all between the form of the letter A and the sound “ah.” When the art of writing arose, things were different. In certain areas, pictorial signs were used, and a kind of pictorial painting was employed. Later, this was standardized; but originally those drawings copied the process and feeling of the sounds; thus, what appeared on paper was, to some extent, a reproduction of what lived in the soul. Modern characters, however, are alien to a small child’s nature, and it is little wonder that when certain early peoples first saw printed letters, it had a peculiar effect on them. When the people of Europe came among the Native Americans and showed them how they expressed their thoughts on paper, the Native Americans were alarmed and considered it the work of the devil; they were afraid of the little demons lurking behind those written letters. They immediately concluded that the Europeans engaged in black magic, since people have a habit of attributing to black magic whatever they cannot understand. But what is the truth of the matter? We know that when we utter the sound “ah,” we express wonder and admiration. Now, it is very natural to try to reproduce this sound with the whole body and express it in a gesture of the arms. If you copy this gesture (stretching the arms obliquely above the head) you get the capital A. When you teach writing, you can, for example, begin with a feeling of wonder, and proceed with the children to some kind of painting and drawing, and in this way you can bring their inner and outer experiences into that painting and drawing. Consider another example. I tell a girl to think of a fish and ask her to paint it (awkward though this may be). It must be done in a particular way, not simply as she might prefer, but with the head of the fish in front, like this, and the rest of the fish here. The child paints the fish, and thus, through a kind of painting and drawing, she produces a written character. You then tell her to pronounce the word fish—“fish.” Now take away the ish, and from fish you have arrived at her first written letter, f.  In this way a child will come to understand how pictorial writing arose, and how it developed into contemporary writing. The forms were copied, but the pictures were abandoned. This is how drawing the various sounds arose. You do not need to make a special study of how such things evolved. This is not really necessary for teachers, since they can develop them out of their own intuition and power to think. Have a boy, for example, paint the upper lip of a mouth, and then pronounce the word mouth. Leave out the outh, and you get the m. In this way you can relate all the written characters to some reality, and the child will constantly develop a living, inner activity.  Thus, you should teach the children writing first, and let today’s abstract letters arise from tangible reality; when a child learns to write in this way, the whole being is engaged in the process. Whereas, if you begin with reading, then only the head organization participates in an abstract way. In writing, the hand must participate as well, and in this way the whole human being is aroused to activity. When you begin with writing—writing developed through the formation of images and drawing forms—your teaching will approach the child’s whole being. Then you can move on to teaching reading; and what was developed out of the child’s whole being through drawing can be understood by the head. This method of teaching writing and reading will naturally take longer, but it will have a far healthier effect on the whole earthly life from birth to death. These things can be done when the practical work of the school flows out of a real spiritual knowledge of the human being. Such knowledge can, through its own inner force, become the teaching method in our schools. The desires of those who earnestly seek a new art of education live in this; but its essence can be truly found only when we are unafraid to look for a full knowledge of the human being in body, soul, and spirit. |
| 310. Human Values in Education: Descent into the Physical Body, Goethe and Schiller
18 Jul 1924, Arnheim Translated by Vera Compton-Burnett Rudolf Steiner |
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| It works, only in a hidden way, in what is of a bodily nature, and one does not understand the body if one has no understanding of the spiritual forces active within it. Let us now proceed to study further what I have just indicated. |
| But let us now look at the matter as a whole. Can we not deepen our feeling and understanding for everything that is human simply by looking at a single human life in the way that we have done? |
| If someone really wishes to develop an understanding of the essential principles of education based on a knowledge of man—whether he has already acquired a knowledge of spiritual science or whether, as can also happen, he has an instinctive understanding of these things—he will observe the child in such a way that he is faced with this question: What is the main trend of a child's development up to the time of the change of teeth? |
| 310. Human Values in Education: Descent into the Physical Body, Goethe and Schiller
18 Jul 1924, Arnheim Translated by Vera Compton-Burnett Rudolf Steiner |
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In this course of lectures I want in the first place to speak about the way in which the art of education can be furthered and enriched by an understanding of man. I shall therefore approach the subject in the way I indicated in my introductory lecture, when I tried to show how anthroposophy can be a practical help in gaining a true knowledge of man, not merely a knowledge of the child, but a knowledge of the whole human being. I showed how anthroposophy, just because it has an all-embracing knowledge of the whole human being—that is to say a knowledge of the whole of human life from birth to death, in so far as this takes place on earth—how just because of this it can point out in a right way what is essential for the education and instruction of the child. It is very easy to think that a child can be educated and taught if one observes only what takes place in childhood and youth; but this is not enough. On the contrary, just as with the plant, if you introduce some substance into the growing shoot its effect will be shown in the blossom or the fruit, so it is with human life. The effect of what is implanted into the child in his earliest years, or is drawn out of him during those years, will sometimes appear in the latest years of life; and often it is not realised that, when at about the age of 50 someone develops an illness or infirmity, the cause lies in a wrong education or a wrong method of teaching in the 7th or 8th year. What one usually does today is to study the child—even if this is done in a less external way than I described yesterday—in order to discover how best to help him. This is not enough. So today I should like to lay certain foundations, on the basis of which I shall proceed to show how the whole of human life can be observed by means of spiritual science. I said yesterday that man should be observed as a being consisting of body, soul and spirit, and in yesterday's public lecture I gave some indication of how it is the super-sensible in man, the higher man within man, that is enduring, that continues from birth until death, while the substances of the external physical body are always changing. It is therefore essential to learn to know human life in such a way that one perceives what is taking place on earth as a development of the pre-earthly life. We have not only those soul qualities within us that had their beginning at birth or at conception, but we bear within us pre-earthly qualities of soul, indeed, we bear within us the results of past earthly lives. All this lives and works and weaves within us, and during earthly life we have to prepare what will then pass through the gate of death and live again after death beyond the earth, in the world of soul and spirit. We must therefore understand how the super-earthly works into earthly life, for it is also present between birth and death. It works, only in a hidden way, in what is of a bodily nature, and one does not understand the body if one has no understanding of the spiritual forces active within it. Let us now proceed to study further what I have just indicated. We can do so by taking concrete examples. An approach to the knowledge of man is contained in anthroposophical literature, for instance in my book Theosophy, in An Outline Of Occult Science or in Knowledge of the Higher Worlds. Let us start from what can lead to a real, concrete knowledge of man by taking as a foundation what anthroposophy has to say in general about man and the world. There are two examples which I should like to put before you, two personalities who are certainly well known to you all. I choose them because for many years I made an intensive study of both of them. I am taking two men of genius; later on we shall come down to less gifted personalities. We shall then see that anthroposophy does not only speak in a general, abstract way, but is able to penetrate deeply into real human beings and is able to get to know them in such a way that knowledge of man is shown to be something which has reality in practical life. In choosing these two examples, Goethe and Schiller, and so making an indirect approach, I hope to show how a knowledge of man is acquired under the influence of Spiritual Science. Let us look at Goethe and Schiller from an outward point of view, as they appeared during the course of their lives, but let us in each case study the whole personality. In Goethe we have an individuality who entered life in a remarkable way. He was born black, or rather dark blue. This shows how extraordinarily difficult it was for his soul-spiritual being to enter into physical incarnation. But once this had taken place, once Goethe had overcome the resistance of this physical body, he was entirely within it. On the one hand it is hard to imagine a more healthy nature than Goethe had as a boy. He was amazingly healthy. He was so healthy that his teachers found him quite difficult; but children who give no trouble are seldom those who enjoy the best health in later life. On the other hand, children who are rather a nuisance to their teachers are those who accomplish more in later life because they have more active, energetic natures. The understanding teacher will therefore be quite glad when the children keep a sharp eye on him. Goethe from his earliest childhood was very much inclined to do this, even in the literal sense of the word. He peeped at the fingers of someone playing the piano and then named one finger “Thumbkin,” another “Pointerkin,” and so on. But it was not only in this sense that he kept a sharp eye on his teachers. Even in his boyhood he was bright and wide-awake; and this at times gave them trouble. Later on in Leipzig Goethe went through a severe illness, but here we must bear in mind that certain hard experiences and some sowing of wild oats were necessary in order to bring about a lowering of his health to the point at which he could be attacked by the illness which he suffered at Leipzig. After this illness we see that Goethe throughout this whole life is a man of robust health, but one who possesses at the same time an extraordinary sensitivity. He reacts strongly to impressions of all kinds, but does not allow them to take hold of him and enter deeply into his organism. He does not suffer from heart trouble when he is deeply moved by some experience, but he feels any such experience intensely; and this sensitivity of soul goes with him throughout life. He suffers, but his suffering does not find expression in physical illness. This shows that his bodily health was exceptionally sound. Moreover, Goethe felt called upon to exercise restraint in his way of looking at things. He did not sink into a sort of hazy mysticism and say, as is so often said: “O, it is not a question of paying heed to the external physical form; that is of small importance. We must turn our gaze to what is spiritual!” On the contrary, to a man with Goethe's healthy outlook the spiritual and the physical are one. And he alone can understand such a personality who is able to behold the spiritual through the image of the physical. Goethe was tall when he sat, and short when he stood. When he stood you could see that he had short legs. [The German has the word Sitzgrösse for this condition.] This is an especially important characteristic for the observer who is able to regard man as a whole. Why had Goethe short legs? Short legs are the cause of a certain kind of walk. Goethe took short steps because the upper part of his body was heavy—heavy and long—and he placed his foot firmly on the ground. As teachers we must observe such things, so that we can study them in the children. Why is it that a person has short legs and a particularly big upper part of the body? It is the outward sign that such a person is able to bring to harmonious expression in the present earth life what he experienced in a previous life on earth. In this respect also Goethe was extraordinarily harmonious, for right into extreme old age he was able to develop everything that lay in his karma. Indeed he lived to be so old because he was able to bring to fruition the potential gifts with which karma had endowed him. After Goethe had left the physical body, this body was still so beautiful that all who saw him in death were fulfilled with wonder. One has the impression that Goethe had experienced to the full his karmic potentialities; now nothing more is left, and he must begin afresh when again he enters into an earthly body under completely new conditions. All this is expressed in the particular formation of such a body as Goethe's, for the cause of what man brings with him as predisposition from an earlier incarnation is revealed for the most part in the formation of the head. Now Goethe from his youth up had a wonderfully beautiful Apollo head, from which only harmonious forces streamed down into his physical body. This body, however, burdened by the weight of its upper part and with too short legs was the cause of his special kind of walk which lasted throughout his life. The whole man was a wonderfully harmonious expression of karmic predisposition and karmic fulfilment. Every detail of Goethe's life illustrates this. Such a personality, standing so harmoniously in life and becoming so old, must inevitably have outstanding experiences in his middle years. Goethe was born in 1749 and he died in 1832, so he lived to be 83 years old. He reached middle age, therefore, at about his 41st year in 1790. If we take these years between 1790 and 1800 we have the middle decade of his life. In this decade, before 1800, Goethe did indeed experience the most important events of his life. Before this time he was not able to bring his philosophical and scientific ideas, important as they were, to any very definite formulation. The Metamorphosis of the Plants was first published in 1790; everything connected with it belongs to this decade 1790-1800. In 1790 Goethe was so far from completing his Faust that he brought it out as a Fragment; he had no idea then that he would ever finish it. It was in this decade that under the influence of his friendship with Schiller he conceived the bold idea of continuing his Faust. The great scenes, the Prologue in Heaven among others, belong to this period. So in Goethe we have to do with an exceptionally harmonious life; with a life moreover that runs its quiet course, undisturbed by inner conflict, devoted freely and contemplatively to the outer world. As a contrast let us look at the life of Schiller. From the outset Schiller is placed into a situation in life which shows a continual disharmony between his life of soul and spirit and his physical body. His head completely lacks the harmonious formation which we find in Goethe. He is even ugly, ugly in a way that does not hide his gifts, but nevertheless ugly. In spite of this a strong personality is shown in the way he holds himself, and this comes to expression in his features also, particularly in the formation of the nose. Schiller is not long-bodied; he has long legs. On the other hand everything that lies between the head and the limbs, in the region of the circulation and breathing is in his case definitely sick, poorly developed from birth, and he suffers throughout his life from cramps. To begin with there are long periods between the attacks, but later they become almost incessant. They become indeed so severe that he is unable to accept any invitation to a meal; but has to make it a condition—as for instance on one occasion when coming to Berlin—that he is invited for the whole day, so that he may be able to choose a time free from such pains. The cause of all this is an imperfect development of the circulatory and breathing systems. The question therefore arises: What lies karmically, coming from a previous earthly life, in the case of a man who has to suffer in this way from cramping pains? Such pains, when they gain a hold in human life, point quite directly to a man's karma. If, with a sense of earnest scientific responsibility, one attempts to investigate these cramp phenomena from the standpoint of spiritual science, one always finds a definite karmic cause underlying them, the results of deeds, thoughts and feelings coming from an earlier life on earth. Now we have the man before us, and one of two things can happen. Either everything goes as harmoniously as with Goethe, so that one says to oneself: Here we have to do with Karma; here everything appears as the result of Karma. Or the opposite can also happen. Through special conditions which arise when a man descends out of the spiritual world into the physical, he comes into a situation in which he is not able fully to work through the burden of his karma.  Man comes down from the spiritual world with definite karmic predispositions; he bears these within him. Let us assume that A in the diagram represents a place, a definite point of time in the life of a man when he should be able in some way to realise, to fulfil his karma, but for some reason this does not happen. Then the fulfilment of his karma is interrupted and a certain time must pass when, as it were, his karma makes a pause; it has to be postponed until the next life on earth. And so it goes on. Again, at B there comes a place when he should be able to fulfil something of his karma; but once more he has to pause and again postpone this part of his karma until his next incarnation. Now when someone is obliged to interrupt his karma in this way pains of a cramping nature always make their appearance in the course of life. Such a person is unable fully to fashion and shape into his life what he always bears within him. Here we have something which shows the true character of spiritual science. It does not indulge in fantasy, neither does it talk in vague, general terms about the four members of man's being; physical body, etheric body, astral body and ego. On the contrary, it penetrates into real life, and is able to point out where the real spiritual causes lie for certain external occurrences. It knows how man represents himself in outer life. This knowledge is what true spiritual science must be able to achieve. I was now faced with the question: In a life such as Schiller's, how does karma work as the shaper of the whole of life if, as in his case, conditions are such that karma cannot properly operate, so that he has to make continual efforts to achieve what he has the will to achieve? For Goethe it was really comparatively easy to complete his great works. For Schiller the act of creation is always very difficult. He has, as it were, to attack his karma, and the way in which he goes to the attack will only show its results in the following earthly life. So one day I had to put to myself the following question: What is the connection between such a life as Schiller's and the more general conditions of life? If one sets about answering such a question in a superficial way nothing of any significance emerges, even with the help of the investigations of spiritual science. Here one may not spin a web of fantasy; one must observe. Nevertheless if one approaches straight away the first object that presents itself for observation, one will somehow go off on a side track. So I considered the question in the following way: How does a life take its course when karmic hindrances or other pre-earthly conditions are present? I then proceeded to study certain individuals in whom something of this kind had already happened, and I will now give such an example. I could give many similar examples, but I will take one which I can describe quite exactly. I had an acquaintance, a personality whom I knew very well indeed in his present earthly life. I was able to establish that there were no hindrances in his life connected with the fulfilment of karma, but there were hindrances resulting from what had taken place in his existence between death and a new birth, that is in his super-sensible life between the last earthly life and the one in which I learned to know him. So in this case there were not, as with Schiller, hindrances preventing the fulfilment of karma, but hindrances in the way of bringing down into the physical body what he had experienced between death and a new birth in the super-sensible world. In observing this man one could see that he had experienced much of real significance between death and a new birth, but was not able to give expression to this in life. He had entered into karmic relationships with other people and had incarnated at a time when it was not possible fully to realise on earth what he had, as it were, piled up as the content of his inner soul experience between death and conception. And what were the physical manifestations which appeared as the result of his not being able to realise what had been present in him in the super-sensible world? These showed themselves through the fact that this personality was a stutterer; he had an impediment in his speech. And if one now takes a further step and investigates the causes at work in the soul which result in speech disturbances, then one always finds that there is some hindrance preventing what was experienced between death and a new birth in the super-sensible world from being brought down through the body into the physical world. Now the question arises: How do matters stand in the case of such a personality who has very much in him brought about through his previous karma, but who has it all stored up in the existence between death and a new birth and, because he cannot bring it down becomes a stutterer? What sort of things are bound up with such a personality in his life here on earth? Again and again one could say to oneself: This man has in him many great qualities that he has gained in pre-earthly life, but he cannot bring them down to earth. He was quite able to bring down what can be developed in the formation of the physical body up to the time of the change of teeth; he could even develop extremely well what takes place between the change of teeth and puberty. He then became a personality with outstanding literary and artistic ability, for he was able to form and fashion what can be developed between puberty and the 30th year of life. Now, however, there arose a deep concern in one versed in a true knowledge of man, a concern which may be expressed in the following question: How will it be with this personality when he enters his thirties and should then develop to an ever increasing degree the spiritual or consciousness soul in addition to the intellectual or mind soul? Anyone who has knowledge of these things feels the deepest concern in such a case, for he cannot think that the consciousness soul—which needs for its unfolding everything that arises in the head, perfect and complete—will be able to come to its full development. For with this personality the fact that he stuttered showed that not everything in the region of his head was in proper order. Now apart from stuttering this man was as sound as a bell, except that in addition to the stutter, (which showed that not everything was in order in the head system) he suffered from a squint. This again was a sign that he had not been able to bring down into the present earthly life all that he had absorbed in the super-sensible life between death and a new birth. Now one day this man came to me and said: “I have made up my mind to be operated on for my squint.” I was not in a position to do more than say, “If I were you, I should not have it done.” I did all I could to dissuade him. I did not at that time see the whole situation as clearly as I do today, for what I am telling you happened more than 20 years ago. But I was greatly concerned about this operation. Well, he did not follow my advice and the operation took place. Now note what happened. Very soon after the operation, which was extremely successful, as such operations often are, he came to me in jubilant mood and said, “Now I shall not squint any more.” He was just a little vain, as many distinguished people often are. But I was very troubled; and only a few days later the man died, having just completed his 30th year. The doctors diagnosed typhoid, but it was not typhoid, he died of meningitis. There is no need for the spiritual investigator to become heartless when he considers such a life; on the contrary his human sympathy is deepened thereby. But at the same time he sees through life and comprehends it in its manifold aspects and relationships. He perceives that what was experienced spiritually between death and a new birth cannot be brought down into the present life and that this comes to expression in physical defects. Unless the right kind of education can intervene, which was not possible in this case, life cannot be extended beyond certain definite limits. Please do not believe that I am asserting that anybody who squints must die at 30. Negative instances are never intended and it may well be that something else enters karmically into life which enables the person in question to live to a ripe old age. But in the case we are considering there was cause for anxiety because of the demands made on the head, which resulted in squinting and stuttering, and the question arose: How can a man with an organisation of this kind live beyond the 35th year? It is at this point of time that one must look back on a person's karma, and then you will see immediately that it in no way followed that because somebody had a squint he must die at 30. For if we take a man who has so prepared himself in pre-earthly life that he has been able to absorb a great deal between death and a new birth, but is unable to bring down what he has received into physical life, and if we consider every aspect of his karma, we find that this particular personality might quite well have lived beyond the 35th year; but then, besides all other conditions, he would have had to bear within him the impulse leading to a spiritual conception of man and of the world. For this man had a natural disposition for spiritual things which one rarely meets; but in spite of this, because strong spiritual impulses inherent in him from previous earth lives were too one-sided, he could not approach the spiritual. I assure you that I am in a position to speak about such a matter. I was very friendly with this man and was therefore well aware of the deep cleft that existed between my own conception of the world and his. From the intellectual standpoint we could understand one another very well; we could be on excellent terms in other ways, but it was not possible to speak to him about the things of the spirit. Thus because with his 35th year it would have been necessary for him to find his way to a spiritual life, if his potential gifts up to this age were to be realised on earth, and because he was not able to come to a spiritual life, he died when he did. It is of course perfectly possible to stutter and have a squint and yet continue one's life as an ordinary mortal. There is no need to be afraid of things which must be stated at times if one wishes to describe realities, and not waste one's breath in mere phrases. Moreover from this example you can see how observation, sharpened by spiritual insight, enables one to look deeply into human life. And now let us return to Schiller. When we consider the life of Schiller two things strike us above all others, for they are quite remarkable. There exists an unfinished drama by Schiller, a mere sketch, called the Malteser. We see from the concept underlying this sketch that if Schiller had wished to complete this drama, he could only have done so as an initiate, as one who had experienced initiation. It could not have been done otherwise. Up to a certain degree at least he possessed the inner qualities necessary for initiation, but owing to other conditions of his karma these qualities could not get through; they were suppressed, cramped. There was a cramping of his soul life too which can be seen in the sketch of the Malteser. There are long powerful sentences which never manage to get to the full stop. What is in him cannot find its way out. Now it is interesting to observe that with Goethe, too, we have such unfinished sketches, but we see that in his case, whenever he left something unfinished, he did so because he was too easy-going to carry it further. He could have finished it. Only in extreme old age, when a certain condition of sclerosis had set in would this have been impossible for him. With Schiller however we have another picture. An iron will is present in him when he makes the effort to develop the Malteser but he cannot do it. He only gets as far as a slight sketch. For this drama, seen in its reality, contains what, since the time of the Crusades, has been preserved in the way of all kinds of occultism, mysticism, and initiation science. And Schiller sets to work on such a drama, for the completion of which he would have had to bear within him the experience of initiation. Truly a life's destiny which is deeply moving for one who is able to see behind these things and look into the real being of this man. And from the time it became known that Schiller had in mind to write a drama such as the Malteser there was a tremendous increase in the opposition to him in Germany. He was feared. People were afraid that in his drama he might betray all kinds of occult secrets. The second work about which I wish to speak is the following. Schiller is unable to finish the Malteser; he cannot get on with it. He lets some time go by and writes all manner of things which are certainly worthy of admiration, but which can also be admired by so-called philistines. If he could have completed the Malteser, it would have been a drama calling for the attention of men with the most powerful and vigorous minds. But he had to put it aside. After a while he gets a new impulse which inspires his later work. He cannot think any more about the Malteser, but he begins to compose his Demetrius. This portrays a remarkable problem of destiny, the story of the false Demetrius who takes the place of another man. All the conflicting destinies which enter into the story as though emerging out of the most hidden causes, all the human emotions thereby aroused, would have had to be brought into this drama, if it were to be completed. Schiller sets to work on it with feverish activity. It became generally known—and people were still more afraid that things would be brought into the open which it was to their interest to keep hidden from the rest of mankind for some time yet. And now certain things take place in the life of Schiller which, for anyone who understands them, cannot be accounted for on the grounds of a normal illness. We have a remarkable picture of this illness of Schiller's. Something tremendous happens—tremendous not only in regard to its greatness, but in regard to its shattering force. Schiller is taken ill while writing his Demetrius. On his sick bed in raging fever he continually repeats almost the whole of Demetrius. It seems as though some alien power is at work in Schiller, expressing itself through his body. There is of course no ground for accusing anyone. But, in spite of everything that has been written in this connection, one cannot do otherwise than come to the conclusion, from the whole picture of the illness, that in some way or another, even if in a quite occult way, something contributed to the rapid termination of Schiller's illness in his death. That people had some suspicion of this may be gathered from the fact that Goethe, who could do nothing, but suspected much, dared not participate personally in any way during the last days of Schiller's life, not even after his death, although he felt this deeply. He dared not venture to make known the thoughts he bore within him. With these remarks I only want to point out that for anyone able to see through such things Schiller was undoubtedly pre-destined to create works of a high spiritual order, but on account of inner and outer causes, inner and outer karmic reasons, it was all held back, dammed up, as it were, within him. I venture to say that for the spiritual investigator there is nothing of greater interest than to set himself the problem of studying what Schiller achieved in the last ten years of his life, from the Aesthetic Letters onwards, and then to follow the course of his life after death. A deep penetration into Schiller's soul after death reveals manifold inspirations coming to him from the spiritual world. Here we have the reason why Schiller had to die in his middle forties. His condition of cramp and his whole build, especially the ugly formation of his head, made it impossible for him to bring down into the physical body the content of his soul and spirit, deeply rooted as this was in spiritual existence. When we bear such things in mind we must admit that the study of human life is deepened if we make use of what anthroposophy can give. We learn to look right into human life. In bringing these examples before you my sole purpose was to show how through anthroposophy one learns to contemplate the life of human beings. But let us now look at the matter as a whole. Can we not deepen our feeling and understanding for everything that is human simply by looking at a single human life in the way that we have done? If at a certain definite moment of life one can say to oneself: Thus it was with Schiller, thus with Goethe; thus it was with another young man—as I have told you—then, will not something be stirred in our souls which will teach us to look upon every child in a deeper way? Will not every human life become a sacred riddle to us? Shall we not learn to contemplate every human life, every human being, with much greater, much more inward attention? And can we not, just because a knowledge of man has been inscribed in this way into our souls, deepen within us a love of mankind? Can we not with this human love, deepened by a study of man which gives such profundity to the most inward, sacred riddle of life—can we not, with this love, enter rightly upon the task of education when life itself has become so sacred to us? Will not the teacher's task be transformed from mere ideological phrases or dream-like mysticism into a truly priestly calling ready for its task when Divine Grace sends human beings down into earthly life? Everything depends on the development of such feelings. The essential thing about anthroposophy is not mere theoretical teaching, so that we know that man consists of physical body, etheric body, astral body and ego; that there is a law of karma, of reincarnation and so on. People can be very clever, they can know everything; but they are not anthroposophists in the true sense of the word when they only know these things in an ordinary way, as they might know the content of a cookery book. What matters is that the life of human souls is quickened and deepened by the anthroposophical world conception and that one then learns to work and act out of a soul-life thus deepened and quickened. This then is the first task to be undertaken in furthering an education based on anthroposophy. From the outset one should work in such a way that teachers and educators may become in the deepest sense “knowers of men,” so that out of their own conviction, as a result of observing human beings in the right way, they approach the child with the love born out of this kind of thinking. It follows therefore that in a training course for teachers wishing to work in an anthroposophical sense the first approach is not to say: you should do it like this or like that, you should employ this or that educational knack, but the first thing is to awaken a true educational sense born out of a knowledge of man. If one has been successful in bringing this to the point of awakening in the teacher a real love of education then one can say that he is now ready to begin his work as an educator. In education based on a knowledge of man, such for instance as the Waldorf School education, the first thing to be considered is not the imparting of rules, not the giving advice as to how one should educate, but the first thing is to hold Training Courses for Teachers in such a way that one finds the hearts of the teachers and so deepens these hearts that love for the child grows out of them. It is quite natural that every teacher believes that he can, as it were, impose this love on himself, but such an imposed human love can achieve nothing. Much good will may be behind it, but it can achieve nothing. The only human love which can achieve something is that which arises out of a deepened observation of individual cases. If someone really wishes to develop an understanding of the essential principles of education based on a knowledge of man—whether he has already acquired a knowledge of spiritual science or whether, as can also happen, he has an instinctive understanding of these things—he will observe the child in such a way that he is faced with this question: What is the main trend of a child's development up to the time of the change of teeth? An intimate study of man will show that up to the change of teeth the child is a completely different being from what he becomes later on. A tremendous inner transformation takes place at this time, and there is another tremendous transformation at puberty. Just think what the change of teeth signifies for the growing child. It is only the outer sign for deep changes which are taking place in the whole human being, changes which occur only once, for only once do we get our second teeth, not every seven years. With the change of teeth the formative process taking place in the teeth comes to an end. From now on we have to keep our teeth for the rest of our lives. The most we can do is to have them stopped, or replaced by false ones, for we get no others out of our organism. Why is this? It is because with the change of teeth the organisation of the head is brought to a certain conclusion. If we are aware of this, if in each single case we ask ourselves: What actually is it that is brought to a conclusion with the change of teeth?—we are led, just at this point, to a comprehension of the whole human organisation, body, soul and spirit. And if—with our gaze deepened by a love gained through a knowledge of man such as I have described—we observe the child up to the change of teeth, we shall see that during these years he learns to walk, to speak and to think. These are the three most outstanding faculties to be developed up to the change of teeth. Walking entails more than just learning to walk. Walking is only one manifestation of what is actually taking place, for it involves learning to adapt oneself to the world through acquiring a sense of balance. Walking is only the crudest expression of this process. Before learning to walk the child is not exposed to the necessity of finding his equilibrium in the world: now he learns to do this. How does it come about? It comes about through the fact that man is born with a head which requires a quite definite position in regard to the forces of balance. The secret of the human head is shown very clearly in the physical body. You must bear in mind that an average human brain weighs between 1,200 and 1,500 grammes. Now if such a weight as this were to press on the delicate veins which lie at the base of the brain they would be crushed immediately. This is prevented by the fact that this heavy brain floats in the cerebral fluid that fills our head. You will doubtless remember from your studies in physics that when a body floats in a fluid it loses as much of its weight as the weight of the fluid it displaces. If you apply this to the brain you will discover that our brain presses on its base with a weight of about 20 grammes only; the rest of the weight is lost in the cerebral fluid. Thus at birth man's brain has to be so placed that its weight can be brought into proper proportion in regard to the displaced cerebral fluid. This adjustment is made when we raise ourselves from the crawling to the upright posture. The position of the head must now be brought into relationship with the rest of the organism. Walking and using the hands make it necessary for the head to be brought into a definite position. Man's sense of balance proceeds from the head. Let us go further. At birth man's head is relatively highly organised, for up to a point it is already formed in the embryo, although it is not fully developed until the change of teeth. What however is first established during the time up to the change of teeth, what then receives its special outer organisation, is the rhythmic system of man. If people would only observe physical physiological processes more closely they would see how important the establishing of the circulatory and breathing systems is for the first seven years. They would recognise how here above all great damage can be done if the bodily life of the child does not develop in the right way. One must therefore reckon with the fact that in these first years of life something is at work which is only now establishing its own laws in the circulatory and breathing systems. The child feels unconsciously how his life forces are working in his circulation and breathing. And just as a physical organ, the brain, must bring about a state of balance, so must the soul in the first years of life play its part in the development of the breathing and circulatory systems. The physical body must be active in bringing about a state of balance proceeding from the head. The soul, in that it is rightly organised for this purpose, must be active in the changes that take place in the circulation and breathing. And just as the upright carriage and learning to use the hands and arms are connected with what comes to expression in the brain, so the way in which speech develops in man is connected with the systems of circulation and breathing. Through learning to speak man establishes a relationship with his circulation and breathing, just as he establishes a relationship between walking and grasping and the forces of the head by learning to hold the latter in such a way that the brain loses the right amount of weight. If you train yourself to perceive these relationships and then you meet someone with a clear, high-pitched voice particularly well-suited to the recitation of hymns or odes, or even to declamatory moral harangues, you may be sure that this is connected with special conditions of the circulatory system. Or again if you meet someone with a rough, harsh voice, with a voice like the beating together of sheets of brass and tin, you may be sure that this too is connected with the breathing or circulatory systems. But there is more to it than this. When one learns to listen to a child's voice, whether it be harmonious and pleasant, or harsh and discordant, and when one knows that this is connected with movements of the lungs and the circulation of the blood, movements inwardly vibrating through the whole man, right into the fingers and toes, then one knows that what is expressed through speech is imbued with qualities of soul. And now something in the nature of a higher man, so to say, makes its appearance, something which finds its expression in this picture relating speech with the physical processes of circulation and breathing. Taking our start from this point it is possible to look up and see into the pre-natal life of man which is subject to those conditions which we have made our own between death and a new birth. What a man has experienced in pre-earthly conditions plays in here, and so we learn that if we are to comprehend the being of man by means of true human understanding and knowledge we must train our ear to a spiritual hearing and listen to the voices of children. We can then know how to help a child whose strident voice betrays the fact that there is some kind of obstruction in his karma and we can do something to free him from such karmic hindrances. From all this we can see what is necessary for education. It is nothing less than a knowledge of man; not merely the sort of knowledge that says: “This is a gifted personality, this is a good fellow, this is a bad one,” but the kind of knowledge that follows up what lies in the human being, follows up for instance what is spiritually present in speech and traces this right down into the physical body, so that one is not faced with an abstract spirituality but with a spirituality which comes to expression in the physical image of man. Then, as a teacher, you can set to work in such a way that you take into consideration both spirit and body and are thus able to help the physical provide a right foundation for the spirit. And further, if you observe a child from behind and see that he has short legs, so that the upper part of the body is too heavy a burden and his tread is consequently also heavy, you will know, if you have acquired the right way of looking at these things, that here the former earthly life is speaking, here karma is speaking. Or, for instance if you observe someone who walks in the same way as the German philosopher Johann Gottlieb Fichte, who always walked with his heels well down first, and even when he spoke did so in such a way that the words came out, as it were “heels first,” then you will see in such a man another expression of karma. In this way we learn to recognise karma in the child through observation based on spiritual science. This is something of the greatest importance which we must look into and understand. Our one and only help as teachers is that we learn to observe human beings, to observe the bodies of the children, the souls of the children and the spirits of the children. In this way a knowledge of man must make itself felt in the sphere of education, but it must be a knowledge which is deepened in soul and spirit. With this lecture I wanted to call up a picture, to give an idea of what we are trying to achieve in education, and what can arise in the way of practical educational results from what many people consider to be highly unpractical, what they look upon as being merely fantastic day-dreaming. |
| 310. Human Values in Education: Stages of Childhood
19 Jul 1924, Arnheim Translated by Vera Compton-Burnett Rudolf Steiner |
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| This kind of thinking, however, although quite legitimate under certain conditions never leads to conclusions of any depth, but remains more or less on the surface. |
| We receive a very definite impression of a child's potentialities from his manner of speaking. And to understand the world, to understand the world through the medium of the senses, through the medium of thought, this too is developed out of speech. |
| In speech the inner and the outer unite. Human nature, itself homogeneous, understands how to bring this about. We receive the child into the primary school. Through his inner organisation he has become a being able to speak. |
| 310. Human Values in Education: Stages of Childhood
19 Jul 1924, Arnheim Translated by Vera Compton-Burnett Rudolf Steiner |
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You will have gathered from the remarks I have made during the last two days that there is a fundamental change in the inner constitution of the human being at every single stage of his life. Today, certainly, modern psychologists and physiologists also take this into account. They too reckon with these changes which take place in the course of life, firstly up to the change of teeth, then up to puberty, and again from puberty into the twenties. But these differences are more profound than can be discovered by means of the methods of observation customary today, which do not reach far enough, however excellent they may be. We must take a further step and examine these differences from aspects demanded by spiritual science. You will hear many things that are already familiar to you, but you must now enter more deeply into them. Even when the child enters this world from the embryo condition, that is, to take an external characteristic, when he adapts himself to the outer process of breathing, even then, physiologically speaking, he is not yet received directly by the outer world, for he takes the natural nourishment of the mother's milk. He is not nourished as yet by what comes from the outer world, but by what comes from the same source as the child himself. Now today people study the substances they meet with in the world more or less according to their external, chemical, physical properties only and do not consider the finer attributes which they possess through their spiritual content. Nowadays everything is considered in this way. Such methods are not to be condemned; on the contrary they should be recognised as justified. Nevertheless because the time came when man was concerned only with the outer aspects of things, aspects which could not be so regarded in earlier civilisations, he has now reached a point of extreme externalisation. If I may make a comparison, things are observed today in some such way as this. We say: I look upon death, upon dying; plants die, animals die, human beings die. But surely the question arises as to whether dying, the passing away of the various forms of life with which we come in contact, is in all three kinds of living beings the same process, or whether this only appears outwardly to be so. We can make use of the following comparisons: If I have a knife there is a real difference whether I cut my food with it, or whether I use it for shaving. In each case it is a knife, but the properties of “knife” must be further differentiated. Such differentiation is in many cases not made today. No differentiation is made between the dying of a plant, an animal or a man. We meet the same thing in other domains too. There are people who in a certain way want to be philosophers of nature, and because they aim at being idealistic, even spiritual, they assert that plants may well have a soul; and they try to discover in an external way those characteristics of plants which seem to indicate that they have certain soul qualities. They make a study of those plants which, when they are approached by insects, tend to open their petals. The insect is caught, for it is attracted by the scent of what is in the plant. Such a plant is the Venus Flytrap. It closes its petals with a snap and the insect is trapped. This is considered to be a sort of soul quality in the plant. Well, but I know something else which works in the same way. It is to be found in all sorts of places. The mouse, when it comes near, feels attracted by the smell of a dainty morsel; it begins to nibble, and—hey presto! snap goes the mousetrap. If one were to make use of the same thought process as in the case of a plant, one might say: the mousetrap has a soul. This kind of thinking, however, although quite legitimate under certain conditions never leads to conclusions of any depth, but remains more or less on the surface. If we wish to gain a true knowledge of man we must penetrate into the very depths of human nature. It must be possible for us to look in a completely unprejudiced way at things which appear paradoxical vis-à-vis external methods of observation. Moreover it is very necessary to take into consideration everything which, taken together, makes up the entire human organisation. In man we have, to begin with, the actual physical organism which he has in common with all earthly beings and particularly with the mineral kingdom. In man, however, we have clearly to distinguish between his physical organism and his etheric organism. The latter he has in common only with the plant world, not with the minerals. But a being endowed only with an etheric organism could never experience feeling, never attain to an inner consciousness. For this again man has his astral organism, which he has in common with the animal world. It might appear that this is an external organisation, but in the course of these lectures we shall see how inward it can be. In addition to this man still has his ego-organisation, which is not to be found in the animal world and which he alone possesses among earthly beings. What we are here considering is in no sense merely an external, intellectual pattern; moreover, in speaking, for instance, of an etheric or life-body, this has no connection whatever with what an outmoded natural science once called “life-force,” “vital-force” and so on. On the contrary, it is the result of observation. If, for instance, we study the child up to the age of the change of teeth, we see that his development is primarily dependent on his physical organism. The physical organism must gradually adapt itself to the outer world, but this cannot take place all at once, not even if considered in the crudest physical sense. This physical body, just because it contains what the human being has brought with him out of the spiritual world in which he lived in pre-earthly existence, cannot forthwith assimilate the substances of the outer world, but must receive them specially prepared in the mother's milk. The child must, so to say, remain closely connected with what is of like nature with himself. He must only gradually grow into the outer world. And the conclusion of this process of the physical organism growing into the outer world is indicated by the appearance of the second teeth at about the seventh year. At approximately this age the child's physical organism completes the process of growing into the world. During this time, however, in which the organisation is chiefly concerned with the shaping and fashioning of the bony system, the child is only interested in certain things in the outer world, not in everything. He is only interested in what we might call gesture, everything that is related to movement. Now you must take into account that at first the child's consciousness is dream-like, shadowy; to begin with his perceptions are quite undefined, and only gradually do they light up and gain clarity. But fundamentally speaking the fact remains that during the time between birth and the change of teeth the child's perception adheres to everything in the nature of gesture and movement and does so to such an extent, that in the very moment when he perceives a movement he feels an inner urge to imitate it. There exists a quite definite law of development in the nature of the human being which I should like to characterise in the following way. While the human being is growing into the physical, earthly world, his inner nature is developing in such a way that this development proceeds in the first place out of gesture, out of differentiation of movement. In the inner nature of the organism speech develops out of movement in all its aspects, and thought develops out of speech. This deeply significant law underlies all human development. Everything which makes its appearance in sound, in speech, is the result of gesture, mediated through the inner nature of the human organism. If you turn your attention to the way in which a child not only learns to speak, but also learns to walk, to place one foot after the other, you can observe how one child treads more strongly on the back part of the foot, on the heel, and another walks more on the toes. You can observe children who in learning to walk tend to bring their legs well forward; with others you will see that they are more inclined to hold back, as it were, between two steps. It is extraordinarily interesting to watch a child learning to walk. You must learn to observe this. But it is more interesting still, although much less attention is paid to it, to see how a child learns to grasp something, how he learns to move his hands. There are children who, when they want something, move their hands in such a way that even the fingers are brought into movement. Others keep their fingers still, and stretch out their hands to take hold without moving the fingers. There are children who stretch out their hand and arm, while keeping the upper part of the body motionless; there are others who immediately let the upper part of the body follow the movement of arm and hand. I once knew a child who, when he was very small and his high-chair was placed at a little distance from the table on which stood some dish he wished to get at, proceeded to “row” himself towards it; his whole body was then in movement. He could make no movements at all without moving his whole body. This is the first thing to look out for in a child; for how a child moves reveals the most inward urge of life, the primal life impulse. At the same time there appears in the child's movement the tendency to adapt himself to others, to carry out some movement in the same way as his father, mother or other member of the family. The principle of imitation comes to light in gesture, in movement. For gesture is what appears first of all in human evolution, and in the special constitution of the physical, soul and spiritual organism of man gesture is inwardly transformed; it is transformed into speech. Those who are able to observe this know without any doubt that a child who speaks as though the sentences were hacked out of him is one who sets his heels down first; while a child who speaks in such a way that the sentences run one into the other tends to trip on his toes. A child who takes hold of things more lightly with his fingers has the tendency to emphasise the vowel element, while a child who is inclined to stress the consonants will bring his whole arm to his aid when grasping something. We receive a very definite impression of a child's potentialities from his manner of speaking. And to understand the world, to understand the world through the medium of the senses, through the medium of thought, this too is developed out of speech. Thought does not produce speech, but speech thought. So it is in the cultural development of humanity as a whole; human beings have first spoken, then thought. So it is also with the child; first out of movement he learns to speak, to articulate only then does thinking come forth from speech. We must therefore look upon this sequence as being something of importance: gesture, speech, thought, or the process of thinking. All this is especially characteristic in the first epoch of the child's life, up to the change of teeth. When little by little the child grows into the world during the first, second, third and fourth years of life, he does so through gesture; everything is dependent on gesture. Indeed, I would say that speaking and thinking take place for the most part unconsciously; both develop naturally out of gesture, even the first gesture. Therefore speaking approximately we can say: From the first to the seventh year gesture predominates in the life of the child, but gesture in the widest sense of the word, gesture which in the child lives in imitation. As educators we must keep this firmly in mind for actually up to the change of teeth the child only takes in what comes to him as gesture, he shuts himself off from everything else. If we say to the child: Do it like this, do it like that, he really does not hear, he does not take any notice. It is only when we stand in front of him and show him how to do it that he is able to copy us. For the child works according to the way I myself am moving my fingers, or he looks at something just as I am looking at it, not according to what I tell him. He imitates everything. This is the secret of the development of the child up to the change of teeth. He lives entirely in imitation, entirely in the imitation of what in the widest possible sense comes to meet him from outside as gesture. This accounts for the surprises we get when faced with the education of very young children. A father came to me once and said, “What shall I do? Something really dreadful has happened. My boy has been stealing.” I said, “Let us first find out whether he really steals. What has he done?” The father told me that the boy had taken money out of the cupboard, had bought sweets with it and shared them with the other boys. I said “Presumably that is the cupboard out of which the boy has often seen his mother taking money, before going shopping; he is quite naturally imitating her.” And this proved to be the case. So I said further, “But that is not stealing; that lies as a natural principle of development in the boy up to the change of teeth. He imitates what he sees; he must do so.” In the presence of a child therefore we should avoid doing anything which he should not imitate. This is how we educate him. If we say: You should not do this or that, it does not influence the child in the slightest degree up to the change of teeth. It could at most have some effect if one were to clothe the words in a gesture, by saying: Now look, you have just done something that I would never do!—for this is in a way a disguised gesture. It comes to this: with our whole manhood we should fully understand how up to the change of teeth the child is an imitating being. During this time there is actually an inner connection between the child and his environment, between all that is going on around him. Later on this is lost. For however strange and paradoxical it may sound to people today, who are quite unable to think correctly about the spirit, but think always in abstractions, it is nevertheless true that the whole relationship of the child to gesture and movement in his surroundings has an innate religious character. Through his physical body the child is given over to everything in the nature of gesture; he cannot do otherwise than yield himself up to it. What we do later with our soul, and still later with our spirit, in that we yield ourselves up to the divine, even to the external world, as again spiritualised, this the child does with his physical body when he brings it into movement. He is completely immersed in religion, both with his good and his bad qualities. What remains with us as soul and spirit in later life, this the child has also in his physical organism. If therefore the child lives in close proximity with a surly, “bearish” father, liable to fall into rages, someone who is often irritable and angry, expressing uncontrolled emotions in the presence of the child, while the inner causes of such emotions are not as yet understood by the child, nevertheless what he sees, he experiences as something not moral. The child perceives simultaneously, albeit unconsciously, the moral aspects of these outbreaks, so that he has not only the outer picture of the gesture, but also absorbs its moral significance. If I make an angry gesture, this passes over into the blood organisation of the child, and if these gestures recur frequently they find expression in his blood circulation. The child's physical body is organised according to the way in which I behave in his presence, according to the kind of gestures I make. Moreover if I fail in loving understanding when the child is present, if, without considering him I do something which is only suitable at a later age, and am not constantly on the watch when he is near me, then it can happen that the child enters lovingly into something which is unfitted for his tender years, but belongs to another age, and his physical body will in that case be organised accordingly. Whoever studies the whole course of a man's life from birth to death, bearing in mind the requirements of which I have spoken, will see that a child who has been exposed to things suitable only to grown-up people and who imitates these things will in his later years, from the age of about 50, suffer from sclerosis. One must be able to examine such phenomena in all their ramifications. Illnesses that appear in later life are often only the result of educational errors made in the very earliest years of childhood. This is why an education which is really based on a knowledge of man must study the human being as a whole from birth until death. To be able to look at man as a whole is the very essence of anthroposophical knowledge. Then too one discovers how very strong the connection is between the child and his environment. I would go as far as to say that the soul of the child goes right out into his surroundings, experiences these surroundings intimately, and indeed has a much stronger relationship to them than at a later period of life. In this respect the child is still very close to the animal, only he experiences things in a more spiritual way, in a way more permeated with soul. The animal's experiences are coarser and cruder, but the animal too is related to its environment. The reason why many phenomena of recent times remain unexplained is because people are not able to enter into all the details involved. There is, for instance, the case of the “calculating horses” which has made such a stir recently, where horses have carried out simple arithmetical operations through stamping with their hooves. I have not seen the famous Elberfelder horses, but I have seen the horse belonging to Herr von Osten. This horse did quite nice little sums. For instance Herr von Osten asked: How much is 5 + 7? And he began to count, beginning with 1, and when he got to 12 the horse stamped with its foot. It could add up, subtract and so on. Now there was a young professor who studied this problem and wrote a book about it which is extremely interesting. In this book he expounds the view that the horse sees certain little gestures made by Herr von Osten, who always stands close to the horse. His opinion is that when Herr von Osten counts 7 + 5 up to 12 and the horse stamps when the number 12 is reached, this is because Herr von Osten makes a very slight gesture when he comes to 12 and the horse, noticing this, duly stamps his foot. He believes that it can all be traced back to something visible. But now he puts a question to himself: “Why,” he says, “can you not see this gesture which Herr von Osten makes so skilfully that the horse sees it and stamps at the number 12?” The young professor goes on to say that these gestures are so slight that he as a human being cannot see them. From this the conclusion might be drawn that a horse sees more than a professor! But this did not convince me at all, for I saw this wonder of an intelligent horse, the clever Hans, standing by Herr von Osten in his long coat. And I saw too that in his right-hand pocket he had lumps of sugar, and while he was carrying out his experiments with the horse he always handed it one lump after another, so that feeling was aroused in the horse associating sweet things with Herr von Osten. In this way a sort of love was established between Herr von Osten and the horse. And only when this is present, only when the inner being of the horse is, as it were, merged into the inner being of Herr von Osten through the stream of sweetness that flows between them, only then can the horse “calculate,” for it really receives something—not through gesture, but through what Herr von Osten is thinking. He thinks: 5 + 7 = 12, and by means of suggestion the horse takes up this thought and even has a distinct impression of it. One can actually see this. The horse and his master are in a certain way merged in feeling one into the other: they impart something to one another reciprocally when they are united through the medium of sweetness. So the animal still has this finer relationship to its environment, and this can be stimulated from outside, as, in this case, by means of sugar. In a delicate way a similar relationship to the outer world is still present in children also. It lives in the child and should be reckoned with. Education in the kindergarten should therefore never depend on anything other than the principle of imitation. The teacher must sit down with the children and just do what she wishes them to do, so that the child has only to copy. All education and instruction before the change of teeth must be based on this principle. After the change of teeth all this becomes quite different. The soul life of the child is now completely changed. No longer does he perceive merely the single gestures, but now he sees the way in which these gestures accord with one another. For instance, whereas previously he only had a feeling for a definite line, now he has a feeling for co-ordination, for symmetry. The feeling is awakened for what is co-ordinated or uncoordinated, and in his soul the child acquires the possibility of perceiving what is formative. As soon as this perception is awakened there appears simultaneously an interest in speech. During the first seven years of life there is an interest in gesture, in everything connected with movement; in the years between seven and fourteen there is an interest in everything connected with the pictorial form, and speech is pre-eminently pictorial and formative. After the change of teeth the child's interest passes over from gesture to speech, and in the lower school years from seven to fourteen we can work most advantageously through everything that lies in speech, above all through the moral element underlying speech. For just as the child before this age has a religious attitude towards the gesture which meets him in the surrounding world, so now he relates himself in a moral sense—his religious feeling being gradually refined into a soul experience—to everything which approaches him through speech. So now, in this period of his life, one must work upon the child through speech. But whatever is to work upon him in this way must do so by means of an unquestioned authority. When I want to convey to the child some picture expressed through speech, I must do so with the assurance of authority. I must be the unquestioned authority for the child when through speech I want to conjure up before him some picture. Just as we must actually show the little child what we want him to do, so we must be the human pattern for the child between the change of teeth and puberty. In other words, there is no point whatever in giving reasons to a child of this age, in trying to make him see why we should do something or not do it, just because there are well-founded reasons for or against it. This passes over the child's head. It is important to understand this. In exactly the same way as in the earliest years of life the child only observes the gesture, so between the change of teeth and puberty he only observes what I, as a human being, am in relation to himself. At this age the child must, for instance, learn about what is moral in such a way that he regards as good what the naturally accepted authority of the teacher, by means of speech, designates as good; he must regard as bad what this authority designates as bad. The child must learn: What my teacher, as my authority, does is good, what he does not do is bad. Relatively speaking then, the child feels: When my teacher says something is good, then it is good; and if he says something is bad, then it is bad. You will not attribute to me, seeing that 30 years ago I wrote my Philosophy of Freedom a point of view which upholds the principle of authority as the one and only means of salvation. But through the very fact of knowing the true nature of freedom one also knows that between the change of teeth and puberty the child needs to be faced with an unquestioned authority. This lies in the nature of man. Everything is doomed to failure in education which disregards this relationship of the child to the unquestioned authority of the personality of the teacher and educator. The child must be guided in everything which he should do or not do, think or not think, feel or not feel, by what flows to him, by way of speech, from his teacher and educator. At this age therefore there is no sense in wanting to approach him through the intellect. During this time everything must be directed towards the life of feeling, for feeling is receptive to anything in the nature of pictures and the child of this age is so constituted that he lives in the world of pictures, of images, and has the feeling of welding separate details into a harmonious whole. This is why, for instance, what is moral cannot be brought to the child by way of precept, by saying: You should do this, you should not do that. It simply doesn't work. What does work is when the child, through the way in which one speaks to him, can feel inwardly in his soul a liking for what is good, a dislike of what is bad. Between the change of teeth and puberty the child is an aesthete and we must therefore take care that he experiences pleasure in the good and displeasure in what is bad. This is the best way for him to develop a sense of morality. We must also be sincere, inwardly sincere in the imagery we use in our work with the child. This entails being permeated to the depths of our being by everything we do. This is not the case if, when standing before the child we immediately experience a slight sense of superiority: I am so clever—the child is so stupid. Such an attitude ruins all education; it also destroys in the child the feeling for authority. Well then, how shall I transform into a pictorial image something that I want to impart to the child? In order to make this clear I have chosen the following example as an illustration. We cannot speak to the child about the immortality of the soul in the same way as to a grown-up person; but we must nevertheless convey to him some understanding of it. We must however do so in a pictorial way. We must build up the following picture and to do this may well take the whole lesson. We can explain to the child what a butterfly's chrysalis is, and then speak in some such words as these: “Well, later on the finished butterfly flies out of the chrysalis. It was inside all the time only it was not yet visible, it was not yet ready to fly away, but it was already there inside.” Now we can go further and tell him that in a similar way the human body contains the soul, only it is not visible. At death the soul flies out of the body; the only difference between man and butterfly is that the butterfly is visible and the human soul is invisible. In this way we can speak to the child about the immortality of the soul so that he receives a true picture of immortality and one suited to his age. But in the presence of the child we must on no account have the feeling: I am clever, I am a philosopher and by no means of thought can I convince myself of the truth of immortality; the child is naive, is stupid, and so for him I will build up the picture of the butterfly creeping out of the chrysalis. If one thinks in this way one establishes no contact with the child, and then he gets nothing whatever from what he is told. There is only one possibility. We must ourselves believe in the picture, we must not want to be cleverer than the child; we must stand in the presence of the child as full of belief as he is. How can this be done? An anthroposophist, a student of spiritual science knows that the emergence of the butterfly from the chrysalis is actually a picture of the immortality of the human soul placed into the world by the gods. He can never think otherwise than that the gods inscribed into the world this picture of the emerging butterfly as an image of the immortality of the human soul. In all the lower stages of the process he sees the higher processes which have become abstract. If I do not get the idea that the child is stupid and I am clever, but if I stand before the child conscious that this actually is so in the world and that I am leading him to believe in something which I too believe with all my heart, then there arises an imponderable relationship between us, and the child makes real progress in his education. Then moral imponderabilia continually enters into our educational relationship. And this is the crux of the matter. When we are quite clear about this we shall, out of the whole nexus of our studies, come to see how we can find the right approach to an instruction which is truly educational, an education which really instructs. Let us take an example. How must the child learn to read and write? There is actually a great deal more misery connected with this than one usually imagines, though human intellectualism is far too crude to perceive it. One recognises that learning to read and write is a necessity, so it follows that the child must at all costs be drilled into learning reading and writing. But just consider what this means for a child! When they are grown-up, people have no inclination to put themselves in the child's place, to imagine what he undergoes when he learns to read and write. In our civilisation today we have letters, a, b, c and so on; they are there before us in certain definite forms. Now the child has the sound a (ah, as in father). When does he use it? This sound is for him the expression of an inner soul experience. He uses this sound when he is faced with something which calls up in him a feeling of wonder, of astonishment. This sound he understands. It is bound up with human nature. Or he has the sound e (eh, as in they). When does he use this? He uses it when he wants to show he has the feeling: “Something has come up against me; I have experienced something which encroaches on my own nature.” If somebody gives me a blow, I say e (eh).1 It is the same with the consonants. Every sound corresponds to some expression of life; the consonants imitate an outer, external world, the vowels express what is experienced inwardly in the soul. The study of language, philology, is today only approaching the first elements of such things. Learned scholars, who devote themselves to research into language, have given much thought to what, in the course of human evolution, may have been the origin of speech. There are two theories. The one represents the view that speech may have arisen out of soul experiences in much the same way as this takes place in the animal, albeit in its most primitive form—“moo-moo” being the expression of what the cow feels inwardly, and “bow-wow” what is experienced by the dog. And so, in a more complicated way, what in man becomes articulated speech arises out of this urge to give expression to inner feelings and experiences. In somewhat humorous vein this is called the “bow-wow theory.” The other point of view proceeds from the supposition that in the sounds of speech man imitates what takes place in the outer world. It is possible to imitate the sound of a bell, what is taking place inside the bell: “ding-dong—ding-dong.” Here there is the attempt to imitate what takes place in the outer world. This is the basis for the theory that in speech everything may be traced back to external sounds, external event. It is the “ding-dong theory.” So we have these two theories in opposition to one another. It is not in any way my intention to make fun of this, for as a matter of fact, both are correct: the “bow-wow” theory is right for the vowel element in speech, the “ding-dong” theory for the consonantal element. In transposing gestures into sounds we learn by means of the consonants to imitate inwardly outer processes; and in the vowels we give form to inner experiences of the soul. In speech the inner and the outer unite. Human nature, itself homogeneous, understands how to bring this about. We receive the child into the primary school. Through his inner organisation he has become a being able to speak. Now, suddenly he is expected to experience—I say experience deliberately weighing my words, not recognise, experience—a connection between astonishment, wonder, (ah) and the demonic sign a. This is something completely foreign to him. He is supposed to learn something which he feels to be utterly remote, and to relate this to the sound “ah.” This is something outside the sphere of a young child's comprehension. He feels it as a veritable torture if at the very outset we confront him with the forms of the letters in use today. We can, however, remember something else. The letters which we have today were not always there. Let us look back to those ancient peoples who had a picture writing. They used pictures to give tangible form to what was uttered, and these pictures certainly had something to do with what they were intended to express. They did not have letters such as we use, but pictures which were related to their meaning. Up to a certain point the same could be said of cuneiform writing. These were times when people still had a human relationship to things, even when these were fixed into a definite form. Today we no longer have this, but with the child we must go back to it again. We must of course not do so in such a way that we study the cultural history of ancient peoples and fall back on the forms which were once used in picture writing; but we must bring all our educational fantasy into play as teachers in order to create the kind of pictures we need. Fantasy, imagination [The German phantasie is often more equivalent to the English imagination than to fantasy. In this lecture the latter is probably more appropriate.] we must certainly have, for without it we cannot be teachers or educators. And so it is always necessary to refer to the importance of enthusiasm, of inspiration, when dealing with some characteristic feature of anthroposophy. It never gives me any pleasure, for instance, when I go into a class in our Waldorf School and notice that a teacher is tired and is teaching out of a certain mood of weariness. That is something one must never do. One simply cannot be tired, one can only be filled with enthusiasm. When teaching, one must be absolutely on the spot with one's whole being. It is quite wrong to be tired when teaching; tiredness must be kept for some other occasion. The essential thing for a teacher is that he learns to give full play to his fantasy. What does this mean? To begin with I call up in the child's mind something that he has seen at the market, or some other place, a fish for example. I next get him to draw a fish, and for this I even allow him to use colours, so that he paints as he draws and draws as he paints. This being achieved I then let him say the word “Fish,” not speaking the word quickly, but separating the sounds, “f-i-ssh.” Then I lead him on so that he says only the beginning of the word fish (f...) and gradually I transfer the shape of the fish into a sign that is somewhat fish like, while at the same time getting the child to say f ... And there we have it, the letter “f!”  Or I let the child say Wave (W-a-v-e) showing him at the same time what a wave is (see sketch). Once again I let him paint this and get him to say the beginning of the word—w—and then I change the picture of a wave into the letter w.   Continuing to work in the same way I allow the written characters gradually to emerge from the painting-drawing and drawing-painting, as indeed they actually arose in the first place. I do not bring the child into a stage of civilisation with which as yet he has nothing in common, but I guide him in such a way that he is never torn away from his relationship to the outer world. In order to do this there is no necessity to study the history of culture—albeit the writing in use today has arisen out of picture-writing—one must only give free play to one's fantasy, for then one brings the child to the point at which he is able to form writing out of this drawing and painting. Now we must not think of this only as an ingenious and clever new method. We must value the fact that the child unites himself inwardly with something that is new to him when his soul activity is constantly stimulated. He does not “grow into it” when he is pushed, so that he is always coming into an unfamiliar relationship with his environment. The whole point is that we are working on the inner being of the child. What is usually done today? It is perhaps already somewhat out-of-date, but not so long ago people gave little girls “beautiful” dolls, with real hair, dolls that could shut their eyes when one laid them down, dolls with pretty faces and so on. Civilisation calls them beautiful, but they are nevertheless hideous, because they are inartistic. What sort of dolls are these? They are the sort which cannot activate the child's fantasy. Now let us do something different. Tie a handkerchief so that you have a figure with arms and legs; then make eyes with blobs of ink and perhaps a mouth with red ink as well; now the child must develop his fantasy if he is to imagine this as having the human shape. Such a thing works with tremendous living force on the child, because it offers him the possibility of using his fantasy. Naturally one must do this first oneself. But the possibility must be provided for the child, and this must be done at the age when everything is play. It is for this reason that all those things which do not stimulate fantasy in the child are so damaging when given as toys. As I said, today these beautiful dolls are somewhat out-dated, for now we give children monkeys or bears. To be sure, neither do these toys give any opportunity for the unfolding of a fantasy having any relationship to the human being. Let us suppose that a child runs up to us and we give him a bear to cuddle. Things like this show clearly how far our civilisation is from being able to penetrate into the depths of human nature. But it is quite remarkable how children in a perfectly natural, artistic way are able to form imaginatively a picture of this inner side of human nature. In the Waldorf School we have made a transition from the ordinary methods of teaching to what may be termed a teaching through art, and this quite apart from the fact that in no circumstances do we begin by teaching the children to write, but we let them paint as they draw, and draw as they paint. Perhaps we might even say that we let them splash about, which involves the possibly tiresome job of cleaning up the classroom afterwards. I shall also speak tomorrow about how to lead over from writing to reading, but, quite apart from this painting and drawing, we guide the child as far as possible into the realm of the artistic by letting him practise modelling in his own little way, but without suggesting that he should make anything beyond what he himself wants to fashion out of his own inner being. The results are quite remarkable. I will mention one example which shows how something very wonderful takes place in the case of rather older children. At a comparatively early age, that is to say, for children between ten and eleven years old, we take as a subject in our curriculum the “Study of Man.” At this age the children learn to know how the bones are formed and built up, how they support each other, and so on. They learn this in an artistic way, not intellectually. After a few such lessons the child has acquired some perception of the structure of the human bones, the dynamic of the bones and their interdependence. Then we go over to the craft-room, where the children model plastic forms and we observe what they are making. We see that they have learned something from these lessons about the bones. Not that the child imitates the forms of the bones, but from the way in which he now models his forms we perceive the outer expression of an inner mobility of soul. Before this he has already got so far as to be able to make little receptacles of various kinds; children discover how to make bowls and similar things quite by themselves, but what they make out of the spontaneity of childhood before they have received such lessons is quite different from what they model afterwards, provided they have really experienced what was intended. In order to achieve this result, however, these lessons on the “Knowledge of Man” must be given in such a way that their content enters right into the whole human being. Today this is difficult. Anyone who has paid as many visits to studios as I have and seen how people paint and model and carve, knows very well that today hardly any sculptor works without a model; he must have a human form in front of him if he wishes to model it. This would have had no sense for a Greek artist. He had of course learned to know the human form in the public games, but he really experienced it inwardly. He knew out of his own inner feeling—and this feeling he embodied without the aid of a model—he knew the difference between an arm when it is stretched out or when, in addition, the forefinger is also extended, and this feeling he embodied in his sculpture. Today, however, when physiology is taught in the usual way, models or drawings of the bones are placed side by side, the muscles are described one after another and no impression is given of their reciprocal relationship. With us, when the children see a vertebra belonging to the spinal column, they know how similar it is to the skull-bone, and they get a feeling for the metamorphosis of the bones. In this way they enter livingly right into the different human forms and so feel the urge to express it artistically. Such an experience enters right into life; it does not remain external. My earnest wish, and also my duty as leader of the Waldorf School, is to make sure that wherever possible everything of a fixed nature in the way of science, everything set down in books in a rigid scientific form should be excluded from class teaching. Not that I do not value science; no one could value science more highly. Such studies can be indulged in outside the school, if so desired; but I should be really furious if I were to see a teacher standing in front of a class with a book in his or her hand. In teaching everything must come from within. This must be self-understood. How is botany taught today for instance? We have botany books; these are based on a scientific outlook, but they do not belong to the classroom where there are children between the change of teeth and puberty. The perception of what a teacher needs in the way of literature must be allowed to grow gradually out of the living educational principles I shall be speaking about here. So we are really concerned with the teacher's attitude of mind, whether in soul, spirit and body he is able to relate himself to the world. If he has this living relationship he can do much with the children between the change of teeth and puberty, for he is then their natural and accepted authority. The main thing is that one should enter into and experience things in a living way and carry over into life all that one has thus experienced. This is the great and fundamental principle which must form the basis of education today. Then the connection with the class will be there of itself, together with the imponderable mood and feeling that must necessarily go with it. Answers to a QuestionQuestion: There are grown-up people who seem to have remained at the imitative stage of childhood. Why is this? Dr. Steiner: It is possible at every stage of human development for someone to remain in a stationary condition. If we describe the different stages of development, adding to today's survey the embryonic stage, and continuing to the change of teeth, and on to puberty, we cover those epochs in which a fully developed human life can be formed. Now quite a short time ago the general trend of anthroposophical development brought it about that lectures could be held on curative education, with special reference to definite cases of children who had either remained backward or whose development was in some respect abnormal. We then took the further step of allowing certain cases to be seen which were being treated at Dr. Wegmann's Clinical-Therapeutic Institute. Among these cases there was one of a child of nearly a year old, about the normal size for a child of this age, but who in the formation of his physical body had remained approximately at the stage of seven or eight months embryo. If you were to draw the child in outline with only an indication of the limbs, which are somewhat more developed, but showing exactly the form of the head, as it actually is in the case of this little boy, then, looking cursorily at the drawing, you would not have the faintest idea that it is a boy of nearly a year old. You would think it an embryo, because this boy has in many respects kept after his birth the embryonic structure. Every stage of life, including the embryonic, can be carried over into a later stage; for the different phases of development as they follow one after the other, are such that each new phase is a metamorphosis of the old, with something new added. If you will only take quite exactly what I have already said in regard to the natural religious devotion of the child to his surroundings up to the change of teeth, you will see that this changes later into the life of soul, and you have, as a second attribute the aesthetic, artistic stage. Now it happens with very many children that the first stage is carried into the second, and the latter then remains poorly developed. But this can go still further: the first stage of physical embodiment can be carried over into each of the others, so that what was present as the original stage appears in all the later stages. And, for a superficial observation of life, it need not be so very obvious that an earlier stage has remained on into a later one, unless such a condition shows itself particularly late in life. Certain it is however that earlier stages are carried over into later ones. Let us take the same thing in a lower kingdom of nature. The fully grown, fully developed plant usually has root, stalk, with it cotyledon leaves, followed by the later green leaves. These are then concentrated in the calyx, the petals, the stamen, the pistil and so on. There are however plants which do not develop as far as the blossom, but remain behind at the stage of herbs and other plants where the green leaves remain stationary, and the fruit is merely rudimentary. How far, for instance, the fern has remained behind the buttercup! With the plant this does not lead to abnormality. Man however is a species for himself. He is a complete natural order. And it can happen that someone remains his whole life long an imitative being, or one who stands in need of authority. For in life we have not only to do with people who remain at the imitative stage, but also with those who in regard to their essential characteristics remain at the stage that is fully developed between the change of teeth and puberty. As a matter of fact there are very many such people, and with them this stage continues into later life. They cannot progress much farther, and what should be developed in later years can only do so to a limited extent. They remain always at the stage where they look for the support of authority. If there were no such people, neither would there be the tendency, so rife today, to form sects and such things, for sectarian associations are based on the fact that their adherents are not required to think; they leave the thinking to others and follow their leaders. In certain spheres of life, however, most people remain at the stage of authority. For instance, when it is a question of forming a judgment about something of a scientific nature people do not take the trouble to look into it themselves, but they ask: Where is the expert who must know about this, the specialist who is a lecturer at one of the universities? There you have the principle of authority. Again in the case of people who are ill the principle of authority is carried to extremes, even though here it may be justifiable. And in legal matters, for instance, nobody today will think of forming an independent judgment, but will seek the advice of a solicitor because he has the requisite knowledge. Here the standpoint is that of an eight or nine year old child. And it may well be that this solicitor himself is not much older. When a question is put to him he takes down a lawbook or portfolio and there again you have an authority. So it is actually the case that each stage of life can enter into a later one. The Anthroposophical Society should really only consist of people who are outgrowing authority, who do not recognise any such principle but only true insight. This is so little understood by people outside the Society that they are continually saying: “Anthroposophy is based on authority.” In reality the precise opposite is the case; the principle of authority must be outgrown through the kind of understanding and discernment which is fostered in anthroposophy. The important thing is that one should grasp every scrap of insight one can lay hold of in order to pass through the different stages of life.
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